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Dictys

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The Mythology of Perseus in the Archaic Period
āThe Perseus myth is attested as early as the Iliad, where Zeus tells Hera that he is inflamed by her beauty even more than when he loved āDanaĆ«, fair-ankled daughter of Acrisius, who gave birth to Perseus, conspicuous among all menā, as well as in Hesiodās Theogony, which refers to Perseusā beheading of Medusa and the consequential emergence of Chrysaor and the winged horse Pegasus. In each case the brevity of the reference indicates the familiarity of the tale. ⦠A fragment of Alcaeus or Sappho reads āinto the kibisis ⦠he putā; the only other pre-Hellenistic occurrence of the unusual word κίβιϲιϲ denotes the pouch into which Perseus stashes Medusaās head, so this might point towards a reference to the myth in the Aeolic poetic tradition too.
The clash with Medusa appears in art from the seventh century. A Proto-Attic neck amphora from Eleusis, dating to c. 670ā660 and attributed to the Polyphemus Painter, and found in a grave, containing the skeleton of a child, depicts Perseus escaping with Medusaās decapitated head, pursued by her Gorgon sisters (behind whom lies her headless body), and protected by Athena, who interposes herself between him and his foes. A painted terracotta metope from the temple of Apollo at Thermon (c. 630ā620) shows him with cap, winged sandals, and sword, carrying the Gorgonās head, which is in his pouch but partly visible. ⦠A painted clay relief from Syracuse, dated to the second half of the seventh century, depicts Medusa with Pegasus tucked under her right arm, a clear allusion to the myth of her decapitation. The actual moment when she loses her head is portrayed on a Cycladic relief pithos from the same period, found at Thebes, probably in a grave: Perseus has the pouch slung over his shoulder and his cap on his head, as he swings his sword at Medusa, whose body combines those of a woman and a horse. The hero looks away as he deals the fatal blow, indicating that the artist knew the petrifying power of the Gorgonās gaze. The same episode seems to have appeared on another pithos from this period, although only Perseus can now be seen on it; and on a fragmentary Protocorinthian cup from Aegina.
Perseusā encounter with another foe, the sea-monster from which he rescues Andromeda, has a single, rather later, archaic attestation, on a Corinthian black-figure amphora dating to the second quarter of the sixth century: the monster is on the left, confronting Perseus, who is flinging rocks at it, wearing a cap, winged sandals, and carrying the pouch, while Andromeda stands behind him, her hands probably tied.
By the sixth century we encounter the first literary description of Perseus of any length, in the epic Shield attributed to Hesiod but actually composed long after his death. The poem describes an image of Perseus on the shield which gives the work its title; called the son of DanaĆ« and armed with a sword, he is carrying the Gorgonās head in his bag (specified as the κίβιϲιϲ), and is wearing winged sandals and the cap of Hades, while the other Gorgons pursue. ⦠Another hexameter poem from this period wrongly attributed to Hesiod, the Catalogue of Women, provides the first attestations of two figures who play an important part in Perseusā life: āDictys and godlike Polydectesā, the sons of Magnes, brother of Macedon and son of Zeus and Thyia, Deucalionās daughter. Acrisiusā wife, named Eurydice, also features; DanaĆ« is said to be their daughter, and Perseus her son, though of his conception nothing is mentioned, the poem returning to Acrisiusā brother Proetus and his offspring. A tiny fragment from the same papyrus containing the word āgold(en)ā has been conjectured to come from a description of DanaĆ«ās impregnation with Perseus by Zeus in the form of a shower of rain, a story familiar from later sources; it is however futile to build an interpretation on a single unexceptional word from an unknown context. A more convincing Hesiodic reference occurs in a different papyrus, which mentions Acrisius, followed by Perseusā being sent into the sea in a chest, then Zeus, then āgoldenā. This, the earliest attestation of Perseusā unusual voyage, implies other aspects of the myth again known thanks to subsequent accounts: Acrisiusā anger at DanaĆ«ās pregnancy, the oracle telling him that his daughterās son would kill him, the eventual rescue on Seriphos. Given the adjective, now crucially contextualised, the golden shower might be mentioned too. This papyrus is probably not from the Catalogue, but may be from the Megalai Ehoiai, which may have included Perseusā gift of the Gorgonās head to Athena.
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In the visual arts depictions of Perseusā escape from Medusaās pursuing sisters continue to be attested in sixth-century black figure pottery, far more so than images of the killing of Medusa. Both scenes are attested in other media across the Greek world: for example, the cedar Chest of Cypselus (c. 590ā570) in the temple of Hera at Olympia depicts Perseus escaping from Medusaās sisters as they fly after him; the throne at Amyclae carved by Bathycles of Magnesia in second half of the sixth century portrays the killing of Medusa; and a late-sixth-century limestone metope from Temple C at Selinus shows Perseus cutting off the head of Medusa (who is holding a winged horse, i.e. Pegasus), with Athena standing by him as a supporter (as often on vases too). From the end of the century the clash is depicted on red-figure vases. Medusa is often presented as a beautiful woman, making the encounter more like an erotic abduction than the dispatching of a monster. But of Perseus after his return from his quest no trace remains from this period.ā
- Euripides and the Myth of Perseus. Two Lost Greek Tragedies Illuminated by a New Papyrus by P.J. Finglass
ΠεĻĻĪµĻ Ļ
Perseus was one of the most celebrated heroes of Greek mythology. He was the son of the Argive princess Danae who was locked away in a bronze chamber by her father Akrisios who lived in fear of a prophecy that he would one day be killed by her son. The god Zeus, however, infiltrated her prison in the guise of a golden shower and impreganted her. When Akrisios discovered the child, he placed the two in a chest and set them adrift at the sea. They were carried safely to the island of Seriphos where they were offered refuge by the kindly, fisherman Diktys. When Perseus was fully grown, King Polydektes commanded he fetch the head of Medusa. With the help of the gods, Perseus obtained winged sandals, an invisible helm and a magical sword. He then sought out the ancient Graiai and stealing their single eye compelled them to reveal the location of the Gorgones. Perseus approached Medusa as she slept and beheaded her with eyes averted to avoid her petrifying visage. On his journey back to Greece, Perseus came across the Ethiopian princess Andromeda chained to a rock as a sacrifice to a sea-monster. He slew the beast and brought her with him back to Greece as his bride. Perseus was the ancestor of the royal houses of Mykenai, Elis, Sparta, Messenia, and distant Persia. His most famous descendant was Herakles.
Danaƫ and Dictys
OH MY GOD THEREāS A VASE PAINTING DEPICTING PERSEUS RETURNING TO SERIPHOS AND REUNITING WITH DICTYS AND DANAE IM GONNA CRY

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Statius politely calling Zeus a dead beat lmaooo
The Mythology of Perseus in the Works of the Mythographers
āIn the case of the Perseus myth, the scholia to Apollonius of Rhodes helpfully attribute extensive accounts to [Pherekydes of Athens] by name in the three fragments below, where frr. 10 and 12 occur without a break: Pherecydes in Book 2 records that Acrisius marries Eurydice daughter of Lacedaemon; from them is born DanaĆ«. When Acrisius asked the oracle about a male child, the god at Pytho responded that he would not have a male child, but that one would be born to his daughter, and by him it was fated that he would die. On returning to Argos Acrisius makes a bronze chamber in the courtyard of his house, underground, where he brings DanaĆ« with her nurse, in which he guarded her, so that a child should not be born from her. But Zeus desired the girl, and flows like gold from the roof, and she receives it in her lap; and revealing himself, Zeus has intercourse with the girl. From them is born Perseus, and DanaĆ« and the nurse bring him up, hiding him from Acrisius. When Perseus was three or four years old, he heard his voice as he was playing, and after summoning DanaĆ« with the Nurse by means of his servants, he kills the Nurse, and takes DanaĆ« with the child to the altar of Zeus of the Hearth. Alone, he asks her from what source she had conceived the child. She said, from Zeus. He is not persuaded, but places her into a chest with the child; and after shutting it, he casts it into the sea. And they were carried along and arrive at the island of Seriphos. And Dictys son of Peristhenes draws them out when he is fishing with a net. Then DanaĆ« supplicates him to open the chest. And he, on opening it, and learning who they are, brings them to his home, and brings then up as if they were his relatives. For Dictys and Polydectes were children of Androthoe daughter of Castor, and of Peristhenes son of Damastor, son of Nauplius the son of Poseidon and Amymone, as Pherecydes says in Book 1. Pherecydes fr. 10 Fowler
The Mythology of Perseus in the Early Classical Period
āIn two poems from the 490s, and one more of unknown date, Pindar focuses on Perseusā actions after his return from his quest. ā¦