character development “hard mode” / accepting
5. on an average day, what can be found in your character’s pockets?
ACADEMY. first, his handkerchief. l.v.h. is monogrammed into it on one corner and the crest of cethleann on another. he also carries a pocket journal and writing utensil to accompany his spontaneous bursts of writing energy and/or knowledge. he sometimes carries a light sum of gold, though not usually since he very rarely hits up the markets. his dormitory keys, but that’s obvious.
WAR. not much changes from the academy, though now the pocket journal is also dotted with tasks and chores that linhardt…. well, unfortunately ends up forgetting to complete more often than not. with magic used as his main defense, linhardt doesn’t actually arm himself with any type of weaponry.
MODERN AU. linhardt’s phone is his ultimate utility device. his phone is more for practical purposes than entertainment: he makes great use of the notes app to itch whatever writing bug is scratching inside him, he uses apple pay as his primary source of money exchange, his phone gives him the time and date, etc. he carries a wallet though he doesn’t have paper cash on him, just cards. his wallet also stores his house keys and other tinier personal effects.
linhardt does carry a bag more than he relies on his wallet. the bag includes: sanitary wipes, hand sanitizer, tissues, hand cream, a mini first-aid kit, a portable toothbrush and bottle of toothpaste, a portable comb, an eye mask, a portable spritz bottle, a pocket mirror, a digital camera, pens, some swiss army knife that’s most likely not his, a number of hair ties (though the ribbon is his favorite and most frequently worn), a powerbank / portable charger, and a proper journal for thorough research logs.
20. In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
academy. linhardt’s never been the type to compare himself to others at face value. he knows he’s a genius, he won’t deny that he’s grossly self-focused, he acknowledges that he’s lazy, he cares little about being looked down upon on a regular day. however, the greatest disparity between him and his peers that disturbs linhardt is his reaction to violence. linhardt holds no negative bias against his housemates for being immune to the atrocities of battle but, with his extreme hemophobia, linhardt feels particularly alienated. pathetic, to put bluntly, since bloodshed shouldn’t be so shocking to him when it’s an inevitable occurrence for those born within this time and in his status, hence why the academy exists. it isn’t something that fazes his peers, nevertheless something that possesses them in an intense bout of nausea as it does to him, and it makes linhardt feel absolutely miserable. it’s entirely self-critical, coming from a background where linhardt has always been criticized as the softhearted heir of hevring, childish for yearning to utilize magic and his crestology pursuits for means above enforcing violence, and pathetic for not fitting into the mold of nobility. frankly, linhardt feels that his hemophobia drives in the narrative of how weak he is as a person, as much as he hates subscribing into the narrative. there’s a sense of hopelessness when linhardt starts comparing his reaction to violence to his peers, if only because he knows it’s only a matter of time until he becomes numb to it as well.
war. overwhelmingly prominent in azure moon and verdant wind due to his past affiliation with the empire, linhardt is self-conscious about how he’s not entirely committed to the cause in comparison to the rest of his peers. it becomes glaringly obvious, in his eyes, how much he has to catch up to them. he never cared about being a liability in the academy, but now the situation is dire during war. he’s self-critical about how others might see him as wasting resources or that he’s just fucking around and not taking their cause seriously. as much as he jests that the lack of trust the soldiers have in him for being adrestian gives him less responsibility, it makes him uneasy. he doesn’t want to be the weak link in the army that could do their entire operations in.
grief, death, and going against individuals he once fondly called his classmates breed a new ground of self-criticism for linhardt. he doesn’t know how to handle dealing with death. it’s difficult for him to process killing and he’s already disgusted at himself for growing numb at the sight of blood on the battlefield. linhardt observes his peers' reactions a lot in this sense since he ends up mimicking them so that he can also move forwards, allowing his pessimism to ultimately become the centerpiece in his emotions rather than his dreamy idealism.