First of all, gloss over the fact of how late I am with this, I've never been good at keeping up with stuff like that. Second, this entire post is mostly just for me to let out all the storm of thoughts forming in my brain right now, because that's how I operate, but feel free to drop your insight.
So, I'm a big fan of the Devilman series, let me establish that. I've fell in love when I stumbled upon Amon: Apocalypse of Devilman years before, which led me to catching up with older shows/OVAs, I even got my hands on the manga. I simply love it- the premise, philosophy, questioning all of what we understand as being human, empathy, love... I live for media like this. So obviously I checked out Crybaby on Netflix too.
And, in my opinion, it wasn't actually that good at all, despite the hype.
The animation is the front of it, let's start with that.
I know it's hard for people to adjust. Anime throughout the years has had various styles, so distict and popular at the specific time periods that it pretty much separated anime styles into groups of how shows were stylised at the time. So when something breaks through that drastically, it may received mixed, if not mostly negative comments (look at Aku no Hana for example). And you know, I actually liked it for the most part. It was unique, its fluidity in motion captivating, in my eyes. But the more episodes, the more obvious it was that it didn't work for everything, slowly starting to become more annoying than charming, visually speaking.
My second ick? Sirene. Oh my.
I'm talking about episodes involving her as a whole.
I've always been mesmerised by this specific act in the story to be honest. Sirene's story itself is something I find beautifily tragic. In love with the demon prisoned in a human body, the demon possessed by someone else pretty much, desperately wanting to free him in order to be together while also following insticts of a demonic being - proving its strenght for the sake of survival ingrained into demons' very core, thriving at the thought of defeating someone who can outpower you (and being good at it, considering she was one of very few, if not the only demon close to finishig Devilman). Among her is Kaim, the demon in love with her - both of them creating this duo of unconditional feelings, making us question whether demons and humans are actually that different and if demons are capable of caring about each other without wanting anything in return (like Kaim letting himself be killed, so Sirene could get a chance at winning), then what makes us special as human beings in comparision to them? I am passionate, as you can see, about this.
And disappointed that in comparision, this act in Crybaby was shallow and felt sped up, present only for the sake of it. I remember feeling down and upset, kind of like when you order something amazing at first glance off the web, only for it to arrive looking cheap and horrible in quality. Their fight felt like it lasted for a minute, Sirene's and Kaim's story and their purpose to it more of a speck. I personally feel that if they could pull it off in an OVA (The Demon Bird, 1990), manga (1972) etc., they could've pulled it off here.
Bringing time feels especially important to me, since many other shows having the same runtime (around 22/23 minutes if you count out the op and ed) are able to still make it work while also having deep/complicated stories like Devilman.
These episodes also brought something else to my attention while watching.
Their obsession with NSFW stuff. Blood, gore, sex. "But it's for the more mature audience, obviously they put that in." Yeah. Original Devilman is bloody and gory as well, absolutely not meant for younger readers/watchers. But here, when I finished watching the show, if felt like it became an excuse for them, putting it into scenes without rhyme or reason - and I do expect a little more reason, because Devilman in its core is meant to be a bit more than a show someone can just jack off to on a Friday night I think or fawn over edgy guts and all. As I mentioned, it came off to me extremely strongly while watching the Sirene act - mostly because she felt highly sexualised (among other female characters) and her feelings for Amon focused solely on "rail me, Amon".
"People in love want to do these things together, especially demons, because" - sorry to interrupt, but this whole act, to me, was meant to prove that demons are not actually mindless beasts, but instead able to purely feel for someone beyond the physical need just like people, making us, consumers, ask ourselves how it correlates to our own humanity if those "vile and mindless monsters" also understand what it means to love and save someone we care about.
Instead, I saw pointless sex scenes, adding nothing to its core while feeling like it had some purpose meant for it, they just didn't feel like elaborating. I can deal with it to some extent. Maybe I did miss a point, maybe I'm exaggarating. But from where I stand, its only point was to scream "look at this thing, it's 16+". And nothing beyond - which, again, hits me harder when I remembered previous stuff was nowhere near close to stuffing itself with NSFW while still being meant for older people, violence paired with topics of demonic need for violence and survival while mentions of sex barely present or hinted at without feeling like it's shoved down your throat, focusing on its debate over morals and meaning of humanity, questioning who is really the actual monster. Unlike Crybaby - trying to do something similar and forgetting about it later.
Those are the most important points from me. Again, it is meant mostly to be a mindless rant and "let-it-out" sort of deal, so forgive the messiness of it. I'd also like to remind that these are my personal views and I am willing to have a convo about it.
But Devilman is, as I hopefully showcased, important to me. I love the manga, I love OVAs, I love shows and specials.
So it cut me extra deep to admit to myself that I did not, at all, love or even like Crybaby.
Because it wasn't just what it really could be.