Feb 24, 2025
To all the usernames I've had before (2024)
These pieces operate at the intersection of digital decay and speculative archaeology, mapping the remains of lost usernames in the cybernetic age. The reflective textures hint at a spectral interface where memory and malfunction merge.
The CDs act as memory discs, obsolete storage for versions of me that no longer function. The grids and binary sequences hint at the algorithmic scaffolding that once held my presence online.
These works don’t preserve memory; they simulate it, reconstructing lost architectures from the remnants of shattered online identities.
