May 3, 2022
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Tristeza oscura
Unos dicen que están contigo en las buenas y malas
Otros que eres de lo mejor que les a pasando en la vida
Otros que siempre dicen que tienes su apoyo
Y la mayoría habla mal de ti sin ni siquiera conocerte
Esta mierda de gente solo miente miente y miente
Y que ganan con eso?.... pues.... ni puta idea...?
HAY LA VIDA!!!
JAJA
Joder macho encerio si que hay gente ignorante
Pero ni pedo así funciona este mundo y la sociedad
Que bueno que no soy humano y nunca lo fui
Siempre me ven como un sin mente que no existe y solo baja por las calles sin hacer nada ni decir una palabra, solo camina sin saber dónde ir
No se por qué nadie nota mi existencia en este mierda de mundo.
Dead Night (2017)(AKA Applecart)
Directed by Brad Baruh
Written by Irving Walker
Music by Jospeh Bishara
Country: United States
Language: English
Running Time: 82 minutes
CAST
Brea Grant as Casey Pollack
A J Bowen as James Pollack
Barbara Crampton as Leslie Bison
Sophie Dalah as Jessica Pollack
Elise Luthman as Becky Lane
Joshua Hoffman as Jason Pollack
Daniel Roebuck as Jack Sterling
Joy Osmanski as Mika Shand
Kay D’Arcy as Lily Lane
Sky Soleil as Detective Walker
Alexander Walker as Crone
Dianna Miranda as Dr. Cynthia Ramsey
Alison Haislip as Jenni Whitmore
Ryan Schwartzman as Karl Durant
Shauna Case as Amanda Tate
Dead Night is an energetically derivative mess which rewards the curious viewer with fine performances, cool practical FX, and some truly beautiful shots of snowy woods. This one is for folk who respond to energy rather than polish, fans of cinematic lucidity can definitely give Dead Night a miss.
For all its faults, which are many, Dead Night has an abundance of spirit and ambition; but it all proves a bit too chaotic and overstuffed for long-time producer, first-time director, Brad Baruh to keep under control. Starting off typically enough with a family heading to a remote cabin, Dead Night soon starts careening about, wildly pinballing off its influences and narrative innovations. The setup is delivered with remarkable efficiency; the Pollack family, and the teen friend of the daughter, are staying at a remote, snow dappled cabin for a break, and also in an attempt to cure dad’s cancer. See, the cabin rests on a large iron deposit which is conducive to health or something; it all sounds a bit New Agey to me, luckily for the viewer (but unluckily for the Pollacks) the forces saturating the woods around the cabin turn out to be from an older, darker age. These primal forces have a plan for the family; a poorly defined plan admittedly, but it is a very definitely a nasty plan. Luckily for Dead Night, in a horror movie nastiness trumps clarity every time.
Dead Night’s cast fight hard throughout to anchor the somewhat wayward movie with sympathetic and winning performances, and are surprisingly successful. A J Bowen appears in yet another low budget horror movie, strengthening the impression that moviemakers get additional funding for employing him. Which would be a double win if it were true and not just a weak joke, as he is never less than good. In Dead Night he’s very good as a Wacky Dad whose wackiness masks his fear of death. The kids don’t get much to work with but are realistic and sympathetic; Jason (Joshua Hoffman) looks at butts on his phone and is surly, Jessica (Sophie Dalah) shows off in front of her friend by testing her parents’ patience and the friend, Becky (Elise Luthman) is calmly accepting, and wholly, like, totally unaware that she is the catalyst for the violent disaster about to descend on them all. A disaster which perhaps descends a bit too quickly, as from that point on Dead Night is less about character and more about carnage and confusion.
But, to Dead Night’s credit, character doesn’t totally get lost in the arterial spray. Or one character doesn’t anyway. Due to the fast moving, gore soaked events with their understandably high casualty rate, Brea Grant as mom has to carry most of the movie on her own. Fortunately she’s good; so good that the maternal desperation fuelling her actions intermittently cuts through the supernatural shenanigans to remind you of the human cost, a cost easily lost under the impressive splatter effects. And it would of course be an act of heinous oversight to neglect to mention genre jewel Barbra Crampton’s performance, which is so much fun it should have its own candy floss stand. Clearly relishing every moment she brings the multi-faceted and evocatively named Leslie Bison to cheekily malevolent life. It’s such a wonderful performance that her turn as the rudest house guest in the world briefly brings a subtler, less physical and more interpersonal horror to Dead Night.
There’s a lot to like in Dead Night, everyone in it for starters, and the clever expository device, which I’m hesitant to spoil, is initially discombobulating in a fun way. Ultimately though it bites off more than it can chew, and tries to do too much too quickly resulting in cinematic indigestion. But, you know, as a genre piece its strengths outweigh its flaws so Dead Night is alright.
Endless Horrors
Dead Night Another movie who’s original name, Applecart, was waaaaaaay better. Dead Night is about a family that go out to a winter home in the woods to grow closer together because it’s on laylines or some shit. Anyway, they find a woman in the snow and bring her back to the house, and then shit goes down. I’ve been looking forward to this one for a while. This movie does something unique in that while the movie is going on, you also see a true crime documentary about what people THINK happened. I love that idea. That said, both the “actual events” and the documentary are just a little bit too tongue in cheek to really make the most of it. And that’s my biggest issue with the film. It’s has everything it needs to be legitimately scary, but they went for camp instead, and I simply couldn’t adjust completely. Truly, this is a campy film at its heart, the issue is with me, but the ideas here are so good, and the horror elements are done so well, that the campiness tasted a bit sour in my mouth. A lot of the camp rests on the shoulders of its primary villain, played by scream queen Barbara Crampton. She could have been a legitimately threatening villain, but while all these genuinely horrific things are happening, she is instead a quippy bitch archetype. Still, the pacing is good. The effects are good. One in particular stands above the rest. The acting in general is good, but there aren’t any stand outs. They are successful in creating a creepy atmosphere at points, but the tongue and cheek nature often breaks the atmosphere apart. Regardless, the ideas here are so good I want a sequel. There is a slow build of mythology here, and I definitely want to see it explored more. I don’t know if the same gimmick will work twice, however. If there is a sequel, I hope it either becomes more campy like Evil Dead 2, or more serious like the Evil Dead remake, because this inbetween place that the film lies really set the film back for me. I think it is worth watching. Is it a must watch though? I don’t know. For a film like this, I don’t think I can say one way or the other. The Endless Two teens escape a cult and group up to become miserable men. One, however, respects his misery because it is real, while the other reminisces about his life in the cult. So, after receiving a tape from the cult, they decided to go back for a little while to see if the younger brother can finally say goodbye and move on with his life. The Endless grasped me from the very beginning by exploring these two protagonists. They’re both very interesting, very well acted (by the writer/directors no less), and easy to empathize with. I understood why the younger brother glamorized the cult life, and why the older brother was so adamant about moving on with their current lifestyle. All the actors in this film do a very good job. Cult or no cult, comedy relief or not, they’re all very human. Which these guys are very good at portraying overall, but I’ll get back to that. So I’m watching this movie, and I’m thinking, “This is starting to remind me of Resolution.” And lo and behold, this movie is a sequel to Resolution. I didn’t even know. That was a wonderful surprise. This film is a bit more dramatic than Resolution, less focused on comedy and horror than what this cult represents for the two brothers, but there are moments of effective well placed comedy, and yes, there is death, and there is suspense, but even though the body count is higher than Resolution, it is definitely a lighter film. The film is well paced. No, it’s VERY well paced. I forgot that the film is an hour and fifty minutes long. It really didn’t feel that way to me. It’s another film that succeeds in being exactly what it wants to be. There’s not a lot of gore, but what blood is shown looked proper. Justin Benson and Aaron Moorhead, remember these names. These guys also made Spring. The last three genre films these guys have made have been utterly fantastic, and I will happily watch anything they make. This is a must watch film, and a must own film on the basis that Resolution is a must own film, and you need to own both of these, and then you need to own Spring.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
October 2018 Day 3: DEAD NIGHT (2018)
For night 3 we watch Dead Night, starring the incredible Barbara Crampton! So, if you’ve seen it, check our vid out and hear our thoughts!
