Reading Goeff Johns talk shit about Butch!Cassie's iconic haircut is like I need a hammer I need a hammer I need a hammer I need a hammer this is my beloathed DC writer and I need a hammer to hate him
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Reading Goeff Johns talk shit about Butch!Cassie's iconic haircut is like I need a hammer I need a hammer I need a hammer I need a hammer this is my beloathed DC writer and I need a hammer to hate him

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Saw someone on this site say, to summarize. “you’re all just calling Grant Morrison racist because you hate queer people.”
How old are you??? Because we’ve been criticizing Grant “The Racist” Morrison long before they came out.
Also given they’re still one of the most acclaimed comic authors ever… you’re defending someone who needs no defense. Touch grass.
I'm wondering if it really is just me or does comic book m/m kinda suck. Because anytime I try to get invested in a gay superheros the writing more often than not is just-not it? Like it's not doing it for me.
I mean there was Midnighter and Apollo who I still think are pretty cool in concept but are kinda flanderized and watered down into stereotypes now. There was that one Alan Scott 2022 comic that I didn't like (although I saw pleanty of ppl on blueksy enjoying it so idk). I Read Iceman Omega a while ago cause it looked promising, but the story was overall underwhelming. The discourse surrounding Jon Kent and Tim Drake makes me not wanna go anywhere near their characters and I've already ranted about the "queerbaity?" mishandling of symbrock here.
I feel like the only m/m character I actually kinda liked was Jackson Hyde when I read Aquaman the becoming. But he gets overshadowed by og Aquaman so idk. There's Ghostmaker who I like too but he hasn't really showed up in anything for a while... seems like comics don't really know how to handle m/m. The Superbat joke in Sirens: Loves Hurts makes me uncomfortable...
Idk, is it just a me thing? It could be a matter of me not being to familar with comics or my sensitivity or whatever, but I like canon gays in other things and have gay ocs. Idk maybe I just don't like comics as much as I initially thought I did.
I think my problem is that because I suffered through all three parts of Crisis on Infinite Earths so recently, which was mind-numbingly stupid and infuriating, it’s now tainted all crisis-like media for me. Maybe forever. Because I don’t want to watch multiverse fight scenes for the sake of nostalgia or random power scaling slop anymore. I’ve had my fucking fill. Just give me a good story for the love of god stop aura farming. If I have to watch another beloved superhero universe get wiped out on screen because the writers needed to up the stakes and wanted more brand synergy or whatever, I’m going to do something drastic.
Ultimately the scene with Jay removing Bart's material belongings, and residency, from his home in the presence of his biological daughter when there were endless other options available is a very clear demonstration of how the writers own biases impact their writing. We can see by demonstration of how this scene unfolded what Adams feels is paramount in family, and what family is to him; and it is bioessentialist. It wouldn't be the case if it was intentional and commentary about the scene came up later as a point of conflict, but it didn't (as if Jeremy Adams could or would ever write something that compelling).
The issue is NOT Judy getting her room and place back in her family, the issue is the narrative that adopted and foster children cannot exist in the presence of biological children, and biology is inherently more important.

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Damian could in fact quit robin or vigilantism all together and stay an important character and have solo stories and even long ongoings on himself in the hero world. The reason this isn't going to happen is because DC is getting rid of all their civilian cast because they're centering vigilantism so much and fighting specifically so much. The DC universe would be so much richer if we could have stories with a hero/vigilante who was focused solely on on healing people, search and rescue groups, investigation journalism, certain kinds of private detectives, jury duty...
I'm not even getting into militant activisim and mutual aid despite the treasure trove about stories on heroism and wanting to help and commity with this stuff but even without those, DC just doesn't care about the massive amount of everyday actors who are actually essential to any kind of matter of justice. Obviously, DC always had a problem with that, but it feels like it has gotten so much worse recently with the erasure of civilan casts.
And before you tell me "it's not the genre!" John Constantine. John doesn't fight his battles. John is some kind of manipulative PI from hell. Oracle!Barbara doesn't fight her own battles. What the fuck is stopping us from having an investigation journalism mystery Lois Lane where she, with all her contact network and her own actual damn skill, navigates a work of action and mystery and takes down supervillains and fights can happen but victory isn't ensured by who punches the hardest but by the legal consequences of the revelations she publishes?
Wonder Woman was an actual ambassador for ages. I made a post about how I wanted to hear about the paperwork and actually just see her do diplomatic work and I thought I was just being a nerd but people reacted to that and actually you know what we do really much want to see stories about Wonder Woman as an Amazonian diplomat!
Damian having a solo run where he is a medical first respondant who uses the skills he learnt as fighter/vigilante to get into dangerous places and combat zones etc. to rescue and heal peoples caught in the crosshairs of whatever fight or catastrophe is going on. It would rock. It would be awesome.
Don't get me wrong I love cool badass fights, there are some genres and contexts in which I would actually want there to be more cool badass fights. But DC's universe is currently running on practically only that, in such a varied great universe and that's why they're running on steam and keep making dumb changes to try to keep the stakes high because they worry they're boring now. They're constructing a world where no matter what they claim, the only efficient force at play in any conflict is violence. They have no other angle and they're panicking because they're aware that it's turning them boring and they're flying forward because all their solutions to try and keep things entertaining keep erasing the richness of their universe in order to try and make things more thrilling because they do not understand the gold they are working with. Don't get me wrong, DC is big and we do still have writers pulling cool shit, but DC editorial is having an identity crisis. They're not even writing detective stories anymore!! Their name is Detective Comics. Why should we care whether or not Batman is the greatest detective in the world if Batman's number one hobby right is physically fighting aliens...
There is no cool power or crazy evil villain you can invent that can change the fact that there's a repetitiveness of turning a beautiful rich universe full of civilians with untapped potential into a plain giant Colliseum in which nuclear families come to compete in solo and group fights with random villains and eachother in a number of configurations. And of course, because it's implied in about any critical post I make about dc but just to be crystal clear: this is political.
Scott Summers during the ANAD/IVX era 🤝 Damian Wayne during 5G/Future State
"You did something Really Evil, you are absent from the narrative, because you are Evil. Super Giga Villain Act. We Won't Say What."
Is DC's continue use of Batman a problem at this point or not?
Yes, it's a problem.
No, it's not.