Like!! "K-Pop Demon Hunter Cast" has to mean EJAE, Audrey Nuna, and Rei Ami, right?? And the songs sound legit. I can hear a similar vibe to most of the Huntrix songs here tbh, tho the album leans more towards "How It's Done."

I honestly don't know if this is real or if I'm just completely reading this wrong, but there's no information online to help me. Maybe I'm just not typing in the right key words, but NO ONE ELSE IS TALKING ABOUT THIS. And none of the names in the description have put up any publicity that I can find. Idk maybe there's a bunch of stuff on Korean sites that I just can't see?

If it is real, this is one crazy shadow-drop like damn! What's next? Have the Saja Boys also released IRL music and youtube just isn't showing me??

EDIT: @snowanoki said this in the notes, which makes a lot of sense - While I haven't listened to the music, there's a handful of things pointing to this being a disingenuous artist at best. They list "the girl and the dreamcatcher" in the credits, a duo that broke up around a decade ago, but also the KPDH cast. But the biggest one is the "provided to YouTube by IIP-DDS". That typically means the music is independently published. Any official KPDH music would be owned by Sony or Netflix.

So yeah, thanks for that! Guess it was a scam after all RIP

Here's the link to the playlist on youtube if anyone wants it: https://www.youtube.com/playlist?list=OLAK5uy_l57DzYwR8hfyPpXcNh_dkyRRq2K-Djtfw

First of all, I suck at video games, I don't play them enough nor do I finish or follow through. Picture the worst person playing an RPG fighting game and that's me.

So the idea of me not only completing this game but also falling in love with it is crazy. Even when I wanted to tear my hair out every time I saw that fucking "Death" title card. I fell in love with the lore, characters, soundtrack, and it's humor. God I got so attached to the characters I almost cried so many times in this game. The characters, though they were in a fantasy world with magic and immortal souls, were relatable and had their own quirks that they stood out from each other really well. I devoured everything about this game and I'm still hungry for more. There's so much in this game that it could take one hours to go through all of its nooks and crannies of little easter eggs and details.

No other game has done to me what Death's Door has, which was it made me invested in it as a whole. It was so unnecessarily hard but still easy to play for a measly little shit like me. I get it, sometimes it stays under people's radar as it came out in 2021 and looked like every other indie fighting game. It sure did for me, but I don't what made me buy it I just wanted something new and different rather than play Hollow Knight or Animal Crossing again for the 100th time this month.

I love indie games, each has it's own unique aesthetic and you can tell the aesthetic this game goes for and it hits to a T. I was really sad when I found out that all of their vinyls and concept art that Devolver Digital had on their merch store was sold out :(

I could talk about this game's lore for hours. The same goes for the great soundtrack. No one else I know has even heard of this game. Whenever I try to explain it, they kind of just nod and look at me weird. Oh, you're fine with playing games like Zelda and Diablo IV, but this little crow with a sword and his little green friends make you frown?! What?!

Thank you for coming to my TED Talk (autistic rant).

Movies, video games - the whole shebang.

Music is really just such an amazing art form, decorating time with the vibrancy of sounds, instruments, melodies

PLEASE feel free to ask me about music I enjoy because there is A Lot of it

Game soundtracks that slap (I'm sure you know most of these, but eh what do I care): Hollow Knight (obviously, Christopher Larkin knows his shit) Risk of Rain 1&2 Hades (Darren Korb is a madman) Doom (again, another clear choice) Octopath Traveller Death's Door and Moonlighter (David Fenn has a niche and it's lit) Furi

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Marrying generated spaces with slow games plays to the strengths of both: the variety from the generation keeps the game from exhausting its outputs early, and the undemanding nature of the experience lets the user take a step back and engage with the results of the generator on its own terms.