May 15
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Nicole’s eyewear so cute.
3.12 || 16.03
Lilya Kotsur for Madona Magazine
~ Russia (3) ~
SSNTM Cycle 3 Semifinals - Lovergirl x Lavender Studios Ad
While it's become an SSNTM tradition to shoot a Lovergirl ad at top 3, this cycle we're doing things a little differently! The models instead shot for Cycle 2 winner Joanna Roche's salon brand Lavender Studios, who are partnering with the Lovergirl we know and love to deliver fierce, cruelty-free lewks to anyone who walks through their doors!
You can (and should) view the images in HD >>HERE<<
Vote for your faves >>HERE<<
Poses will be available for download once votes are counted!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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HAPPY 38TH BIRTHDAY YAYA DACOSTA!!!
CYCLE 3 ・ 5/10 ・ UNITED KINGDOM
This Sporting Life (1963, Lindsay Anderson)
Lindsay Anderson is most famous for the films he made with Malcolm McDowell, such as 1968's If... and 1973's O Lucky Man! But This Sporting Life also deserves a place alongside those classics. Starring Richard Harris in a dynamic performance as the alternately surly and sensitive rugby star Frank Machin, This Sporting Life is striking for its brutal directness - established immediately in the visceral opening sequence, as we see men writhing around in the dirt and crashing into each other at lightning speed, resulting in a bloody loss of teeth.
This decades cycle makes the passage of time very clear, in terms of cinematic history, despite the fact that each film is from a different country. For a number of reasons, This Sporting Life is a film that just simply couldn't have been made any earlier than the 1960s. Its chilly reception upon its initial British release suggests that it may have even arrived too soon. The head-on approach to portraying life and the drama of everyday life, the visual correlation of graphic physical violence (here in the context of sports) and personal struggles, the roughshod dismantling of time and space to get inside a character's head and convey their thoughts. Even for the "kitchen sink" movement of the British New Wave, Lindsay Anderson was a cut above the rest, and essentially drove the nail into the coffin of the short-lived subgenre with this cutting-edge film.
Proof that Kelle was slaying!