#cryptotheism

I followed Amber Skies when it was being updated weekly, and read the latter half of it live. Even though I hadn't reread it in since, so much of the worldbuilding and the imagery stuck with me. So when I started thinking about internet-published texts to bind, Amber Skies was one of the first things to come to mind. Almost all of the styling of this book stems from me finding the black and white geometric patterned paper in paper source. It defined the "black and white with yellow accents" color scheme, and inspired the maze motif in the title page and chapter headers. The "maze" is meant to evoke the complex, confusing, and often deadly shafts and halls of Teleth Thadeyn, and the front page design is roughly the shape I imagined the megacity to be (although I would not be shocked to learn that I'm off base there, Heaven being at the top of a spire is a fun visual but not structurally sound). The yellow accents on the cover are all in a handwritten/hand-drawn style, meant to contrast against the stark black and white lines, representative of all of the people (and creatures) that have passed through Teleth Thadeyn and made their home their long after the death of the architects. The symbol on the back is the shaft-diver sign for danger, as described by Kali: "an inverted triangle with a cross through it."

Materials: covers - 2 mm grey board spine stiffener - paperboard covering material - white linen bookcloth overlay - screenprinted paper with geometric design vinyl - siser easyweed yellow vinyl

endpapers - [] endbands - faux double core french endband, with cotton embroidery floss edge painting - yellow and orange acryllic paint textblock paper - Church bookbinding paper, 20lb, cream, 8.5x11

Typeset: Designed in Scribus. The body font is Libertinus Serif, headings are in SaaSeriesDDOT. Maze images from Adobe Stock.

Cover Design: Designed in Photopea. Font is Permanent Marker.