Mar 20
Oscar Isaac and Elvira Lind photographed by Sophus Wolf for Soundvenue.
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Oscar Isaac and Elvira Lind photographed by Sophus Wolf for Soundvenue.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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We checked out the CPH:DOX film festival in Copenhagen that had a strand curated by Anohni ā here are our essential picks
Brexitannia was put in Dazedās āmust seeā films of CPH:DOX 2017!Ā
Oscar Isaac and Elvira Lind at the āKING HAMLETā Q&A/screening tonight in Copenhagen. ā¤ļø
šø: empirebio / Instagram
Oscar Isaac and Elvira Lind at Day 2 of King Hamlet screenings at CPH:DOX in Copenhagen.
BrexitanniaĀ Trailer
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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BĆŗi Dam and Birita Mohr in BIRITA. Photo: Franklin Symphor Henriksen, Outlier Project CPH:DOX 2026: The World Premiere of āBiritaā The Copenhagen International Documentary Film Festivalā¦
Can the stage bring back what memory takes away? š
This March, at CPH:DOX, is the world premiere of BIRITA. In the heart of the Faroe Islands, a family of artists attempts the impossible: staging Shakespeareās King Lear with their matriarch, celebrated actress Birita Mohr, in the lead role as she lives with Alzheimerās.
Itās a story of legacy, a sonās devotion, and the enduring power of the spotlight. š
š World Premiere: Sunday, March 15 @ 16:15 (Dagmar 2) š Other Screenings: March 17 & 18
In a recent post, I delved into the transformative power of AI in photo editing. Reflecting on a recent challenge, I found myself grappling with grainy images due to heightened ISO settings in a dimly lit environment. Learning from this experience, I meticulously selected my camera gear for my next assignment: capturing the ambiance of a cocktail event at a CPH:DOX after-party. This marked my second venture with Sandbox Films, a New York-based client, and I was determined to showcase consistent quality beyond the initial success of last year. Departing from my usual lens choices, I opted for a dynamic duo: a 35mm and an 85mm, respectively. Now, you might be thinking, "Switching lensesāwhat's the big deal?" But believe me, it made all the difference. Armed with these new tools, I approached the event with renewed creativity and style. Colours, shapes and objects took on a whole new perspective, and I felt a genuine spark of revitalised inspiration. Additionally, given the familiar dim lighting, I aimed to minimise post-processing time spent on grain correction, prioritising capturing crisp, captivating shots in the moment. And the ironic thing? I was planning on selling my 35mm, as I never use it! I think I might hang on to it a little longer now. A massive thanks and congratulations to Jessica Harrop, Sam Lazar Riviello and the rest of the team at Simons Foundation. Looking forward to next year's event already :-)