Old Money... Lana Del Rey
but if you send for me you know i'll come.... and if you come for me you know i'll run.... i'll run to you...
seen from China

seen from United States
seen from Malaysia
seen from United States

seen from Sri Lanka
seen from United States

seen from Malaysia
seen from Russia
seen from China
seen from Sweden

seen from Malaysia
seen from Argentina
seen from China

seen from Finland

seen from Malaysia
seen from United States
seen from Spain
seen from Australia
seen from United States
seen from Poland
Old Money... Lana Del Rey
but if you send for me you know i'll come.... and if you come for me you know i'll run.... i'll run to you...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
SEMI-WILD
Come for You (Still Life), acrylic on paper, 22”x30”, 2013
SEMI-WILD Paintings by Mia Fiorentino On view May 29 - June 22, 2014 Reception: Thursday, June 5, 7pm - 9pm
"I look at my work as a kind of orchestration or theatrical space, and I seem to always begin by creating some sort of horizon line. With this starting point I set the scene for a kind of ambiguous landscape, and as I work it can become anything from a tightly localized setting like a bedroom, to a vast and generalized mountainside. Often, as I set up this indistinct pastoral landscape, a human or urban presence will make its way into the foreground. Semi‐Wild, to me, is where the power of the natural world and the man‐made, urban world meet and how I find myself between the two.
There are usually elements of nature suggested within my paintings, like an animal presence, rolling hills, flowers, or raindrops. These hints of nature are often introduced into the work through the use of patterning. And if that is not the case, the forces of nature already present are forced to meet with the intrusion of the predictable patterning of something like banal bed sheets. And while these images are the product of a kind of mechanized repetition, there is always interruption of the human hand that breaks down the pattern. The work suggests contemporary material culture simply through how it is made, through a combination of grimy confusion and clean, plastic flatness.
The push and pull in subject matter, materials, and my role as a kind of composer result in detached observations of “the state of things” colliding with highly personal visual confessions of my own experiences. The pieces are a dramatized and often wry depiction of how I view my relationship to my surroundings and the culture in which I take part. Through the work I am trying to dissect what it means to feel as though I belong somewhere in between the urban and pastoral spaces that I depict, and what my relationship is to the objects and characters that I create to inhabit them."
Mia received her BFA in Painting with a Concentration in Theatre in 2013 at the Maryland Institute College of Art. A part of the Baltimore Theatre Project community, she continues to work with theatre companies across Maryland.