ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology.
ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology. http://blog.art21.org/2012/10/02/colliding-complexities_extreme-feats-of-the-new-york_new-aesthetic/#more-71149
Bricolage is a French word, with no direct equivalent in English. It connotes the process of finding out how to make things work, not from standard rules or methods but from messing around with whatever materials are on hand. This term suggests a sense of improvisation and tinkering that transforms the context and meaning of these objects, such as in works created by Sarah Sze. This is an important concept in contemporary art production and entrepreneurship. Michael Rush notes postmodern aesthetics discourse regarding how recent social-economic changes produce particular structures of feeling or cultural logics that are reflected in new art forms. Postmodernism also implies that we’ve run out of things to say. I think that we need to cast a much broader net to capture the spirit of the moment we’re in now; and expand definitions to capture innovative ideas such as the free use of digital images, objects and information. Holland Wilde writes that a bricoleur produces a “pieced-together set of representations that is fitted to the specifics of a complex situation…(it) is pragmatic, strategic and self-reflexive.” This blog post highlights artists and works as part of evolving creative practices that explore the spatial, social and cultural (technoÂvernacular) dimensions of the material and virtual in a variety of ways. more.....
