# 2,454
DJ Yella āSliceā b/w āKru Grooveā (1984)
Remember a time when real scratching was a thing in hip-hop? Does anyone mention it in this decade any more? Almost no fucks are given by the new crop of mainstream artsts in this super-selfish world of rap who donāt even bother recognizing the greats that paved their way to get to the top. Thereās turntables and apps- that even mix digital files now on latops. Times have changed In the mid-Eighties, however,Ā you could take a look at this record cover and see a nod to that decadeās punk leather culture as spiked hands and wrists physically rip through the record with itsā own fingernail. Thatās also a nod to scratching as thatās whatās was all about back then. Hereās the first record to ignite the entire N.W.A. legacy starting with DJ Yellaās āSliceā. Though heās also been in The World Class Wrecking Cruās company alongside fellow producer and rapper Dr. Dre, this would be his first solo shot and behind Cli-N-Telās vocals, urging him to ājust cut it upā as his Melle Mel vocal style never misses a beat. Rap circa 1984 was rife with clap-tracks, smack beats, electro hits, and heavily ripping on the oneās-and-twoās and thatās what youāll hear on āSliceā, the next step from scratching. Dr. Dre may have barely knowledged or even totally abandoned his Wrecking Cruās roots because of the dress or gangstaā code, Yella still hangs on to it to this day. Why wouldnāt he? Itās what got him to where he is now.Ā











