Mar 24
La humanidad no es perfecta ni en el bien ni en el mal. El malvado tiene sus virtudes, asĂ como el hombre honesto tiene sus debilidades.
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La humanidad no es perfecta ni en el bien ni en el mal. El malvado tiene sus virtudes, asĂ como el hombre honesto tiene sus debilidades.
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Il tempo porta sempre la veritĂ . Peccato che non la porti sempre in tempo.
Choderlos de Laclos, da Lettres inédites
"Les Liaisons Dangereuses" van Roger Vadim
Classic Ciné op de RTBf was deze week gewijd aan “Les Liaisons Dangereuses” van Roger Vadim. Net zoals bij “Les tribulations d’un Chinois en Chine”, waarover ik het een paar dagen geleden had, was het voor mij een tweede kans, nadat ik de eerste maal vroegtijdig ben afgehaakt. Het verschil is echter dat ik deze keer mijn mening heb herzien: deze verfilming was inderdà à d de moeite waard. Door de…
i am currently reading Les Liaisons Dangereuses by Choderlos de Laclos (translated by Richard Aldington) and honestly, the writing energy is ✨ at times!
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Oh et puis merde je vais quand mĂŞme lire Les liaisons dangereuses
Going insane writing an essay on comparing the Marquise de Merteuil (Dangerous Liaisons) and the Vicomtesse de Beausésant (Père Goriot). I want to talk about so so much but I do not want to subject my poor professor to like ten pages of writing about women's roles in society and how they are villainized.
Cause Merteuil deserves her villainization, as she is quite literally a sadist in the barebones definition of the term, however, she is in fact a product of her society. Just like how Beausésant has the opportunity to turn bad and rebuff against society, in fact all of Parisian society comes to the ball to watch her be humiliated by her lover's marriage, yet she is seen as noble because instead she retires to the countryside forever.
It really is giving: you are given two options when forced to exist in such a society. With one character turning bitter against the system she is forced into (shoutout to stabbing yourself with a fork to control your facial expressions), and the other accepts her humiliation and decides to suffer from what society has done to her (d'Ajuda count your days bro).
Meanwhile Merteuil is the main figure in Dangerous Liaisons while Beausésant is just a background plot while Rastignac is realizing his girlfriend is actually the worst.
…A letter is the soul’s portrait. —Choderlos de Laclos/Les Liaisons Dangereuses