genre: slow burn · enemies (but actually misunderstanding) to besties to lovers · emotional damage with a side of banter · social anxiety-core · smau à irl
warnings: mentions of suicidal ideation (in the past), awkward social interactions, oscar being emotionally constipated, one (1) cursed plastic bag that changed your whole life, themes of alcoholism, drug abuse, suicide
synopsis: once, he saved your life with shaking hands and a bad autograph. now, years later, you stand in his orbitâhattieâs best friend with a half-healed heart and a wrist tattoo heâll never notice. he doesnât remember you. you never forgot him. Itâs messy. Itâs slow. Itâs everything and nothing at all.
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genre: slow burn enemies (but actually misunderstanding) to Besties to Lovers emotional damage with a side of banter social anxiety-core. smau x irl
chapter warnings: smoking, slight hints of depression, reference to past suicide ideation, themes of unresolved trauma, emotional repression (?), jetlag, dissociation (lol), accidental hose attack + 81% chance of hypothermia, for more content warning check linked masterlist above
synopis: once, he saved your life with shaking hands and a bad autograph. now, years later, you stand in his orbitâhattie's best friend with a half-healed heart and a wrist tattoo he'll never notice. he doesn't remember you. you never forgot him. It's messy. It's slow. It's everything and nothing at all.
author notes: so so sorry for the long wait, I mean with my personal life tearing me apart, writing is cathartic to me rn, but sadly I keep breaking my laptop, it refuses to say in one piece ya'll. but good news is, I have decided to say adios to my eyesight and light in from my phone (yay?!)
You smoke out the window like itâs a ritual, watching the smoke curl up and disappear, the bitter drag of it filling the hollow parts you pretend donât exist. The sky outside is dull, that late-winter grey that makes everything feel like itâs waiting for something to happen. Your inbox is full of unread emails, half-written assignments, and one string of voice notes from Hattie, each more dramatic than the last.
"I havenât seen you in forever. Come visit me, please, Iâll die if you donâtâ"
Then laughter. That sharp, untouchable kind of laughter that sounds like it belongs to people who arenât tired like you. People like Hattie, whose orbit has always been bright and fast and full of noise.
You didnât say no. Mostly because you didnât have the energy to. Mostly because staying here another week, alone in this airless flat, feels like a worse kind of drowning.
Youâre three days into ignoring your coursework. Two days into skipping meals on accident. One week into letting the dirty mugs stack up on your desk like some pathetic little monument to inertia. You know exactly what Hattie would say if she saw it. You can almost hear her voice in your head now, âGet up. Do something. Put on lipstick. Weâre going out.â
You stub the cigarette out against the chipped brick of the window frame and watch the ash scatter like itâs trying to leave you too.
The thing is.....you miss her.
Hattie.
Her messy bedroom floor and her bad playlist choices and her habit of making everything feel urgent and impossible and alive. Itâs been months since youâve seen her. Since she hugged you too tight and told you she hated how small your wrists felt.
So when she begged you to visit, you said yes without thinking. Without asking who else might be there. Without giving yourself time to spiral about the possibility of running intoâ
No. You donât go there.
You press the thought down like youâve learned to press down every other stupid, sentimental, self-destructive thought.
This is about Hattie. About seeing her. About pretending youâre still capable of being someone who shows up for people.
The airport is exactly how you remember it: cold, too bright, and full of people pretending theyâre going somewhere important. You move through it like a ghost, sneakers sticking on cheap tile, your backpack too heavy on one shoulder.
At security, you stand barefoot on the cold floor, arms out like a crime scene silhouette, while a stranger waves a plastic wand over your body like theyâre trying to find something worth keeping.
The flight itself is short. Forgettable.
You sit by the window and let your headphones play the same three songs on repeat. Eyes on the clouds, fingers restless in your lap, heart doing that stupid, aching thing where it feels both too fast and too slow at once.
By the time you land, your phoneâs at 9%, and Hattieâs already sent three texts:
"Where r u??"
"Do you want me to pick you up or are you getting a cab??"
"Also slight thing forgot to tell you something but lol nvm see you soon xoxo"
Your mouth twitched slightly, suppressing a slight smile. You don't reply.
You just grab your bag, sling it over one shoulder, and step out into the thick, summer heat of a city you havenât been back to in over a year.
Not knowing that somewhere, across town, heâs already home too.
Hattieâs already waiting at arrivals when you step out, standing on top of a metal bench like sheâs trying to summon an audience. Sheâs waving both arms like sheâs directing air traffic, wearing sunglasses too big for her face and grinning like sheâs just won something.
You pause for half a second at the sight of herâbecause no matter how tired you are, no matter how much your body feels like a half-charged phone, she still makes you smile like muscle memory.
"Oh my god, youâre alive!" she yells, way too loud for an airport.
A few strangers turn. You duck your head and walk faster.
She meets you halfway, launching herself at you with zero warning and enough force to make your carry-on bag swing off your shoulder.
"You smell like airplane and room freshener." she says into your hair, still hugging you like she doesnât care that youâre awkward and stiff and slow to hug back.
"You smell like bad descisions and Red Bull." you mutter.
She pulls back just enough to look at you, fake-offended.
"Rude." she paused, gripping your forearms to pull you back in for another, "but not wrong."
The car she drives now is the same one she had back in high school.
A dented, sun-faded with a temperamental stereo and a cracked dashboard she once tried to cover with pokemon stickers. The passenger seat still leans too far back from that one night she let you crash there when you didnât want to go home.
The seatbelt lock sticks. The air conditioning rattles like itâs got lungs full of dust.
But she drives it like itâs a chariot. Like every scrape on the paint is a badge of honor.
"Still havenât gotten that fixed?" you ask, yanking at the stubborn seatbelt until it clicks.
"Charm, babe," she says, patting the dash like itâs a living thing. "This carâs got character."
She tosses your bag into the back with zero ceremony and climbs behind the wheel like sheâs racing a countdown clock. The engine groans, then catches like it always does, like itâs trying one last time not to die on her.
"I got us snacks for the drive," she announces, grabbing a half-crushed bag of chips from the floor between her feet.
"Are they edible?"
"Debatable," she grins. "But itâs the thought that counts."
You settle in, letting the seat swallow you whole. The road stretches out in front of you, dust and sun and familiar turns you havenât taken in far too long.
Hattie talks the whole way. About her classes. Her neighbors. The dog her momâs thinking about adopting.
You let her comforting voice fill the car like music.
While you watch the sky shift from airport grey to something just slightly gold at the edges.
âââââââ âž
The drive is longer than you remember.
Or maybe it just feels that way because every street, every stretch of cracked pavement, carries something youâve spent years trying to forget.
The closer you get to their house, the tighter your chest pulls.
The ghost of seventeen sitting shotgun with you, chewing on memories like gum you canât spit out.
By the time Hattie pulls into the driveway, the skyâs bruised with late afternoon sun, and the house stands there looking exactly the same. Same chipped paint near the garage. Same uneven patch of grass near the mailbox. Same front steps where you sat one night with shaking hands and lungs too full of panic to breathe properly.
You blink hard, like thatâll stop the memories from clawing their way up your throat.
It doesnât work.
Hattieâs already out of the car, grabbing your bag like itâs nothing, yelling over her shoulder about snacks and sun and how her mom made dessert just because youâre coming.
"Mumâs out, but she said to help yourself to snacks. Oh and if you break something, just blame me," Hattieâs said, already heading over to the house and kicking off her shoes.
You climb out slower, shoulders tight, heart heavy with nostalgia and another unknown emotion.
The air smells like summer and cut grass and something painfully familiar.
You barely get three steps toward the house when it happens.
A sharp blast of coldâsharp enough to steal your breath.
Water. Full-force. Right in the face.
You stumble back with a yelp, arms flailing, mouth open in shocked protest. Your shirt clings instantly to your skin, your shoes squelch against the driveway, and your hair drips into your eyes like the universe just slammed a bucket over your head.
It takes you two full seconds to realize whatâs happening.
Another two seconds to process why.
And thenâ
You hear him.
"Shit-shit I'm so sorry."
You swipe water out of your eyes just in time to see him:
Oscar.
Standing a few meters away near the side of the house, holding a green garden hose like heâs just been caught committing a crime.
Thereâs a half-coiled mess of hose at his feet.
A patch of wet concrete where he was probably cleaning something⊠watering something⊠doing some dumb, harmless chore until you became collateral damage.
His face goes bright red.
Like full, sunburn-instantly kind of red.
He looks absolutely horrifiedâbut also like heâs fighting the urge to laugh because the situation is objectively ridiculous.
"IâJesusâI didnât see youâ"
Heâs already fumbling to turn off the nozzle, stepping on the hose by accident, making the water spray even more before he finally gets it under control.
"I wasâcleaning the patio! I didnâtâYouâWow, youâre⊠yeah. Properly soaked."
He scratches the back of his neck, awkward and sheepish and every bit the boy you remember, just⊠older now.
And The worst part, the truly stupid, gut-twisting part? Is that he dosent recognize you.
Your left hand instinctively twitches, just slightly.
Not even a flicker of recognition behind his smile.
Just that classic Oscar Piastri look of "haha oops my bad" mixed with "please someone end this social interaction immediately."
Hattie, from the porch, absolutely loses it laughing.
You stand there, dripping, heart in your throat, staring at the boy who saved your life onceâŠ
... Who also happens to be the one who just accidentally drowned you with a garden hose giving you a 'warm' welcome.
You blink at him.
Water dripping from your chin.
Your clothes sticking in all the worst places.
And for one stupid, self-destructive second, you consider saying his name.
Just to see if it lands.
Just to see if anything flickers in that clueless face of his.
But you donât.
Youâve played this game before.
So instead, you force a breath through your lungs, swipe wet hair out of your eyes, and smileâtight and sarcastic and just a little feral at the edges.
"Cool. Love this. Really missed this climate change simulation experience," you say, gesturing down at yourself like a tragic weather report.
Oscar lets out this small, nervous laughâtoo high, too boyish, like he doesnât know where to put his hands or his eyes.
"Honestly⊠fair. That wasâyeah. Thatâs on me," he says, already backing up a step like distance will make this less embarrassing for him. "Do youâuhâwant a towel? OrâŠlike⊠new clothes? I think Hattieâs got stuff? Orâ"
"You think? Wow, very reassuring," you deadpan, but thereâs no real heat in it.
Hattieâs still doubled over laughing from the porch.
"Bro Iâm never letting you live this down," she wheezes at Oscar. Then, to you: "Câmon, come inside, Iâll get you something dry. Youâre gonna catch a cold and itâll be his fault, which honestly? Hilarious for me."
You follow her in.
Dripping the whole way.
Oscar stands there for a second longer, scratching the back of his neck, cheeks still pink, before finally turning back to whatever disaster project he was in the middle of.
Inside, the house is warm in that too-many-people, too-many-memories kind of way.
The air smells like whatever Hattieâs momz Nicole, was baking earlier.
Thereâs music playing faintly from someoneâs phone speaker in another room.
Laughter from down the hall.
Normal.
Like that whole embarrassing, heart-stopping, water-soaked moment never even happened.
Hattie throws you a dry oversized hoodie and a pair of leggings, and you changed in the bathroom with your heart still racing in your throat.
You stare at yourself in the mirror for a second too long.
Hair damp and messy.
Neck flushed pink from sun and nerves.
You looked like a girl trying way too hard to look unbothered.
You roll your eyes at your reflection.
Stuff it all down.
Smile like none of this means anything at all.
When you step back out into the hallway, back into the noise, the laughter, the small talk.
You do it like youâre not drowning all over again
âââââââ âž
Thereâs clean laundry mixed with dirty laundry like theyâre negotiating a peace treaty on the floor. Her deskâs buried under a pile of textbooks and skincare empties. Three different water bottles sit abandoned like ghosts of hydration attempts past.
You throw yourself dramatically onto her bed anyway, half-damp and still slightly cold from earlier. The oversized hoodie she gave you swallows your hands, sleeves hanging like emotional armor.
Hattie flops down next to you with all the grace of a dropped bowling ball.
"Sooo," she starts, already smiling way too wide. "Howâs it feel to be back? Aside from the whole⊠accidental drowning thing."
You groan into her pillow. "Yeah, loving the full theme park experience. Got the welcome spray package and everything."
She laughsâloud, bright, no filter like always.
"Honestly? Worth the wait just to see your face when it hit you. Like, peak betrayal. If Iâd had my phone out? I would have sent it to the group chat, they would have loved it."
You glare at her. "I hate you."
"You love me."
"Unfortunately."
You steal a gummy worm from the open bag near her nightstand like youâve earned it.
You catch up in the lazy, sprawling way you always do.
You giving vague updates about uni that make your life sound way less lonely than it actually is.
Her complaining about the boys in her classes who look like 'sewer rats'.
She tell you about her most recent situationshipâa disaster with a dude in her media studies group who thought 'boundaries' was a suggestion, not a rule.
Itâs easy to fall back into this.
Like muscle memory.
Like youâre both still seventeen and none of the hard stuff ever happened.
And then, because Hattie canât help herself, she drops it:
"Also, in case you somehow missed it... Oscarâs home for some time."
You snort.
Because obviously you knew.
"Yeah," you say casually, popping another gummy worm into your mouth. "Kinda figured when he turned the garden hose into a tactical weapon."
"God, Iâm still laughing," she grins. "Heâs helping Dad with the yard and stuff. I think itâs some weird post-season coping thing. Like⊠manual labor therapy? Or avoidance of sitting still for more than five minutes? Classic Oscar stuff."
You hum like youâre only half listening.
Even though your stomach does this stupid twist at the mention of him.
Hattie keeps going, all fond and oblivious.
"Youâll probably see him around. Just⊠ignore him if heâs weird. You know how he is. Social skills set to âbuffering.â"
"Yeah," you say again, eyes fixed on the ceiling like itâs suddenly fascinating. "Not like Iâm new to that."
Hattie doesnât catch the double meaning.
Why would she?
To her, Oscarâs just her brother.
To youâŠ
Well.
Thatâs a whole different story.
The house is dark.
That kind of late-night stillness that feels like itâs holding its breath.
Your phone screen says 4:07 AM, glowing pale and too bright in the dark.
Jetlag sits thick and restless in your body, too tired to sleep, too wired to stay still.
Youâve already flipped the pillow over twice. The blanket feels both too much and not enough.
By 4:12, you give up.
You shuffle through the hallway, hoodie sleeves pulled over your hands, socks making soft sounds against the floorboards.
The air smells like dust and eucalyptus and leftover summer heat trapped in old wood.
Youâre halfway to the kitchen, bleary-eyed and more ghost than person, when you catch the faintest sound of running water ahead.
The fridge doorâs open. Light spills across the floor and there he is.
Back turned at first. Shoulders hunched. Hoodie hanging loose off him like he got dressed in the dark.
His hairâs a mess, flattened on one side and sticking up wildly on the other, like sleep never sat still on him for long.
You stop in the doorway.
He moves like muscle memoryâgrabbing a glass, filling it at the sink with slow, lazy movements.
Till he finally turns.
Eyes lift.
Land on you.
For one too-long second, he just⊠blinks.
Like you startled him awake. Like it takes him a full heartbeat to register you standing there in Hattieâs ridiculous borrowed hoodie, with a 'not today' and a dog in a sunglass printed in front, hair slightly damp, looking as tired as you feel.
The fridge door clicks shut behind him.
Neither of you says anything.
JustâŠ
Something heavy and strange and unnameable sits between you.
genre: (kind of??) soulmate au, time-tangled, emotional time-travel chaos, body-swapping nonsense, soft sci-fi, slow-burn yearning, two idiots falling in love across years and bad decisions
warnings: memory loss and existensial dread but make it romantic, minor timeline violence, feelingsâąïž, unsolicited french and english cursing, burnt out feelings (??), themes of depression and alcohol addiction, slightly suggestive, reader lives in france
synopis: heâs two years ahead. sheâs running out of timeâand somewhere between borrowed bodies and fading memoriesâŠtheyâre falling in love with a stranger theyâll soon forget.
The universe has a strange way of tying souls that are meant to find each other
Or atleast thatâs what he tells himself now.
When he wakes up gasping at 3AM, still tasting her life on his tongue, the nights when sleep didnât come, when his hands shook for reasons he couldnât name, when he stood in the middle of a city street and felt like something, somewhere, was missing.
It hadnât started as something beautiful or romantic.
It had started messy and with confusion.
Waking up two years behind his life, in a room that wasnât his, in a body that wasnât his own.
Different air, different light, different heart beating under his skin.
At first, he thought he was dreaming.
Then the notes started showing up. Scribbled on paper. On mirrors. On skin, when they ran out of time.
Sticky tape confessions and tired, late-night apologies.
He learned the sound of her laugh before he knew her full name.
Learned the shape of her face before he knew her favorite colour, and somewhere between the forgotten mornings and fading memories, he started to care.
It became routine. This messy, borrowed closeness.
One day he was Charles Leclerc, driver, public figure, perfectly on schedule.
The next, he was someone else entirely, someone softer, messier, quieter, someone living in 2021 like the world wasnât already falling apart.
But time had rules.
The universe had its countdown.
The gaps between them grew wider.
The memories blurred faster.
Her nameâGod, her nameâslipped through his fingers like water.
By the time he realized what was happening, by the time he pieced together the date circled in red on every invisible timelineâŠ
It was already too late.
Yet, even now, standing in her hometown with her favorite pastry in his hands and grief sitting heavy in his throatâŠ
He still believed it, deep down, stupid and stubborn as always:
That if two people were meant to find each otherâŠ
genre: slow burn enemies (but actually misunderstanding) to Besties to Lovers · emotional damage with a side of banter · social anxiety-core · smau à irl
chapter warnings: suicidal ideation and indirect attempts, implied depression, substance mention, one (1) plastic bag that changed your life and one (1) cute awkward oscar, visit linked masterlist above for more content warnings!
synopis: once, he saved your life with shaking hands and a bad autograph. now, years later, you stand in his orbit-hattie's best friend with a half-healed heart and a wrist tattoo he'll never notice. he doesn't remember you. you never forgot him. It's messy. It's slow. It's everything and nothing at all.
author's note: a very small flashback chapter for setting the course on the right track. please don't be a silent reader. expect better chapters from the next one. this was like a prologue or an introduction
chapter zero : ex nihilo
He noticed you before you noticed him.
Not because you were doing anything loud or obvious. If anything, it was the opposite.
You stood too still at the edge of the crosswalk. Like youâd forgotten how to exist.
Plastic bag in your hands. Shoulders drawn in like a folded angel's wings.
Not crying.
Not shaking.
JustâŠabsent.
He wasnât supposed to be paying attention. He had places to be. But there was something off in the air around you. The kind of off that made his stomach pull tight.
Then you stepped forward, too slow for the traffic, too fast for yourself.
He reacted.
A rushed step, and a hand on your sleeve.
"Waitâ" The word came out breathless, half-formed, like his throat hadnât caught up to his brain.
You stopped moving. Blinking slow. Like waking up underwater.
When your tired eyes finally lifted, you saw him properly for the first time.
Brown hair, messy and flattened unevenly at the sides like heâd been wearing a cap all day. A hoodie two sizes too big, sleeves pushed halfway up his forearms like heâd gotten too warm walking. Cheeks flushed, either from running or from the sun or maybe just from being the kind of person who embarrasses easily.
He looked young and awkward. Also very much like someone who hadnât thought any of this through.
His eyes were brown, but not the soft kind. They held too much in them. Like coffee left out too long. Like something restless that hadnât figured out how to sit still. There was a sharpness thereâ surprise, guilt, panic, all layered on top of each other in a way that made you look away before you meant to. Like staring too long would make you visible again.
They flicked down to the plastic bag in your hands.
Charcoal.
Cheap vodka.
A lighter.
Something in his face shifted, fast and sharp, like a pulled muscle.
He didnât ask. Didnât speak again. Didn't need to. Just reached out and took the bag straight from you. Like it was burning your skin and he needed to put it out.
You didnât fight him. Didnât say a word. There he stood halfway between you and the curbâclutching your terrible, obvious, heartbreaking bag like he had no idea what to do next.
You both stood there. Frozen in that weird pocket of time where no one else seemed to exist.
He quickly dug through his hoodie pocket. Pulled out a crumpled fan photo of himself and a black pen and signed it fast, hand shaky, added something like âHang in thereâ underneath that looked more like 'Hang nthr' and a small, uneven smiley face.
He shoved it, and a few messy bills, into your hands like it was a fix-it kit for strangers.
Then he turned. Walked away. Fast. Like if he stayed even one more second, heâd implode on the spot.
When he walked two steps more it hit him all at once.
The bag still hanging from his hands like evidence. The weight of what was inside finally catching up to him, and the way heâd just⊠taken it.
Like a weirdo. Like some awkward, nosy stranger who didnât know how to mind his own business.
His stomach twisted with that particular flavor of secondhand shame that only comes when you act too fast and too loud for a situation that never asked for you.
He glanced back over his shoulder, heart in his throat, ready to catch your eye, ready to stammer out some kind of apologyâBut you werenât there.
in which â” they were never on different sidesâjust different pages. seven false starts. one cracked-open heart. a love written in subtext and small, steady truths.
pairing â” oscar piastri Ă gn!reader
genre â” emotional realism, character study, poetic angst, miscommunication done rightâą, quiet Intimacy almost-love until it isnât, slow-burn romance, no dramatic twists just two people learning how to mean what they say
warnings â” longing. tension. one bottle of water. zero chill. and two people allergic to timing, mild mentions of emotional burnout and loneliness, also reader overthinks a LOT, it's kinda frustrating, ooc oscar (?)
a/n â” to all the lovely people who supported message in a bottleâI swear I'll update it by next week. I had exams and hadn't time to write...I'm so sorryđ by that time please enjoy this short thing I wrote while I was half asleep
(when the soul rejects its own fate)
1. in the paddock, beneath orange skies.
Youâre laughing at something Lando said, the kind of laugh that makes you lean your whole body into it.
Itâs too early in the morning for this kind of chaos, but heâs wearing two different shoes on purpose just to âtest the teamâs observation skills,â and youâre weak to that kind of stupid.
You barely notice Oscar walk in.
You only glance up mid-laugh and instinctively say, âHey.â
Itâs not warm or cold. Just a casual, passing 'Hey' tossed into the air like a coin. Oscar doesnât smile. He doesnât wave.
He just nods, a tiny, barely-there tilt of his chin, and keeps walking. Doesnât break stride. Doesnât pause to greet Lando. Doesnât even glance at you again.
You blink, your smile thinning just a little. Youâre not sensitive, not really, but youâve known Oscar long enoughâ long enough to know that he greets the engineers by name. He holds doors for people. He shares gum with Lando and trades barbs with Zak and somehow still has the energy to shake hands with PR interns.
Youâve seen him be warm. So when he passes you by without so much as a flicker of recognition, all you can think is: He doesnât like me.
You donât say it out loud. But Lando gives you a look like he heard the thought anyway.
âDonât take it personally,â he says, patting a hand on your back.
You donât answer. He adds, âHeâs just like that sometimes.â
You hum. âRight. Like a sentient iceberg.â
âExactly,â Lando says. Then, âWaitââ But your focus has already drifted.
Oscarâs disappeared around the corner of the garage, cool as anything, like your existence doesnât register.
You donât know it yet, but Oscar had walked in rehearsing a strategy debrief in his head. He hadnât noticed the exact joke. Hadnât caught the context.
Hadnât registered the âHeyâ as something meant for him, heâd assumed it was meant for someone behind him.
Still, he nodded. Just in case. Oscar Piastri always acknowledges what matters. And somehow, in that single, sharp second, you decide youâre not one of those things.
2. airport, at some ungodly hour
You spot him sitting two rows down from the charging station, sipping black coffee and reading something dense enough to qualify as medieval torture. His hair is still wet. There's a bag under his seat with a tag that says Priority, which feels metaphorical in ways you're not emotionally ready to explore.
You werenât expecting him.
You were expecting, like... muffins. Delayed flights. Maybe a free toothbrush. But there he is, Oscar Piastri, unbothered and devastatingly upright at an ungodly hour, making you regret every life choice that led you to wearing Crocs in public.
You almost walk past. You do.
Almost.
âDidnât know you read philosophy,â you say, dropping into the seat next to him like the universe put it there on purpose.
He looks up. Not startled. Not annoyed. Just... looking.
âItâs not philosophy. Itâs a race engineering manual.â
You blink. âWow. Even hotter.â
He doesnât laugh. Not even a twitch. He just tilts his head slightly, like heâs trying to figure out if that was sarcasm or a genuine compliment. You don't clarify. Mostly because you don't know either.
You shift in your seat. Pull your hoodie tighter. âEarly flight?â
He glances at the screen. âDelayed.â
You nod, then immediately feel stupid for nodding at a fact he just gave you. You're one misplaced eyelash away from saying something like âTime is crazy, huh?â
He closes his book, not with frustration, just deliberate, and sets it on his knee.
âYou always talk this much before 7 a.m.?â
You blink. Once. Twice.
âJesus,â you say, light but not quite funny, âif you hate small talk just say that.â
He frowns. Itâs subtle, like watching a shadow cross marble.
âI was just asking.â
But itâs too late. The words have already settled. Not hostile, not sharp, just... dry. Clinical. Like youâre an occurrence, not a presence. Like heâs not quite sure what to do with you, so he flattens you out with tone instead.
You smile, thin and automatic. âWell, lucky for you Iâm boarding soon. Youâll be back to peace and silence in no time.â
You donât wait for a reply.
You get up with a dramatic huff you pretend is playful.
Your croc squeaks. The final indignity.
He doesnât stop you.
He doesnât say anything.
You feel the bruise form just under your ribs anyway, dumb and soft.
As you leave, his eyebrows furrow in confusion, what was that?
3. a dinner reservation they technically didnât make room for.
You're only here because Lando begged.
So here you are.
Actually, begged is the wrong word, he texted, âjust come puh-leaseâ followed by seventeen emojis and a voice note of him making dolphin sounds.
Half wedged between a potted plant and a guy from strategy named Mark or Marc, youâre not sure. Youâve given up trying to remember which men in polos youâve met more than once.
You didnât expect Oscar to come.
Which is dumb. Itâs a team dinner, technically. But he seems like the kind of person who evaporates after hours â like a very polite ghost with social boundaries.
He's at the far end of the table. You only notice him because you laugh too loud at one point and catch him glancing sideways, not in a "you're annoying" way. More in a "you're noise and I haven't decided what to do with that yet" way.
Later, between courses, someone brings up childhood injuries. You tell the story about the time you tried to do a backflip off a moving swing and cracked your wrist.
Youâre dramatic with it. You always are â wide eyes, hand gestures, sound effects.
Thereâs laughter. You soak it in.
Then Oscar says, level, cutting clean through the noise:
âMakes sense now.â
The table falls quiet for a second.
You blink. âWhat?â
Heâs sipping his drink. Doesnât even look at you when he says,
âThe way you are. It tracks.â
Your chest does this slow little drop, like a plane hitting air turbulence.
You laugh, sharp. âSorry, are you diagnosing me using my origin story?â
Oscar shrugs. âNo diagnosis. Just observation.â
You smile. Wide. Bright. Blinding. The kind of smile that makes people think youâre fine.
âCool. Love being observed like a cautionary documentary.â
Someone else at the table changes the subject. You donât join in.
Lando's concerned eyes shoot between you and Oscar, as he reaches for his phone and texts a
u good?
You keep your eyes on your plate, ignoring the buzzing phone and tear a piece of bread apart slowly, as if it personally insulted you.
Later, when you get up to leave, Oscar moves his chair slightly to let you pass.
You say nothing.
He doesnât look up.
4. hotel lobby. too late for thinking straight.
Youâre sitting on the armrest of a couch that costs more than your monthly rent, scrolling aimlessly through your phone while waiting for Lando to come down from his room. Thereâs soft jazz playing through invisible speakers, a fake plant that looks disturbingly lifelike, and one too many people with suitcases shaped like trauma.
Oscar walks into the lobby, carrying a bottle of water and wearing that expression he always has, like he just read something mildly disappointing about human civilization.
You donât say anything.
Not because youâre mad. Youâre not. Youâre... calibrating.
After all, last time he called you a walking brain injury in front of twelve people. Not directly, maybe, but spiritually.
So yeah, you stay quiet.
But then he walks over.
To you.
Not the concierge desk. Not the glass doors. Not anywhere neutral.
You.
âYou looked tired earlier,â he says, voice low. Almost gentle.
You blink up at him, halfway through typing 'pls bring me snacks or Iâm eating hotel shampoo' into Landoâs texts.
âExcuse me?â
Oscar looks... calm. Open, even. âI meantâyou okay?â
Your heart does a little misstep.
You look at him. Really look. His face is unreadable but his body language isnât stiff. His water bottle is slightly crinkled in one hand. His hairâs still damp from a shower. His shirt looked like it was tucked in haphazardly.
For a second, a full, stupid, dangerous second, you think he might actually be being nice.
Then your brain, traitor that it is, rewinds:
You looked tired earlier.
You looked tired.
You looked... bad?
You plaster a smile on. âWow. Flirting already?â
Oscar tilts his head, brow creasing faintly. âThat wasnâtââ
âI mean, I usually get offered drinks before the insults start, but sure. Letâs go full honesty hour.â
He pauses. You think maybe heâll clarify. Maybe heâll correct you.
But instead, he just says, quiet:
âRight. Forget it.â
And he walks away.
Cool.
Cool cool cool cool.
You sit back down on the couch, teeth clenched in a smile like itâs holding up your whole face.
Lando texts you:
coming down now btw, donât be weird
You donât reply.
5. the wrong hallway, the right moment.
You take the wrong turn trying to find the bathroom and end up in a corridor that smells like floor polish and expensive stress. The lights overhead buzz softly, like even they donât want to be here.
Youâre mid-turnaround when you hear footsteps behind you. Precise. Familiar.
Oscar.
You recognize him before he says anything. You could probably recognize him from the way he breathes at this point, steady, measured, like heâs training for a sport no one else understands.
You half-laugh, half-sigh. âOkay, is this the part where you push me into a supply closet and finally tell me what crime I committed against you?â
He stops next to you. Doesnât look surprised. Doesnât look anything, really, just Oscar, all centered gravity and very faint cologne.
âYou missed a turn,â he says instead. âBathrooms are the other way.â
You blink. âYou were following me?â
âNot on purpose,â he says, and thatâs probably true, which somehow makes it worse.
Thereâs a pause.
Youâre about to say something stupid like classic, or guess Iâm just magnetic, when he lifts a hand, slow, deliberate, and reaches out toward your face.
You flinch. Just slightly. Instinct.
But he only taps your cheek, once, with his thumb.
âThere was glitter.â
Your mouth forgets how to move.
He wipes his hand on his jeans. Calm. Normal. Like touching you was just a neutral, Tuesday-level event.
You stare at him. âWhat?â
Oscar tilts his head. âYour cheek. Sparkly.â
You blink again, like your brain is buffering. âRight. I was at a merch table earlier. Probably rubbed my face like a raccoon. Happens.â
Another silence.
This one longer. Heâs still standing close. Not in a way that says intimate, exactly, but in a way that says he hasnât left yet.
You try again. âYou know, youâre very confusing.â
Oscar raises an eyebrow. âHow so?â
You gesture vaguely. âYou... monitor my glitter levels but also make me feel like Iâm annoying you with my breathing.â
A flicker of something crosses his face. Not guilt. Not amusement. Something else.
He shifts just slightly closer.
âYouâre not annoying.â
You blink. Itâs too much, the voice, the proximity, the stupid fucking hallway.
You laugh. Light, deflecting. âThatâs not what your face usually says.â
âThen maybe you donât know how to read it.â
And thatâs the moment you forget how to stand still.
Because that wasnât dry. That wasnât flat. That wasnât neutral.
That was almostâ
The sound of someone entering the hallway behind you breaks it.
Oscar steps back. Like it never happened.
You do too. Like it didnât mean anything.
But your cheek still buzzes like itâs remembering the ghost of his thumb.
And youâll go the rest of the night trying to convince yourself it meant nothing.
Even though for a second it meant everything
6. a balcony. too late. too quiet.
The afterpartyâs still raging downstairs, all flashing lights and sweaty joy and some DJ yelling something you canât make out over the bass. But youâre up here, on a balcony with one drink, aching feet, and your phone dead in your pocket like it gave up on your choices.
Oscar steps out not long after.
You glance sideways, expecting him to leave when he sees you. He doesnât. He closes the door behind him and leans on the railing a few feet away.
The silence is thick, but not hostile. Just... real.
You break it first. Of course you do.
âI donât get you.â
Oscar looks over, eyes unreadable. âThatâs vague.â
You shrug. âYouâre vague.â
He exhales, not annoyed, not amused. Just tired. âWhat do you mean?â
You lean your head back against the wall. âI mean... I never know if youâre being polite or trying to escape.â
âWhy would I be trying to escape?â
âI donât know, Oscar,â you say, too lightly, like it doesnât matter. âMaybe I talk too much. Maybe I laugh too loud. Maybe you just donât like people who make everything a joke.â
His silence stretches. He doesnât deny it. He doesnât say anything.
Thatâs the worst part.
Until he says, softly, like it hurts to admit-
âI notice you too much.â
You freeze.
Your heart short-circuits and restarts sideways.
âWhat?â
Heâs still looking out over the railing. âYou make noise in quiet places. Thatâs hard to ignore.â
Thatâs hard to ignore.
Your brain fumbles. You laugh, shaky. âRight. Like tinnitus.â
He furrows his eyebrows, and blinks, finally turning to look at you. âThatâs not what I meant.â
You push off the wall before you can think better of it. âNo, itâs fine. I get it. Iâve been called worse.â
âI didnâtââ
Youâre already stepping back. âItâs cool, Oscar. Seriously. Iâm very ignorable once you get used to it.â
He doesnât stop you. And thatâthatâis what hurts more than anything heâs ever said.
You disappear back inside, into the noise and the bodies and the mess of it all, trying not to let the echo of âI notice you too muchâ feel like a wound.
7. a service hallway, after everything.
You bump into him on the way out.
Literally.
Oscar.
Youâre rounding a corner at speed, trying to chase Landoâs voice through the post-race chaos, and then, thud, shoulder, hip, the soft slap of your phone hitting the floor. You curse. He steps back.
Of course.
He bends, picks up your phone, hands it back without a word.
You take it, trying to pretend your pulse isnât in your ears. âThanks.â
He doesnât walk away. He just looks at you.
You almost say what, but something in his expression pins you in place.
Itâs not blank.
Not bored.
Not neutral.
Itâs...tight.
Controlled.
A fuse wound just short of its burn.
âYou think I hate you.â
He says it like heâs been chewing on it for weeks.
You blink. âI-what?â
âDonât play dumb,â he says, still too quiet. âI say anything to you and you flinch like Iâve thrown something.â
You bristle. âWell, forgive me for not decoding the emotional Morse code of your entire personality.â
He laughs, short and sharp. âJesus.â
You fold your arms. âWhat? Youâre impossible to read, Oscar. You say one thing and mean another. You look at me like Iâm noise, and then you say something half-kind and act like Iâm the one getting it wrong.â
âBecause you are,â he snaps.
That is what cuts.
Because he means it.
You freeze.
He takes a breath, steps forward. Not threatening. Just present.
âI tried being quiet. I tried being careful. I didnât want to overwhelm you.â
You scoff, hurt creeping up your throat. âOverwhelm me? You act like Iâm fragile.â
âNo,â he cuts in, firm. âYou act like I donât feel anything.â
Silence.
You swallow. You open your mouth to speak but he beats you to it.
âI notice everything,â he says, and itâs low and furious and honest. âThe way you stand closer to everyone else. The way you make jokes so no one asks what you're actually thinking. The way you look at me like youâre already halfway out the door.â
You stare. Youâre not breathing.
He breaks off. Shakes his head once, like heâs mad at himself.
âI wasnât trying to hurt you,â he says finally. Softer. âI was trying to make it mean something, and you-â
You say nothing. Youâre still standing in the middle of the hallway, holding your phone like itâs proof youâre allowed to be here.
Lando dragged you both to movie night with the confidence of a man who thinks he invented bonding.
Fifteen minutes in, he wandered off to find something âbetter than this knock-off popcorn,â and now itâs just you and Oscar, slouched on a velvet couch meant for three, lit only by the flickering light of explosions and overpaid actors.
Youâve barely looked at him.
But you can feel it.
That⊠watching.
Like heâs checking to see if you still laugh at the same parts. If youâre still the same person when no oneâs looking.
You are.
You hear it when he shifts. The breath he holds. The second too long before he blinks.
Somewhere between the third helicopter crash and a deeply unnecessary close-up, you let out a laugh, real, full, stupid. You already know itâs ugly. You donât care. It feels good.
You donât even look at him when you say,
âYouâre staring.â
A beat.
âI know,â he says.
You turn your head, just enough to see him watching you without apology. No smirk. No defense.
Just there.
âYou going to say something or just burn holes in my face?â
âYouâre different when youâre not trying,â he says.
You blink.
Then:
âYou say that like itâs a bad thing.â
Oscarâs mouth twitches. âItâs the opposite.â
You donât say thank you. You donât blush. You donât deflect.
You just let the silence stretch, easy now, warm, and go back to the movie.
Still aware of him.
Still letting him look.
And when Lando crashes in with two bags of gummy worms and a juice box, you donât flinch. You just laugh again.
But now, Oscar doesnât look away.
2. a hotel hallway. too many drinks. not enough distance.
Youâre barefoot in the hallway outside your room, hotel keycard somewhere in the purse you left at dinner. Or maybe the bar. Or maybe hell.
Oscar appears from the elevator like a ghost you might have dreamed into being.
Plain hoodie. Shirt crinkled. Hair falling over his eyes.
The world feels slightly warped. Too late. Too quiet. Too something.
You lean against the wall and offer him a lazy salute, you think it must be the liquid courage. âWell, well, if it isnât Formula Oneâs most emotionally constipated heartthrob.â
He blinks. âYou okay?â
You grin. âDefine okay.â
He doesnât. Just walks past you, swipes his own keycard, then pauses at his door.
You think heâll go in. He doesnât.
Instead, he turns around.
âYouâre locked out?â
You nod. âTemporarily. Iâm trusting the universe to deliver me back to my belongings.â
Oscar considers this. Then steps back, holds his door open.
âYou can wait in here.â
You blink. âIâm not going to rob you.â
âI know.â
ââŠOr touch your toothbrush.â
âLess certain about that.â
You snort and step inside.
His room smells like laundry and lemon soap. You sit on the edge of his bed like itâs a stage you werenât supposed to enter. He tosses you a bottle of water from the minibar and sits at the other end.
No TV. No small talk. Just⊠the hum.
Your head tilts toward him. Youâre not drunk anymore, not really. Just warm. Open.
âYou ever gonna tell me what you want from me?â
Oscar doesnât flinch. Doesnât smile.
Just says, voice low,
âWould you believe me if I said I havenât figured it out?â
You breathe in.
âNo.â
He looks at you, and for the first time, heâs not a mirror or a wall. Heâs just there. Barefaced and bold and so stupidly calm about all of it.
âGood,â he says finally. âThen youâre paying attention.â
You grin. Tired. Fond. âGod, youâre so annoying.â
His smile is small but real. âYou stayed.â
You nod. âI always do.â
And then itâs quiet again.
But not tense. Not cold.
Just⊠waiting.
And neither of you dares to break it yet.
Because whatever this is, it feels like home.
3. behind the paddock. a different kind of silence.
The day feels too long. The kind where the sun presses against your neck like it's trying to flatten you. Where the air tastes like sweat and tarmac and adrenaline that didnât go anywhere.
You lean against the barrier, fingers curled over metal, body still, mind spiraling.
You hear him before you see him.
Not footsteps â just the way the noise dies a little around him.
Oscar.
You donât turn around, but your grip tightens.
âYou do this a lot,â he says, voice even. âVanishing.â
You roll your eyes, not unkindly. âIâm not vanishing. Iâm avoiding being a bitch on camera.â
He exhales a laugh â short, real. âSmart.â
You donât move. Neither does he.
The heat between you isn't temperature. Itâs all the things that havenât been said, and all the ones that have been almost said too many times.
âRough day?â he asks.
You shrug. âJust noisy. Even when it's quiet.â
Another beat of stillness.
âI get that.â
You finally glance at him, over your shoulder. Heâs standing a few steps back, arms crossed like heâs holding himself steady. His eyes are on you, but softer than usual â like heâs dropped something invisible and fragile between you and isnât sure what happens next.
âYou make things louder too, you know,â he says.
You blink. âThat supposed to be a read?â
He shakes his head. âItâs not a bad thing.â
You tilt your head. âYou say that like you mean it.â
âI do.â
And just like that, everything sharp in you softens a little.
He steps closer. Not in a dramatic way. Just... like gravity finally decided to do its job.
You let your hand fall from the barrier.
His hand brushes yours. Not accident. Not strategy. Just... barely. Just enough.
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Hii I just wanted to say I really enjoyed the first two chapters of message in a bottle and can't wait for more
it genuinely brings me to tears when I see people genuinely liking message in a bottle. tysm. and to this anon â ill update message in a bottle TRUST