#chasy

Turn It Up (RAINZ)

*sigh*

I really wanted to like this song, you guys. That chorus is Rave Excellence™ (if EDM tracks from rookie boy bands sounded like this, I wouldn't hate them so much). It's fucking everything, sis. And you know, I can excuse RAINZ for conjuring the spirit of 4minute with that New and Improved™ Hate breakdown. Everything leading up to it was bomb af, so I can get over myself with how annoyed I was by it.

But what I refuse to get over is DUBSTEP IN 2018!! ABSOLUTELY NOT!!

NO MA'AM!!

I don't know what makes Turn It Up pop so much more than tracks we've heard from groups like UP10TION or SF9 or ViCTON, because like I mentioned before, it's all in the same lane. Sure, that chorus makes my inner gay wanna come charging out and kiss five boys before rolling around in body paint (and then proceed to kiss five more boys), but this isn't anything we haven't heard before, musically. There's nothing inherently fun about this song (just extremely gay, which... RAINZ is a Broduce 101 project group, so of course), I just really freaking like it.

I just can't get over dubstep in 2018. If I had the means to cut it out of the track, I would be featuring that version in the official playlist.

#PettyBitch

Rating - Conditional Rotation

NO MORE (LIMZY featuring Huckleberry P)

No More is an exercise in RnB influenced Trip Hop/EDM that I wasn't sure I was gonna like, at first. This weirdly disjointed flavor of electroRnB is really not my taste, and the fact that LIMZY pushed it more left field than I've heard before really didn't help matters.

But No More is charming in its own way. The more I listened to it, the more it grew on me. LIMZY's smooth vocals are a nice foil to the weirdness of the beat, and Huckleberry P's rap didn't irritate me as much as I thought it would. I gotta be in a certain mood to really enjoy a song like this, but when I'm in said mood, catch me dissociating to No More.

Rating - Conditional Rotation

A luminous cat (Evolution of Sound)

A luminous cat is kind of basic, but it's also kind of fun. It's hella catchy, too.

Would you say that the luminous cat is also a lucky cat?!?!?!

I've always found it interesting how the farther away from K-Pop you get, the lower everyone's voices get. Ballad singers live in the low baritone/mezzo soprano range (although some of them think they live in soprano/tenor land, and they need to Stop Stop It™), and EoS's vocalist is the same. He's got a voice on him like WINNER's Kang Seung Yoon, but not quite as raspy. It's really nice to listen to.

A luminous cat is a synth driven pop/rock song. The first time I listened to it, I was bored as fuck all. The teaser had a lil somethin' somethin' goin' on, but the song fell flat in full. Upon repeat listens, A luminous cat hooks you in, but this is not a track I really wanna play all of the time. Which is a shame, cause I don't hear this type of sound a lot in Korean music.

Rating - Shuffle Bait

Ttongkku (Park Jongchul)

This is the cutest fucking thing I've ever seen in my life. And I stan Kim Jongin, okay?!?!? Do y'all know how cute my mans is?!!? But this video is even cuter than him!!!

#Shook

Ttongkku is a very whimsical acoustic ballad (for lack of a better descriptor). With the way Ttongkku is written, I'd expect this to be from something for children. The majority of the song follows the same strum pattern, just with different chord progressions swapped in, so Ttongkku is perhaps one of the most simple songs I've reviewed. That doesn't take away from how great this song is, tho. It's a really nice break from all the flashiness of K-Pop, which can easily wear on the ears.

Rating - Conditional Rotation

To Heart (fromis_9)

To Heart sounds like the theme song from a 2008 shoujo anime. I shouldn't be surprised considering their pre-release track, Glass Shoes, also sounded like that, and the inspiration behind Idol School is definitely Japanese idol groups. It's just not a sound you hear a lot in K-Pop.

fromis_9 (pronounced Promise 9, even though I still pronounce it like it's written without meaning to) is the group that resulted from last year's survival show Idol School. You know, when everyone was suddenly concerned about the ethnics of all these survival shows, because it wasn't under the Produce banner.

#ShadyBitch

While I liked Glass Shoes (and appreciated K-Pop's modern production techniques being applied to a song like it), it was definitely nothing to write home about. It was easy to lose it in the craziness that is end of the shows and what not. To Heart is, unfortunately, more of the same, but it definitely holds its own.

To Heart is an upbeat, happy go lucky pop/rock track with a really catchy violin riff layered on top of the intro and chorus bits. The verses are rather lowkey, but the chorus puts the pedal to the metal with the energy. You don't really hear a lot of lighter pop/rock tracks in K-Pop, so this is definitely a sound I'd like for fromis_9 to explore more, because it could easily give them a leg up on all the other cutesy girl groups. Tis a good comeback, but that's literally it for me, sis.

Rating - Conditional Rotation

Jazzclub (BoA)

Current Dancing Queen of K-Pop, Kwon BoA, has set her sights on Japan with a new album, set to release in February of 2018 (and it was about fuckin' time, because Who's Back was an abominable Mess™)!! Jazzclub is a song that's been floating around since December, but I'm including it in today's list per request since the single actually dropped last week.

Um... Whom tf just calls their ex out of the blue to tell them they got married?! Every time I watch the video for Jazzclub, I'm so confused by why this bit is included (they literally could've just started with BoA in the club with the song playing).

To the surprise of quite a few people (myself included), Jazzclub is an electroswing track with one of the catchiest horn riffs I've heard in K-Pop. If you're over horn riffs in K-Pop, you'll be happy to know that while it is played at the intro and after every chorus, those sections don't last for long. The most surprising bit about this song is definitely when BoA starts scat singing. Never in my life would I ever expect Kwon Boah to start scat singing in one of her songs, but I guess that just goes to show why she's the Queen.

I'm not quite sure how I feel about Jazzclub, babies. I obviously don't hate it, but there's just something keeping me from falling in love with this song completely. I definitely enjoy the chorus, that horn riff doesn't really bother me (I been listening to all kinds of horns in my music since I was a baby), and I was scalpedt by BoA's scat singing. But this song just doesn't come together the way I need it to, sis. BoA seems like she's phoning it in here, and that's the opposite of what someone in her stature should be doing.

Rating - Conditional Rotation

Don't Stop (TheEastLight.)

TheFetusLight. TheEastLight. weren't content with shaving our edges off with the Funky Fresh™ A Real Man last week, so they decided to drop a lyric video for their song Don't Stop to finish the job.

Of shaving us baldt, that is.

Don't Stop is a pop/punk number that I immediately latched onto. It simply suits TheFetusLight. TheEastLight. far more than A Real Man did. Not to say that they did MJ wrong with A Real Man, but Don't Stop feels more like their style. TheFetusLight. TheEastLight. do more youthful n fun tracks like this (and I Got You) far better than they do songs like A Real Man and You're My Love, because these types of songs suit their voices more.

Rating - Heavy Rotation

Winter Sleep (Lee Junhoe of 2PM)

Two questions -

How many of these 2PM fools can rap?!?!

What is up with these 2PM boys having whack ass vocal production on their songs!?!?!

Junhoe's Winter Sleep sounds like he got Day6's Young K to write him a song and then pulled in some random producer to arrange it into an RnB track. While I am cross about the weird effects on Junhoe's voice (they contrast very Wrongly™ with the sample that sounds like a digital clock ticking), he sounds leagues better than Wooyoung did on two of the four songs I reviewed for in previous Review Roundups, so I'm not too mad.

I don't like this song. It's not a Trash Bomb like Wooyoung's Party Shots, but I wouldn't even download this for Shuffle Bait. The weird beeping contrasting with the vocal effects is one thing, but the entire song just sounds way too loud. None of the elements meld together in a pretty manner, and if I were Young K, I'd demand reparations for Junhoe doin' my song like this.

Rating - Trash Bomb

Radio 199.3 (SBGB)

SBGB decided to go left field with their acoustic midtempo, and the results are a very pleasing aural experience.

Radio 199.3 is your typical acoustic midtempo, but with some very creative chord choices to make the song stand out above all the other acoustic midtempos we've heard this month. I'm typical a sucker for these types of songs (and their RnB cousins), so even if SBGB didn't include the ear catching chord progressions, I'd still be a fan of this song.

This is a song for soft days. For rainy afternoons that make you wanna curl up in bed with someone special. Or those days when things are just kind of blue, and you wanna listen to something simple.

Rating - Conditional Rotation

Thank You, Goodbye (BoA)

BoA, once again proving that she is indeed That Bitch™ (as in, That Bitch™ who loves to spread ha'self too thin), has released the the title track from her new Japanese album two days before she drops her new Korean album.

Because why scalp ya fandom once, when you can do it twice?!?! IN TWO DIFFERENT COUNTRIES!!

Thank You, Goodbye is a Japanese Ballad. If you've been a J-Pop fan for any period of time, you've decided if you like these types of songs or hate them (song quality notwithstanding). I happen to really like the way they sound, and I absolutely adore Thank You, Goodbye. BoA has a very shrill, nasal voice, so anytime she records a song like this, it's a risk that it could turn out Very Bad™. But the production in Thank You, Goodbye compliments BoA's voice well. And speaking of her voice, whomstever was on vocal production duties was on their A game, cause these arrangements are A1. You deserve a raise, babe!!

BoA's Thank You, Goodbye album is due for release in Japan on February 14, while Nega Dola is due for release in Korea on January 31.

Rating - Heavy Rotation

Shall We Dance (SBGB)

Shall We Dance is a very different song than what I was expecting. I thought she was gonna be an upbeat acoustic number, but what I got was a melancholy piano driven midtempo.

I'm not upset, tho. On the contrary, I'm very content.

Shall We Dance sees SBGB sprinkling in unusual sonic choices (including an uptick in tempo at the end of the track) to make their acoustic midtempos pop just like in Radio 199.3. This is all tied together with the very bright (but restrained) soprano of their vocalist.

I like Shall We Dance more than I do Radio 199.3, simply because I like piano driven tracks more than acoustic guitar ones, but I don't see myself listening to it as much as Radio 199.3. Radio 199.3 is a song for a specific mood, but the mood of Shall We Dance is quite darker than the one in Radio 199.3, That's not something I really want in my space all the time. Still, this song makes my Musician Brain™ very happy.

Rating - Conditional Rotation

Cherry On Top (10:45 from The Unit G)

Y'all, I was so so S O sure that Cherry On Top was gonna make the Fabulous Five for this week!! I don't know what name I'd put on songs with this kind of synth bass that also acts like a melodic element and a percussive one, but I fucking L O V E them. I loved it in SNSD's All Night (All Night should have been all the chorus bits, imo), and I loved it in the Cherry On Top preview.

But Cherry On Top is Como se dice... Not Good™.

Now, I listen to Cherry On Top like crazy, because I'm a fan of all of the different elements. But I listen to a lot of songs that I'd rate very poorly, because a) my taste in music is trash and b) I like fun music. If you're song isn't made well, but is a fun aural experience, I can excuse that.

I'm not gonna put you in a top faves list, because I have *some* integrity. But I mean...

The problem with Cherry On Top is that the verses and the choruses are too different, and the transition from the verse to the chorus is whack af. I mean, they *tried* (once), but it's still too jarring of a change. And I don't understand why they jumped right from the verse to the chorus after the rap in the second verse. That always throws me off. This bridge is also trash. It's literally just the prechorus, copy and pasted after the second refrain section. Blegh.

Today's video of Cherry On Top is brought to you by the ladies of The UNIT G's 10:45 unit winning second place in the digital single challenge. There is also a performance version of the video (that I wish was the original) that you can view here. And be sure to watch the ladies of 10:45 making your fave boy band look redundant on Music Bank here!!

Rating - Heavy Rotation

Always (Blooming of The Unit G)

I'm not gonna lie, the first time I heard Always, I turned my tv off because I couldn't find my phone to change the video. I really had that visceral of a reaction to the song.

Always is every cutesy K-Pop song you've ever heard. And I usually love these kinds of songs; they're fun, even if they aren't the most imaginative thing in the world. But Always is just ridiculously saccharine. It's a little too much, sis. It did end of growing on me, but this is not a song I want in my face all the time.

Today's video of Always is brought to you by the ladies of The UNIT G's Blooming unit winning first place in the digital single challenge. There is also a performance version of the video that you can view here. And be sure to check out Blooming perform Always on Music Bank here!!

Rating - Shuffle Bait

I Wanna Become a Celeb (Celeb Five)

Whoever said trot music was boring has clearly never heard of Celeb 5.

Granted, I'm pretty sure this is a project group, because *I've* never heard of them before this song. Either way, I Wanna Become a Celeb is a really fun trot song that's perfect if you need something over the top to jam to.

The best part of I Wanna Become a Celeb is how it refuses to take itself seriously. There's a random ass break in the middle of the track where it totally changes vibes twice, and then goes back to the original. The vocals are done in a tongue in cheek manner. The entire thing is just a really fun mess, and I love everything about it.

Rating - Heavy Rotation

The Perks Of Breaking Up (Cho Jung Chi featuring Fromm)

The Perks of Breaking Up is a sad song. But not too sad, if that makes sense.

The Perks of Breaking Up is a soft synthrock ballad. I really like the way it builds from a simple acoustic guitar all the way up to a rousing orchestration of guitars and synths. A song like this could have easily turn dreary and overly sad, but the arrangement and composition uplifts it. Yes, this is a song about a breakup, but it isn't the end of the world. Take what you need to be sad, and live. That's the feeling I get from this song. Tis nice.

Rating - Conditional Rotation

Propose (Younha)

Miss Younha, not content with the pile of wigs she procurred with last month's Hello and Parade, has blessed us with an Acoustic Coffee Shop RnB Midtempo in the form of Propose.

We love a benevolent queen, babies.

Propose, like I mentioned above, is an Acoustic Coffee Shop RnB Midtempo. Ms Younha's voice is complimented well by a soft guitar and electric keyboard, which are all laid over a soft n simple drum machine. A song like this is Shuffle Bait in the best of ways, imo. I'd put this on on my own accord, mind you, but this is the kind of song I'd look forward to playing if I put my phone on shuffle.

Rating - Heavy Rotation

Always Find You (Kwon Yuri x RAIDEN)

I see Future Bass is the mood of #TwentyGayTeen. Not sure how I feel about that, but considering how much I like Always Find You (and how I can't wait for Seventeen to ruin my life with Thank You), I guess I don't mind.

The problem that I have with most Future Bass songs is that they lack any type of punch or originality. And I mean, most styles of EDM really do not have any room for originality, but Future Bass just seems to have this problem where producers and DJs just churn out the most generic sounding beats they can. Always Find You, thankfully, doesn't have that issue.

Always Find You has a breakdown that washes over you and makes you feel like you're floating. There's a depth of sound/feeling here that I don't get with most Future Bass tracks. Yuri isn't the best vocalist, but she does her best to stand head and shoulders above the instrumentation (and has a producer that wants those Big Man Monies™). There are also vocoded bits that serve as a hook interjected into the prechorus that make it pop, and it's just... *clenches fist* So Good!!

Always find you is a collaboration between Yuri and English based producer/DJ Raiden for SMSTATION. There is an English version that features on Protocol Records' Youtube channel that you can watch here.

Rating - Heavy Rotation

Hometown (Ryan)

Ryan's Hometown sounds like someone decided to take acid, and turn the experience into a song. It's... I'm not quite sure if I like the way it turned out.

Hometown starts out nice and easy, folks. She's not gonna hurt you. Yet. Ryan creates a beautifully tranquil atmosphere with just his voice and a piano, but it doesn't stay that way for long. Hometown very quickly builds and crests into a drop that I would lovingly describe as Dissociation At It's Finest™.

Cause a bitch feels like she's flying!! YEEHAW, MOTHERFUCKERS!!

After the second verse is when Hometown takes a turn into Bad Trip™ land. This section takes the gentle and almost euphoric feeling of the first drop, and inverts them into something nightmareish. If you're not prepared for this section, it can scare the absolute shit outta you. I don't know why Ryan decided to add it, because the lazy bitch couldn't be fucked to properly transition out of it when he goes into the second prechorus. Either way, if you can get past how odd that shit is, Hometown is pretty great.

Rating - Conditional Rotation

Beautiful Life (Six Bomb)

Six Bomb is a group that keeps cropping up out of nowhere and surprising my ass, and you'd think I'd be used to this shit by now. At least they left the gimmicky concepts at home, and decided to just deliver a nice song this time around.

Beautiful Life is really not much to write home around. It's just a really simple pop song, accented by a sax riff that honestly makes the song. If you're sick to the back of ya teef of sax riffs in your pop music, then skip to the next song, this one is not for you. But if you don't mind them, Beautiful Life is nice.

Rating - Shuffle Bait

Baby Boo (High Soul featuring KissN and Mint)

You know that feeling when you stan a rookie from a small company that you aren't sure is gonna make it?!!?! That's me with High Soul. She showed up last year on a random episode of Music Core with a song I couldn't find a video for, and besides a few more sporadic daily music show appearances, I haven't heard from her since.

Baby Boo is a very cutesy swing song that I have to be in a cutesy mood to listen to. If the entire track was just KissN (except for Lime's rap break), I'd probably like this way more, but High Soul's nasally tone is a bit too much with the brightness of the instrumentation. I'm glad that she's still making music, but sis... This ain't the move.

Rating - Conditional Rotation

Miss You (Jang Sooa)

Miss You is a very smooth and straight forward RnB song. This is the type of song I wanna play after listening to a song like CHASY's Memories:Snow, because it helps me anchor my soul back to reality.

Cause shit, a bitch really be visitin' four dimensions in the Higher Realm™ while listening to tracks like Memories:Snow.

Miss You is your typical Acoustic Coffee Shop RnB Midtempo to the T. But that's okay, sis!! We love those around these parts!! People these days are really scared to do shit that's considered ~typical~, but sometimes it's just best to stay in your lane. And that's what Ms Sooa does with Miss You.

Ms Sooa has a really pretty voice that compliments the instrumentation of Miss You very well. More intricate vocal production/arrangement would've been appreciated, tho. And mayhaps a rap break?!?! I feel like this needs a rap break. Nonetheless, a really nice song.

Rating - Shuffle Bait

vague (Ha Un)

Vague is a song you'd hear playing in an upscale bar. Pleasantly funky, but in a manner you can ignore if you wanted to.

There's not really much for me to say about vague other than "I liked it, it was good". A song like this is a textbook Shuffle Bait track, sis. I like the funkiness of the guitars and bass, and the way Ha Un's voice sis on top of the track is Very Nice™, but everything from the arrangement to the chord progressions used here are things I've heard in other songs. And not only that, but used more creatively.

Vague isn't a bad song, it just isn't that creative. And honestly, while I did just say that sometimes it's better to just stay in your lane, sometimes you stay a little *too* far in your lane.

Rating - Shuffle Bait

FLY (Heera featuring PDAY)

FLY is a song I was looking forward to, because the teasers gave me a nice instrumental. But sis... Heera's vocals were whack. They did the thing where they had the hook play out over silence, and... It wasn't cute. BUT!! I've been fooled by teasers before, so I figured I should hear FLY in full before condemning it.

My initial reaction was correct. This instrumentation is amazing, but Miss Heera's voice gets hella screechy. It's not pleasant. And while I like that this is an experimental electroRnB track that isn't too left field, I don't like it enough to purposefully play the song more than twice.

Rating - Shuffle Bait

6 (Six) (MDSZ)

6 sounds like it should be the opener for a Shounen Jump anime. That extended intro at the beginning would lend itself very well to a Bleach or Black Cat type of show.

6 is a synth driven pop/punk track. I wasn't sure what to make of this song at first, but it grew on me. Like, a fuckin' weed. This type of track would be great to work out to. I mean, I don't really work out, but I'd assume the energy here would hype you up like you're the baddest bitch in that gym.

If I ever find myself in Korea, I'd love to hear this song live. The studio version packs quite the punch, but it feels a little restrained. And that's very common with songs like these, because mixing them requires you to EQ a lot of the different elements quite aggressively to get them to sound nice together in a recording. But still, live show. I wanna be there.

Rating - Heavy Rotation

The Fabulous Five

5. NIRVANA (Ravi)

Can someone please find me what that melody being played by the xylophone at the beginning of this song is from?!?!! It sounds so annoying familiar, but I can't place it and it's gonna drive me nuts.

Not as nuts as Ravi's Sik-k imitations, but close.

Nirvana starts out sounding very on trend for a K-HipHop song. I'm not gonna lie, I was debating if I should leave Nirvana off the list, because Ravi's intro was just... So Bad™. But since we're being better people in 2018, I decided to give the whole song a chance, and I was very surprised. The verse had me boppin' a lil, cause Ravi ditches the autotune and starts rapping like he means it.

But nothing could have prepared for the Rave Realness™ of the chorus, ladies.

The autotune is back with a vengeance, but it fits the Rave backdrop better, so I'm not mad. And I will admit (grudgingly), that the hook is catchy as fuck all. This combination, lowkey, reminds me of Azealia Banks' Ice Princess (the verse bits on Nirvana are more RnB than trap, but same concept). This kind of combo really shouldn't work, but the transition into the Rave sections from the verses is clean af.

Jimin's bits are a nice break from Ravi (he's learned to stop embellishing his voice, but he can still be annoying at times), but I feel like they could have utilized her more in the track. The brightness of her voice contrasts the depth of Ravi's, plus she elevates the Rave sections very nicely. But we literally hear her for 10 seconds twice and dassit, boo!!

For whatever reason, Nirvana gets mixed into one of the b-sides on Ravi's mixtape called Alcohol in the official video. You can listen to both tracks separately here.

Rating - Heavy Rotation

4. Sunset Dream (Kriesha Chu)

Miss Kriesha Chu got bored with that Future Bass mess Hui (of Pentagon) gave her and decided to take a swipe at Ariana's ponytail. Turn up!!

Sunset Dream swaggerjacks Problem down to the horn riffs and trap breakdowns, sis. Fortunately, it does so in a way that improves upon the original, and isn't reductive. Kriesha Chu doesn't particularly care that we know she stole Problem out from underneath Ariana Grande's nose. She just wants us to know that she's a better dancer.

And has more stage presence, but let's not get *too shady*.

I don't really understand why Like Paradise was chosen to be the title track from Kriesha Chu's first glorified single album mini album when Sunset Dream was right there. This song makes Like Paradise look dusty af, and I'm salty as hell now. Either way, I'm glad she decided to perform it on MCD One Good Time™. If you'd like to hear the studio version, you may do so here.

Rating - Heavy Rotation

3. Memories:Snow (CHASY featuring Yeonhee)

If I ever lucked out and got cast in a movie, I'd want this song to play during the first makeout scene with my character's boyfriend. These types of really intense breakdowns are perfect for those types of scenes, sis.

CHASY's Memories:Snow is what I wanted from Ryan's Hometown - a straightforward EDM track to dissociate to. There are no surprise breakdowns or beat switches here, baby. Memories:Snow is 100% chillstep. And I fucking love it. These types of songs are great for bad days, because they either make me cry or feel like I'm floating.

Obviously, I like the floaty feel feels better, because that doesn't make physically exhausted, but sometimes a bitch just has to cry.

Rating - Heavy Rotation

2. Glue (Planetarium Records)

Last we saw the boys of Planetarium Records, they were ruining my life with tropical flavored RnB. Glue sees them trading in the tropical synths and drum beats for more conventional, Gospel inspired RnB sounds and hip hop beats.

And to the utter surprise and shock of absolutely no one, I fucking loved it.

While Blah was a "winin' on the beach, dancin' by the sand castles" type of track that would make any misc. group of niggas party go crazy, Glue is slow n sultry. Glue is a "slow dancing with bae" type track. Glue is a "I'm gon' romance you if it's the L A S T thing I do" track. Glue is the type of song you sing to bae when you wanna get in dem guts (or have bae blunder yours #InclusivityInOurSexJams). Glue is a song of many moods, sis.

Glue is brought to us today via a special showcase live video. The Planetarium boys were kind enough to also post their performance of Blah, which you may view here.

Rating - Heavy Rotation

1. On or Off (Nick & Sammy)

So like... Y'all just gon' snatch up Eric Nam like that!?!? Y'all really gon' steal my mans' song, and do it better than him!?!?!? I'm not mad (#SorryBae :3), I'm just curious, sis!!

On or Off is 90% a funky ass bassline, and y'all K N O W how I feel about Funk in my K-Pop!! It's also 90% Sammy rapping (and a lil singing), but I'm absolutely not mad at that, either. Nick comes in with his smooth n bright tenor just enough that it doesn't feel like On or Off is Sammy featuring Nick (in fact, I probably wouldn't like this song as much if it was just Sammy), so it's all good.

On or Off, like I mentioned above, is Funky af. Nick & Sammy have snatched their own little slice of the '90s with track, and it works so ridiculously well. On or Off is also lowkey af; this is a song you play when the party's winding down, sis. It's a lil hype, but you not trynna have nobody be buckwild.

Btw, am I just imagining things or does it sound like the na na na's were quoted from Will Smith's Gettin' Jiggy Wit It?!?!?! They didn't lift the actual audio from the song, but it sounds like they recorded their own version of that bit.

1theK continues to do the Lord's work by providing a Special Clip of On or Off (it's basically a live studio recording with) that you can watch here. Nick & Sammy also posted a dance practice video to their channel that you can view here. And be sure to check out the other videos on their Youtube channel; their covers and mashups are fucking amazing.

Rating - Heavy Rotation

Alright guys, that's it for today's list!! Be sure to tune in this time next for my next Review Roundup featuring songs from this week (I'll try to keep it under 20 songs this time, but no promises)!! And don't forget to keep your eyes open on Friday for the next entry in my SHINee Feature Spotlight series, where we're gonna be looking at some of SHINee's more contemporary tracks!!

I'm also starting up full length reviews again, pending my work schedule. I've got two lined up for next Monday, one at 12pm EST and the other at 6pm EST. Be sure to show them some love, guys!!

Love you all.