#charlesweldon

#CharlesWeldon and The #negroensemblecompany produced #debbimorgan 's one woman show #TheMonkeyonmyBack It was my pleasure to be hired as stage manager. It was great to assist Debbi in bringing her autobiographical show to life. (at Signature Theatre Company) https://www.instagram.com/p/BrJJ-q_HDzk/?utm_source=ig_tumblr_share&igshid=whjqlhtdbjkw

REST IN POWER my friend, mentor, icon and inspiration #CharlesWeldon Actor and artistic director Charles Weldon was born on June 1, 1940 in Wetumka, Oklahoma to Beatrice Jennings. At the age of seven, his family moved to Bakersfield, California, where he worked in nearby cotton fields until the age of seventeen, when he joined the local doo-wop group, The Paradons. After the success of their 1960 hit single, “Diamonds and Pearls,” The Paradons dissolved, and Weldon went on to perform with the soul group, Blues For Sale, before discovering his love of acting. Weldon’s sister, actress Ann Weldon, introduced him to the theater group Dialogue Black/White and playwright Oscar Brown, Jr. After appearing in the musical Hair at the Geary Theater in San Francisco, California, Weldon accepted Brown’s invitation to perform in Buck White, appearing alongside Muhammad Ali in his only Broadway appearance. In 1970, Weldon joined the Negro Ensemble Company and performed in Joseph Walker’s Ododo. In 1973, he starred in Paul Carter Harrison’s The Great MacDaddy and played Skeeter in Joseph Walker’s The River Niger. Weldon reprised the role in the 1976 film adaptation with stars James Earl Jones and Cicely Tyson. He also appeared in several other films including Who's Minding the Mint? (1967), Serpico (1975), Stir Crazy (1980), Fast Walking (1982), Spike Lee’s Malcolm X (1992), and The Wishing Tree(1999). He appeared in several television mini-series, including A Woman Called Moses (1978) and Roots: The Next Generation (1979). His television credits also include Sanford and Son, Hill Street Blues, Kojak, St. Elsewhere, L.A. Law, and Law & Order. Throughout his film career, Weldon continued to perform with the Negro Ensemble Company, acting in Charles Fuller’s A Soldier’s Play in 1981. In 2004, Weldon was named artistic director of the Negro Ensemble Company. Additionally, Weldon directed Leslie Lee’s Blues in a Broken Tongue, Jimmy Barden’s Offspring, Samm Art-Williams’ The Waiting Room, and Layon Gray’s WEBEIME. Weldon also produced the Negro Ensemble Company’s Sundown Names and Night-Gone Things. Co-founder of the Negro Ensemble Company, Inc.’s Alumni Organization, (at Negro Ensemble Company, Inc) https://www.instagram.com/p/BrJGZc_n-aD/?utm_source=ig_tumblr_share&igshid=57a25jqvcpd2

#charlesweldon #debbimorgan @therealdebbimorgan #BillJohnson @uptownbill007 #theatrelife #actorlife #Actor #stagemanager (at Signature Theatre Company) https://www.instagram.com/p/BqkUCGBjVwo/?utm_source=ig_tumblr_share&igshid=1d80b5a9a5xoi

Attending NEC's production of A Soldiers Play by #CharlesFuller directed by #CharlesWeldon #ASoldiersplay #ASoldiersStory (at The Gene Frankel Theatre)

Had a great night out supporting friends & mentors at Negro Ensemble Company's production of Day of Absence by Douglas Turner Ward. #negroensemblecompany #NEC #douglasturnerward #charlesweldon #arthurfrench (at Theater 80 Saint Marks)