'Dark Fluid': An experimental science-fiction anthology initiated by Angela Su
https://www.hongkongfp.com/2017/10/09/dark-fluid-experimental-science-fiction-anthology-initiated-angela-su/
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'Dark Fluid': An experimental science-fiction anthology initiated by Angela Su
https://www.hongkongfp.com/2017/10/09/dark-fluid-experimental-science-fiction-anthology-initiated-angela-su/

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Structurally-Sound Temporary Shelter in Nepal
Hong Kongās Charles Lai, Tokyoās Takehiko Suzuki and Hong Kong-based practice aona completed a prototype for a quickly-erected shelter made of bamboo poles and other local materials for earthquake victims in Nepal. Ā The two architects beganĀ an architectural relief organization, Architecture for the Mass, this pastĀ April in response to the Nepal Earthquake. (moreā¦)
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2011 Long Beach Dragon Boat Festival
By Charles LaiĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
July 30th was a ridiculously hot day.Ā Perfect for a day at the beach with food, drinksā¦and dragon boating?Ā The 2011 Long Beach Dragon Boat festival was held on July 30ā 31 at the Marine Stadium in Long Beach.Ā Annually, this is the largest dragon boating competition in all of California, bringing in rowers from all over the state, as well as being the fairgrounds for a variety of Asian cultures.
Dragon boating takes its origins in ancient China.Ā More specifically, it is an entire tradition based off the life of one man, Qu Yuan.Ā During the āWarring Statesā period of China, Qu Yuan was an honored poet and minister to the King.Ā However the ministers during the time period were corrupted, eventually even influencing the King himself.Ā Qu Yuan, one of the few remaining just ministers, was exiled from the state of Chu.Ā However, when Qu Yuanās home was invaded, he was overtaken with sadness and took his own life by throwing himself into the Miluo River.Ā The people of Chu raced out in their boats to try to save him, and ever since, the dragon boat festival has been an annual celebration in honor of Qu Yuan.
Thousands of years later, Iām standing at the edge of the canal, cheering as the sleek boats go fleeting by.Ā The synchronization of every rower in harmony to the drummerās steady beats is an awesome sight; almost more like an art than a sport.Ā But it is a sport nonetheless, and the roars of the spectators certainly prove it.Ā There are so many races that take place over the two days, and by the third race that Iāve watched, Iām starting to feel a little hungry.Ā Of course, a festival isnāt a festival without food booths, so I make my way over to a rather disappointing corner of stands.Ā Despite the festival being a long-standing Chinese tradition, there were no Chinese food booths at all.Ā Instead, I found two Thai food stands, a Mexican one, and one that served heart attacks in the form of bacon-wrapped hot dogs.Ā Even though dragon boating has recently been diffusing all over the world, the evident lack of Asian culture was a bit disheartening.Ā However, the delicious Thai food quickly lifted my spirits.
Taking a short break from the excitement of the races, I decided to watch the performances.Ā Cementing the idea that the dragon boat festival was now a truly international event, I watched an array of hula, poi, and haka dancers (Hawaii), taiko performers (Japan), and even some dancing originating in Latin America.Ā While I was secretly saddened by the lack of attention to the Chinese culture, the performances were entertaining and an excellent contrast to the intense races happening right behind them.Ā
Itās kind of bittersweet to see how much this festival has changed, from the honoring of one Chinese man to the sales of tacos in a booth by the water.Ā Other than Panda Express and the hundreds of Chinese people walking around the Dragon Boat festival, I canāt really remember a single significant thing that was culturally Chinese.Ā But it wouldnāt be fair for the Chinese to hog such festivities to themselves.Ā In retrospect, what was expected to be a day of celebrating Chinese traditions turned out to be a wonderful celebration of other cultures as well.Ā And itās amazing, how one boat, paddles, and water can bring so many countries together in the spirit of competition.Ā
Vincent Who?
By Charles Lai
Who is Vincent Chin? If you know already, or know of the tragedy that befell him that night at the bar in June of 1982, pat yourself on the back. Evidently, not very many people do. Nor do they know of his legacy, his martyrdom, or his unintentional fight for Asian-American equality.
Vincent Who? was a documentary directed by Tony Lam and produced by Curtis Chin (unrelated to Vincent) that details the 1982 murder, and the massive aftereffects. But first, it starts by asking over eighty Asian-American students, āWho IS Vincent Chin?ā Sadly, not one had the answer. Not one knew of his murder, or the immediate uproar of the Asian-American community afterwards. No one knew how, before Vincent, there was no āAsian-Americanā, only āChinese-Americanā, āJapanese-Americanā, etc. Not one of them knew how his death united all Asians in America to fight injustice and racial inequality. Admittedly, I didnāt either.
Vincent Chin was celebrating his bachelor party at a club in Detroit, Michigan the night of June 23, 1982. He had a job; he was just about to get married. Life was good. However, two men, Ronald Ebens and Michael Nitz, began to pick a fight with Chin and his friends, subsequently getting both parties kicked out of the club. Ebens and Nitz hunted down Chin later that night, and bludgeoned him with a baseball bat. āItās because of you little motherf***ers that weāre out of work!ā The U.S. auto industry at the time had lost many jobs to Japan. As Chin slipped into a coma, his last words were, āItās not fairā. No Vincent, it really wasnāt fair. Vincent Chin died four days later.
The immediate event that transcended Vincentās death was a huge blow to the Asian-American community. As it turns out, neither Ebens nor Nitz served a single day in prison for their act of hate-filled murder. Both were acquitted of all charges. It wasnāt fair. And for the first time, all Asians banded together, under Vincent Chinās name. Vincent Chin became a martyr, a symbol representing the fight for racial equality. Vincent Who? is an eye-opening account of just how ignorant Asian-Americans today are of the battles weāve had to fight to get to where we are. We know nothing of the pan-Asian-American civil rights movement that followed: the rallies, the speeches, and the protests. And as Asian-Americans, the least we can do is honor the memory of Vincent, who unintentionally made America today a better place for us to live in. So if anybody asks you,ā Who is Vincent Chin?ā you had better know.
āWe thank you for your courage, and your unintended gift. We thank you for giving us a chance to live in a way that brings to life what has been destroyed by death.ā ā Marcia Lee