#cattonrambles

ok. the long awaited oliver quick transmasculine allegory post.

to be so real it is mainly me doing 2 (two things)

-projecting

-using insanely obvious prompts from the text to pull shit out of my ass

i do think that oliver quick's character COULD. MAYBE. be either headcanon'd as trans (BOOORRRINNGG) or a lot of his actions in act one can be closely tied to very common trans experiences.

my biggest thing on 'common' trans experiences as it relates to saltburn, is meeting a cis man and latching onto him with every fiber of your being, because you can't be friends with him, you need to *be* him. the first thing that really prompted me to look at saltburn from this lense was when farleigh goes "[you're almost passing as] a real human boy!", though it's clearly about oliver wearing a rental suit, it's a phrase that i've heard a million times over and over again, and i think that oliver, within this transmaculine concept of his character, dances CONSTANTLY on this imaginary line of "real boy" to "weirdo freak" that i think a lot of trans people can relate to. (i will touch on 'real boy' again later)

theres also an aspect of this incessant watching and dissecting cis men, what they wear, how they talk, how they fuck. and with all of this watching, there's this part of melding your identity into what you're watching, which we see starkly with oliver. at the beginning, when he's this oxford kid, a freak if you will, but he's more or less himself, version A. once he meets felix, he ditches the glasses, the button up shirts, the uptight manner, and turns into this entirely different version of "himself", version B. version B is the version he's taught himself that society will like much more than version A, so it consumes him entirely. version A wasn't someone that girls would fuck, felix would love, and quite frankly be 'enjoyed' by the rest of the world. version A is pre-transition, and version B is post. (all this to say, in relation to irl transition, neither version A or version B are right, good, or bad, they're whatever you want them to be. beauty is in the eye of the beholder)

THIS PART IS JUST WORD VOMIT AND DOESN'T NECESSARILY PERTAIN TO MY POINT OF TRANSMASCULINE ALLEGORY. SCROLL AT YOUR OWN RISK.

for me, another piece i think about a lot is the “you’re just so real” (venetia) but that’s a bit more of a stretch. the reason i think this relates to the main point, is so many trans people have to work and rework their personality so that their 'transness' is socially palatable, real. the catton's have no general perception of a real person, they surround themselves with fake, upper class socialites who lie and cheat. but even if they met a real person, they wouldn't know it. and they don't lol. so when oliver comes around, who isn't this upper class socialite, the initial thought is that he's this "real" and "grounded" person. however, the only reason that the catton's (general society in this case) find oliver (trans people) so "real" and more or less worth accepting into their family is because he has worked and reworked his identity to be so similar and likeable to felix's.