#casper kain

So what I personally found interesting is that out of the children who will define and shape the future of the town 5/7 of them are fully orphaned, no biological parents in sight for reasons either explained, or left up in the air. A fact I kinda picked up on being vaguely implied to be part of the reason the termites are more responsible and independent then the other kids. But even those other 2/7 aren’t actually that far off in my opinion because like . . . Khan, Capella, sweethearts, where are your dads in all this?

Especially Khan, like honey, I’m not sure I’ve seen you and your father talk? His mother died when he was young and his sister stepped up to fill a maternal role, I know, but did his father ever truly step up to raise his second child? With only a sister for a parental figure who or what was there to pick up the slack? Did he just fall through the cracks broken beneath his feet by his family’s state of disarray? Yet, even on shaky footing in his own life he stepped up to be a leader among the dogheads, clearly the role of leader is incredibly important to him. I’m wondering if perhaps because of the emotional distance from his father and loss of his mother Khan began seeing his place as a member of the Kain family less like the deeply personal bond of family and more as a nebulous, difficult to reach, level of importance and power over others he’ll one day achieve. I think that maybe putting himself in a position where others answer to him is how he chooses to investigate the meaning of the power he was born into.

And sure, Capella’s father is in the picture, but as a young mistress she is being socially forced out of the role of a child too early, leaving her in a strange state of being too adult to be cared for like a child but too childlike to write off as an adult. She’s such a spirited girl who’s clearly put a lot of thought into the future as something she must build herself. She can ask for help, and seems to not have too much trouble with that, but it seems to her there are some things a non-mistress can never understand. To me she reads as narratively quite distinct and separated from her family at this point in her life. She’s pursuing her own destiny and taking the choice of who to marry into her own hands at a young age. She’s building connections now that may indeed make life easier as she grows up, she’s always moving forward, and perhaps that means setting herself apart from her family. It probably also does not help my more negative interpretation of her family dynamic that I hate her father with every fibre of my being but love Capella herself so dearly. So um, yeah, also that, keep that in mind.

At least Isidor and later Artemy clearly helped them out a bit. Which I find quite sweet. Like jeez, be an even slightly neglectful parent in the Town on Gorkhon and one of the Burakh’s will swoop in the second you turn your back to give your kid a semblance of a healthy authority figure to look up to and maybe reinforce their belief in some big destiny while they’re at it.

Now onto the other 5! Specifically, how not having parents in their lives effects each of their stories, and what each characters story says about the larger town.

I’ll admit, it’s nice that Grace gets her little “the townsfolk are worried about this abandoned, mentally and physically unwell child” plotline but to me it just highlights how little the other kids of the town are cared for. Do people know about Murky? She’s so little, and she’s living alone in an abandoned train car.

I get leaving Sticky or Notkin types to their own devices since the child cultures of the town are so robust they allow for some kind of safety net. That is, the mutual protection offered by being in large groups. We can see through the caches that the kids are able to gather some resources and openly share them with people in their in-group. Clearly many kids this age are able to survive on their own to an extent, that’s even evident on how far Artemy can get by just trading away literal trash. And so, expensive resources find their way down the trading system to the kids. But I wish more characters mentioned the other little girl who was forced to live all alone. At least, forced by circumstance. As a neurodivergent person I can’t help but wonder if Murky not being acknowledged by adults who have surely seen her around might hint at a level of ableism. What if the adults of this town willfully ignore this young autistic child because they believe it would be difficult to find a guardian willing to support her unique needs, that she’d “create problems” in the adoption process. Suffice to say it breaks my heart, and Murky in particular getting a stable home and a guardian willing to take the time to understand her is deeply important to me.

So much attention is paid to Grace getting the stability offered by an adoptive family, in isolation you’d almost assume the town does this all the time. But the Town on Grokhon as it is when we first arrive is a creature which eats its young. It’s only when a child is in such desperate need of help that they might drop dead at any second that they receive support. Even Grace who ends up with a pretty happy ending still suffered with the trauma of fending for herself for years.

I’m not sure how on the side of the local drunk haunted by a literal murder he committed in the past adopting the little psychic girl who can talk to ghosts I am. . . Cuz like, yeah I get the sense multiple of those points have the ability to create significant conflict going forward. . . But I do appreciate the game encouraging this sense of personal autonomy in how Grace wants to go about her new, more stable life. You hear out her side of the story, even if it’s probably best to give her legal guardianship to someone else for now. As she grows I’m sure she’ll have plenty of opportunities to bond with the towns local weirdos, she’ll fit in perfectly!