Jun 18, 2025
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Lounging at Cap 21 in St. Tropez
St. Tropez, France
CapĂtulo 21: "Vou ter que tampar sua boca?"
Terça-feira.
FĂRIAS!!!!
Tå, ainda não estamos de férias, mas essa é a ultima semana de aula, eu sei é apenas uma semana de férias, mas jå é maravilhoso!
Bernardo: Bom dia Biazuda! -- Ele me dĂĄ um beijo na bochecha assim que entro no carro.
JĂĄ que Charlie e Ka me esquecem, eu vou com Bernardo.
JĂĄ faz uns dias que Zander e eu estamos ficando, o Ășnico problema Ă© que nunca dĂĄ pra gente transar.
Any opinion or insight on CAP21? I'm starting to look into it, but I haven't heard much about it, but figured you might have some insight on how their program is and what exactly it is.
Iâm going to recommend you check out college confidential. Theyâre going to have such better insight on the program, because alumns and current students will be talking about it.  All I can talk about is what I read others say, which you always want to take with a grain of salt.  On college confidential, you can take out the middle man a bit and see what actual students are saying!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Sur une certaine con... fédération d'écologistes con... trariés... dans leurs ambitions personnelles #4avril #EELV
la moitié de 2.4 %, ça fait combien ? &
âLe compromis, ce nâest pas sale, le compromis, câest nobleâ (Denis Baupin).
Quand le con est promis, il ne faut pas le con-trarierâŠ. (moi)
./
Les mĂ©dias, aujourdâhui, ont cru utile dâen faire des tonnes sur un rassemblement dâĂ©colos (la moitiĂ©, pour ĂȘtre optimiste, de 2 %, ça fait combien ?) dont jâavais dĂ©jĂ parlĂ© ici :
Ă©cologistes de gouvernement Ă la dĂ©rive dans un cercueil en boisâŠ
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first of all thank you for taking time out of your life to run this blog to me it means a lot I check your blog like every day cuz it's so helpful and I hope you know there are people who really appreciate it I wanted to know what you thought of the musical theatre schools in nyc since you're around there like cap21 amda nyu do you think going to a school like that helps your chances of doing well in the theatre industry and do you see that play a role i. the auditions you've attended? : )
Iâm so glad itâs helpful, thanks for the message!
Iâm a firm believer that a huge range of schools (or even to school at all!) can create a great performer. Â I do believe that you can learn a ton from getting a theatre degree, and no matter how amazing we thought we were in high school, we find that formal training and study will always improve us. Â Not everybody can afford to go to a four year conservatory or liberal arts school, though, so thatâs not to say itâs impossible without schooling.
As for these big names, they certainly hold water.  Everybody knows Tisch, everybody knows CMU, U of M, etc.  And they do put out great performersâand usually a lot of performers, as well.  Many of those programs are massive.  But whatâs more important than a big name is a place that you fit.  I can wager a bet that you will learn more in a school that fits you than a school with a big name.  I donât care how many famous people they throw at you for workshops, if youâre not comfortable in an environment, you canât learn nearly as much.  Getting a degree in theatre is a vulnerable four yearsâitâs breaking down walls and building a new understanding of what you thought you knew, and it can be very scary.  So I believe you should find a place where you feel at home, first and foremost, and if thatâs at AMDA, then thatâs great.  If thatâs at small liberal arts program, thatâs great.  Obviously there are better schools than others, and not every school is going to have a phenomenal program, so you want to do your research, but there are a LOT of programs out there beyond those big ones youâve heard of, and they put out great performers.  In terms of auditions, I find that the audition matters.  Sure, that person may know so-and-so who went to your school, or may have worked with so-and-so last year, but if you suck in auditions, that doesnât matter.  If youâre a nobody and you blow them away, then the fact that you didnât go to a top-5 school doesnât matter.  Of course there is a connection made over schools, yes, but it happens with ALL schools.  I went to a small liberal arts university, but they are renowned for sending out phenomenal performers who are professionals.  I go into auditions and people see my school and say, âAh, youâre an IWU kid, you have a good reputation out here.â  Weâre known for representing our school well and representing the profession well.  And conversely, Iâve seen people say, âOh, youâre a (enter big school name here) kid?  HmâŠâ because theyâve worked with somebody who didnât represent their program and gave them a negative opinion on them.  It works both ways, but ultimately, the name of your program is not going to get you your job.  Maybe itâll get you a showcase at the end of the year, but you know what?  Your career isnât based off of your senior year showcase. Â