hey so after rewatching r1ct for the 19th time maybe i should actually get around to sendig asks abt it
SO HEY
i've been trying to make a more abstract sort of story and it seems i have trouble with ... being abstract in general. i usually can't come up with any sort of weird imagery or storylines without borrowing heavily from something else. it's highly inconvenient. How do you go about the concept process for your films ? any major takeaways from art school or things i should try ? :0
Wow. this is like the last ask i ever expected to get so first of all thank you for watching R1CT....19 times?!?? this may be hyperbole but either way thank you. its a project that went through a lot of stages and changes and difficulties and it means a lot to me
*puts my hands on your shoulders*i have to tell you something. there is no way you can come up with shit without referencing or borrowing from others' work. im working on a zine/book/thing about the entire journey of making it but basically my"concept process" was a 30-month mess that started out with 1 sketch on the train, which became an idea for a way too ambitious yet still half-assed fully hand-drawn second-year film..but put through the play-doh spaghetti machine of covid i started having a different relationship with myself, with my computer, with my computer-self.. and it morphed slowly and weirdly into wut it is i guess. i dont think i could recreate those circumstances if i tried lol. but yea im rambling too much so let me actually try to answer your question
so ya like i said its actually important and beneficial to borrow from other peoples works. i definitely have the privilege of going to art school to help with that cause i was exposed to a variety of different media and art and obscure films i probably wouldnt have seen otherwise. but i will say itll serve u well to branch out and look at art forms other than the one youre studying, even stuff that seems boring or not relevant. and combine the elements that inspire u the most and make something of ur own. some big inspirations that went into the melting pot early on were: the movie la selva oscura by carlos santa, the opening for the 1974 anime majokko megu-chan, the 1983 movie rock & rule, the matrix, movies by gregg araki, roberto rossellini, david lynch(sorry), elaine may, jonni phillips(to whom i owe so much), among many others; the animated series transformers: beast wars, sally cruikshank's quasi at the quackadero, the artworks of fernand leger and leopold survage (both part of the Cubist scene but had a conceptual interest in filmmaking)...... yeah i could go on for a really long time. (i guess i already did). if you look at this stuff you can probably see lots of elements of these things, in r1ct but it still ended up being something at least semi-original.. so yea go to the library look at art books watch old movies, find stuff u hate, find stuff u like. absorb shit and make shit. dont be afraid to do something way different than what youre used to. basically just go crazy
shoutout 2 any1 who managed to read through this whole thing LOL. i encourage you to check out at least one of the things or artists i mentioned here and yea.. thank you again:)i hope you can look forward to more works in the R1CT cinematic univere
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