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I definitely agree, at least with the sheikah-made ones. And, I mean. Considering Robbie then went on to create the Ancient Arrows, one of only three (minus DLC) weapons that can defeat Dark Beast Ganon, with Master Sword beams and the Light Arrows, Iâd say thatâd be well in line with their goals.
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BOTW AU/Lore Character Thoughts Gerudo Merri After much deliberation over what Gerudo Merriâs name might be in Techâs BOTW AU, I did some digging to find all of the Gerudo characters in the game and realized that âMerriâ is actually a perfectly suitable name based on their standards. Which makes me highly inclined to just keep calling her âGerudo Merriâ, in the sense that the other folk she hangs out with call her that as an affectionate nickname. Like how someone might be âBig Jimâ or âMean olâ Mister Hendersonâ - she probably explained very bluntly that she was a Gerudo upon first meeting Eddy to try and contextualize her presence, as if her being a 10Ⲡtall bronze amazon with abs you could break your fist against wasnât staggeringly obvious enough.
Gerudo Merriâs basic presence in the story is minor compared to the others, especially folk like Momo or TB who stand in for pivotal figures in the original context. Sheâs more or less a support character and occupies a role similar to that of Urbosa - functionally a kind of post-Calamity Champion. Eddyâs diligence at fighting back roving Guardians kept them from spreading out too much, but in his withering years heâs been unable to keep up and more started to filter throughout the landscape. The Gerudo became aware of the problem as Guardians began encroaching on their territory more and more frequently, pushing further than ever and requiring constant push-back to quell the increasing numbers. Gerudo Merri, as a result, set out into Hyrule proper in search of the problemâs cause and a way to fix it. Which eventually leads her to Eddyâs doorstep and gets her directly involved in all the heroics the plot requires, along with a fair amount of doting on the creaky old bastard. For Eddyâs sake, heâs probably got plenty of reason to welcome her presence as sheâs a skilled warrior more than capable and eager to destroy every Guardian that looks at her - she can do what he can no longer do, and in working with her he has a second chance at redemption. Gerudo Merri herself is content to just keep fighting the good fight, filling in where Eddy left off and thus assuring that her hometown and kin remain safe as a result. Even though, bit by bit, she gets more involved in the Actual Story surrounding Calamity Ganon, the Hero, and figuring out a way to put an end to it all for good. Thus she ends up going around in the background, facilitating events and putting her muscle to good use making life easier for the Hero - whomever they may be - which is how she eventually ends up yoinking the Master Sword (and a big chunk of the pedestal) for their sake. Sort of a âhey, I saved you a dangerous trip - hereâs your magic swordâ sort of thing.
Neither Fi nor TB are fond of her, I suppose.
Narratively speaking, sheâs sort of a â Rosencrantz and Guildenstern Are Deadâ character whoâs always in the background doing things that donât seem immediately consequential right up until the pieces all start coming together. Sheâs precisely as relevant and useful as the narration demands, as her basic function within the story is to otherwise maintain the status quo of keeping the endless waves of Guardians suppressed until such a time that the Hero appears (or stops shield-surfing and setting Bokoblins on fire long enough to get to the Final Boss). At any point she can be counted upon as the âI get shit doneâ person who the others can trust to do just that in short order. Regarding personality, sheâs as much Merri as ever - the stern-and-stoic, yet endlessly compassionate mother hen/mama bear variety. Unlike other Gerudo she doesnât have any interest in catching a man; she went right past the dating scene and straight into the âI will adopt any unoccupied child I encounter, see if I donâtâ mothering. Sheâs just naturally inclined to be a caretaker and a protector, which can end up looking rather different than one might expect given that she is, in fact, the aforementioned 10Ⲡtall bronze amazon with chiseled abs. Like, she probably spent a lot of her time accompanying her sisters when they went man-hunting as a wingman/bodyguard; not to keep them safe, per say, but to keep the men safe from them. Making sure everything stays kosher and nobody makes any bad decisions - basically acting like the designated driver for such outings.
I feel like thereâs evidence for multiple (like, three or four or more iterations of) Temples of Time, Lost Woods, and Hyrule Castles in BOTW. A number of places certainly seem to match up to multiple games.Â
Thoughts about BOTWâs story and why I kind of love it a lot.
The pre-calamity story is one weâve heard before. A princess under pressure from her loving-but-harsh father, her stalwart knight with burdens of his own, grow closer as the threat of ultimate evil looms and the ghost of mourning hangs over the princess. Along the way, they team up with four heroes from each race: the Mom/Aunt character, the Dad/Uncle character, the second love interest with a heart of gold, and antagonist rival who warms up to the knight (and possibly loves the princess). There are fun side-characters, like the eccentric sheikah prodigy researchers Purah and Robbie, the caring guardian of Impa (with whom there is a separate side-story with Purah and Robbie), the sheikah poet jealous of the knight but learning to respect him. All of them become a found family, growing and strengthening each other as the day of apocalypse draws closer. Weâve seen this in a hundred thousand different stories--some straight from previous LoZ titles.
At the end of the day, when hope seems lost in the clutches of evil who has pulled a fastball on them, the destined heroes prevail against the great evil as the princess taps into her powers in the nick of time after realizing her love for her knight, and the kingdom is narrowly saved from defeat. A king learns his mistakes and a father and daughter repair their bond. Princess and Knight realize their feelings for each other.Â
Except, they didnât. They failed.Â
The princess receives her powers too late. The knight dies. The four heroes of the found family die, alone and trapped instead of banding together and overcoming. The king dies before the bond between father and daughter can be repaired. The apocalypse happens, and the kingdom is lost.
Like, thatâs such a fun take on this story. Obviously tragic, but I love this take on this. This is such a fun, interesting deconstruction on such a popular plot setup. I love the chance that the writers took with turning this plot on its head.
I like to think the sheikah have a couple inborn traits, and some taught to them as part of a spiritual/martial culture built around protecting the bloodline of Hylia.
Their natural traits and what sets them apart from Hylians (with quite a few exceptions) are obviously the white hair, with red eyes rare, enhanced physical abilities and longer lifespans. In addition, they can move completely silent, and a lot have uncanny balance. Children walking on gables and tree branches like cats is not unheard of and probably a fun way they play games.
Children and young adults are taught a degree of basic self-defense and martial training, both for wellness, and part of a code to be perpetually ready to defend the goddess-blood. Most though, unless following the warriorâs route, donât really follow up or continue martial practice, save for probably meditative reasons. By the time a regular sheikah reaches middle age, theyâve usually forgotten most training, save for whatever skills are still necessary for them, like archery for hunting, blade discipiline for watchmen, so on.
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Kakariko | Real world parallels
Also interesting: the sheikah in breath of the wild write in hylian. You only find sheikah text proper in the shrines and ancient sheikah artifacts. Even in scrolls in peopleâs homes, the text (though written in an up-to-down right-to-left format like japanese) is in Hylian.
I suspect this is likely a cultural effect of the sheikah banishment centuries ago (or perhaps direct consequence of). If any speak it, or speak it naturally, or just write it, I suspect usage is a private affair not for outsiders to hear, or its used for special times like particularly sacred events.
I also suspect a valuable position on the Royal Researcherâs team was a translator for old texts--if not for the sheikah, then for the hyrulean associates.
[miphaâs theme plays in the background]
Part one | end
