I'm writing a mystery teenage book with lots of characters so it can have different types of representation. (Gender, race, religions, romantic attraction, sexuality, dreams, ideologies...)
Does anyone have any tips on how can I induce a lgbtqia+ character without making it feel forced?
And for those who are wondering here is the synopsis:
The last year of high school can change your life, especially when you are an aspiring writer and future detective who's convinced that there was a murder in your school. But what to do when no one believes in you?
This is NatĂĄlia Ilunga's story, student of one of the best colleges in London, and she's going to do everything to prove her theory and gain recognition, however, not everything is what it looks like.
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The authors of âBibliophile: Diverse Spinesâ share their favorite books by female and marginalized authors, including N.K. Jemisin and Arundhati Roy.
For Jane Mount and Jamise Harper, authors of the new âBibliophile: Diverse Spines,â narrowing down their âmost lovedâ books was not an easy task, but Mercury News has a list of some of the titles on their diversity bookshelves.
âI'm excited to announce that I'm now repped by the amazing @jemiscoe at @AndreaBrownLit! Iâm so thankful to have her in my corner for my Dark Comedy #GN and all future chaotically fun stories we bring to life! Thank you for believing and being my partner in writing crime. :) https://t.co/4vs55rtXwGâ
I AM NOW REPPED by Jemiscoe Chambers-Black at Andrea Brown Literary Agency! Excited to be making amazing books together!Â
So I saw this lovely excerpt from Suffer Love by Ashley Herring, the other day and I thought to myself: âWow! We are really getting the stereotype ball rolling today!â And guess what? This was in the first 5% of this E-ARC my lovely friend Sue ( @daisycalloway ) had provided me with. Now, I donât know how the the end copy will turn out (and I really donât care since I donât want to read more lol) but I think at least let me show a little of understanding on why this is super shitty and absolutely harmful.
I wonât go into depth, but I want to say how obvious it is to point out is that apparently in this authorâs world (i wonât go name calling that is not my job and I have an inkling the author does not give a single fuck) a brown person = terrorist.
Lovely.
This isnât funny. Like, at all. Maybe it was meant to be funny or some form of joking with a buddy, but considering our history as a country, I digress. I just wish that Indian characters, Muslim characters, and many, many others werenât constantly put in this box. How can I, as a South Asian, read a quote like this and think itâs something to laugh about? Itâs not funny, itâs not cute, and itâs certainly perpetrating a notion that we have been trying to destroy for YEARS.
Iâm not going to write this big rant about how this is absolutely distasteful and harmful, because it really isnât worth my time, but PLEASE the underlying depiction that we are all âterroristsâ is absolutely horrifying. Brown people should not be having to put up with this, we shouldnât have to read a book with a character like us, only to be betrayed.
In other words: just because you add representation to your books does not mean to belittle, stereotype, or add for Token Diversity. Maybe research? Maybe ask an actual Indian person? Why do we have to constantly call out authors when they should know better? We are people and we have lives so to be equated as a âterroristâ isnât quirky and I donât care how long these two have been âfriendsâ, we donât deserve this depiction at all in any circumstance.
So youâve read about how to write a query letter and then you wrote it. Youâve discovered how to find agents youâd like to work with. The next and final-ish step is to contact those agents.
Submissions, once you get past your anxiety and self doubt, is relatively easy. No postage and no phone calls, all you need is your manuscript and exactly what the agent requests for submission.
In each and every case, the agent you want to contact has told you exactly what they want from a submission. They may want something specific in the emailâs Subject line. They may want 10 pages of your book or 50. One thing they donât want? Attachments.
If you attach anything to an email you send an agent, they will delete it out of hand. If fact, they probably have a filter set up that deletes any emails with attachments. Donât chance it.
Remember the list from Finding Agents? Letâs drill down into what two agents specifically require for a submission. Specifically, Rosemary Stimola who represented The Hunger Games and Joanna Volpe who represented Divergent.
Ms. Stimolaâs website tells me she just wants a query letter and nothing else. In fact you donât even need to send an email, thereâs a form designed for you to fill out. Simply upload the query letter into the âNoteâ section and youâre good.
Ms. Volpe, on the other hand, requests an email submission and her agency, New Leaf Literary, has the following request for each submission
Email Subject line: âQuery, [Agent Name]â
5 pages from your manuscript, double-spaced
paste the 5 pages at the end of the email, no attachments!
I read somewhere (I believe it was an agentâs website) to advise them whether or not you are submitting multiple queries. Iâm sorry, who is not submitting multiple queries? This strikes me as a throwback to the golden days of publishing where agents held all the power (perhaps not such a bad thingâŚtheyâd have never allowed 50 Shades of Grey to see the light of day). If someone asks, be honest. Other than that, youâre playing the field. Youâll never find the right one unless you fish the whole of the sea.
To that end, youâre dating. I have a friend who dates as if the next date is going to be the one. Needless to say she has a terrible love life. Be skeptical. Be thoughtful. Be overt. Be as ethically slutty with your query letters as possible.
To that end, there are a lot of agents to contact and the temptation is to send out query letters to all of them. Donât. First, itâs a lot of work following my suggestions above researching each agent and massaging your query letter for each person. Second, donât put all your eggs in one basket. Mike Sambuchino suggests sending only 6 to 8 query letters out at a go. Adjust as needed and then go for round 2!
Also, keep in mind that Iâve never worked with an agent. For slightly more refined advice, check out Jane Friedmanâs article. There are tons of articles and a thousand different iterations of the same advice. Trust your gut and remember, these are people too.
Get all your ducks in a row (I recommend a spreadsheet to keep yourself sane) and get to work. Good luck!
Contacting Agents was originally published on p.s.w. gear - i write things
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As I said in my Querying Agents post, I used this query as the basis for my letter. Itâs concise and polite, which I think will go a long way for most agents. These folks get a ton of representation requests â so itâll go a long way if short and sweet defines your submission.
I wrote my first letter in about five minutes, pushing through all doubt. It was terrible, but what did that matter? I had a beginning. From there, I probably rewrote the letter between 25-30 times over the course of two days. After each âfinishâ I read the letter out loud and noted what worked and what didnât.
It wasnât perfect and after sending off the first round of queries, Iâm getting ready to redo the letter for a second round of queries. When I get done with the second go-around, Iâll be sure to post it.
In the meantime, hereâs the first letter. Have some fun and good luck!
Dear Ms./Mr. [for Peteâs sake spell their last name correctly]:
What if Stonehenge was a prison? Who wouldâve been imprisoned there? Why? The answers begin in CHARLOTTE GNOLL, my first novel. A Young Adult fantasy set in both modern-day Wales and an old Celtic world, the manuscript is complete at 85,000 words. {Thereâs some debate as to where the genre and word count of your book appears in the query list. I will likely move this technical information later in the letter when I send it to more agents. However, always include it along with the statement that your manuscript is complete. For fiction, itâs a must.}
{Describe your book. Honestly, this could be another post on its own. Write, rewrite, and rewrite about 50 times more. Let it percolateâŚthis is your best chance to sell your book with a clear and efficient description.} Charlotte Addoâs life turned upside down the day her dad disappeared. Before she was fearless, yet now sheâd rather bury her head in the last book they read together. But when she stumbles into a world where reality bests her imagination, will Charlotte remember her courage? Her new friends are counting on it. So is her dad.
{As you can see, my description is broken into two pieces, which makes sense with my particular book because thereâs Charlotte and then thereâs the other world.}Â A witch, bent on destroying the world, was defeated 5,000 years ago and locked away. Yet no prison lasts forever, not even Stonehenge. Charlotte, a last hope, must learn to control a magic she never knew existed and stop the witch. Itâs a lot to ask of an eight-year old.
{Why did you choose this agent? If youâve done the work recommended in the Finding Agents, you should know exactly why. Let them know; connect with them.} I am submitting this novel to you after I read that you represented [a book I have found similar to my own that liked]. [Compare your book to that book]: e.g., I see Charlotte as strong and vulnerable as Katsa, though we meet Charlotte long before she masters or even understands her power.
{A little about yourself}Â I quit my job as an Economic advisor in Baltimore last October and ran away to Germany with my fiancĂŠ so we could explore Europe and I could finish CHARLOTTE (plus other stories). You can read some of those other stories on my website, www.pswgear.com. {Do you have a website or any presence on the net? You should, if only to show that you are willing and able to engage peoples with some rudimentary knowledge of how. Increasingly, publishers are relying on their authors to get the good word out. This is a start.}
Thank you for your time and I look forward to hearing from you. {Professionalism and politeness! But donât be afraid to make your sign-off a little more casual. Just never forget to thank them for reading.}
Sincerely,
p.s.w. gear
[phone number]
[email address]
Query Letter Example #1 was originally published on p.s.w. gear - i write things
The four pieces of advice Iâve read about finding agents:
Find someone who has represented a book similar to yours â MSWishList is amazing in this respect
Be interesting. Be concise.
Accommodate the submission guidelines
Research the agent and personalize
Since Charlotte Gnoll is YA Fantasy, I went to Google and Amazon to find the best sellers in that particular genre. The list I generated was a mish mash of popular and critical darlings. Iâve include the agents associate with the titles/series. Howâd I figure that information? More on that after the list.
Mistborn: The Final Empire by Brian Sanderson
Agent: Eddie Schneider
City of Bones by Cassandra Clare
Agent: Barry Goldblatt
Harry Potter by J.K. Rowling
Agent: The Blair Partnership
Original agent: Christopher Little
Percy Jackson & the Olympians by Rick Riordan
Agent: Nancy Galt
Eragon by Christopher Paolini
Agent: Simon Lipskar
Graceling by Kristin Cashore
Agent: Faye Bender
The Hunger Games by Suzanne Collins
Agent: Rosemary Stimola
Divergent by Veronica Roth
Agent: Joanna Volpe
Legend by Marie Lu
Agent: Kristen Nelson who also runs Pub Rants and represented Wool
Icons by Margaret Stohl
Agent: Sarah Burnes
The Maze Runner by James Dashner
Agent: Michael Bourret
Sabriel by Garth Nix
Agent: Jill Grinberg
Amanda Hocking
Agent: Steven Axelrod
Keeper of the Lost Cities by Shannon Messenger
Agent: Laura Rennert
The Shadow Falls Series by CC Hunter
Agent: Kim Lionetti
The Lion, the Witch, and the Wardrobe by C.S. Lewis
Agent: Geoffrey Bles (exclusive to Lewis and very dead)
Aliceâs Adventures in Wonderland by Lewis Carroll
Agent: none
The Book Thief by Markus Zusack
Agent: Catherine Drayton who also represented Hush, Hush
Anne of Green Gables by Lucy Maud Montgomery
Agent: Sally Keefe-Cohen, who represents the literary aspects of Montgomeryâs estate.
First question, why The Book Thief and Anne of Green Gables? I know theyâre hardly fantasy books. What they are, however, are books centered around young girls whose strength, vulnerability, and general chutzpah, which is exactly how Iâve painted Charlotte. Donât be afraid to think outside the box with comparative books and agents youâd like to work with.
Second question, howâd I find all those agents?
Google is your friend. Best search string is â[book title] and [author name] and agentâ. If you donât get anywhere with that, throw in the word ârepresentâ and/or representation.
The author database at QueryTracker allows you to search for agents by authors theyâve represented. QueryTracker is also great for getting to know a little bit more about your agents.
Third question, why go through the hassle of finding books like yours and then the agents of those books? In the best case scenario, your agent is your biggest fan â the person who likes what you do and thinks you can make some money doing more of it (and therefore make some money, too). So it makes to find an agent who already likes similar books and has had success publishing those books in the past.
Now get to work. And once youâre done, write your query letter and then contact an agent!
  Finding Agents was originally published on p.s.w. gear - i write things