May 4, 2021
Bogomir Doringer: Illegal Chair Series (Amsterdam, 2004)
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Bogomir Doringer: Illegal Chair Series (Amsterdam, 2004)
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Bogomir Doringer: Illegal Chair Series (Amsterdam, 2004)
Bogomir Doringer: Illegal Chair Series (Amsterdam, 2004)
*Press tour 'Dance of urgency' @q21_vienna @mqwien * Every type of dance is based on an underlying symbolism. Dance is understood as a way of socialzing, as nonverbal communication, as an art form, as ritualistic practise. The exhibition, curated by Bogomir Doringer, aims to find a definition of 'Dance of Urgency' that is based on those emotions arising out of personal and collective crises. Memories of clubbing during the 1999 NATO strikes on Belgrade were the catalyst for Serb-Dutch artist and curator Bogomir Doringer (Ph.D. candidate, Artistic Research, University for Applied Arts Vienna) to focus on dance as a political phenomenon. In 2014 as part of the project 'I Dance Alone', Doringer began to document dance culture in clubs and variants of collective and individual forms of dance around the world. 'Dance of urgency' on Show at Freiraum @q21_vienna at @mqwien till 1.9.2019 1 Definition of Dance 2,3 Critical mass: Pure Immanence by Anne de Vries 4 Circular Exercises by Andrew Herzog 5 Power of one #Surface by Shohei Fujimoto 6 Tresor - Berlin 325 Longitudinal Sections by Francesco Pusterla 7 Lovesick: The Transfection by Heather Dewey-Hagborg 8 Homo Sapiens by Nikolaus Geyrhalter #mqwien #q21vienna #BogomirDoringer #AnnedeVries #AndrewHerzog #ShoheiFujimoto #FrancescoPusterla #HeatherDeweyHagborg #NikolausGeyrhalter #minimalmag #minimalart #contemporaryart #artinvienna #igersaustria #igersvienna #visualstoryteller #artsyvisualstorytelling #artsycontentcreator #museumsblogger #artblogger #justgoshot #neverstopexploring #viennanow #viennamylove #ig_ometry #m_inimal #tv_leadinglines #tv_lifestyle #walmatwien (at Museumsquartier (Vienna U-Bahn)) https://www.instagram.com/p/BwpOWI-Bzjs/?utm_source=ig_tumblr_share&igshid=yk9wzklui4rz
17102018 #MareaStamper #TheBlackMadonna #BogomirDoringer https://www.instagram.com/p/BpOXQ9mCoyd/?utm_source=ig_tumblr_share&igshid=3hif5dtdnt4y
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Faceles... #bienal #faceless #bogomirdoringer (Pera Müzesi-Museum) https://www.instagram.com/p/BoQ5loknpOX/?utm_source=ig_tumblr_share&igshid=1oizo1grmclep
The book documents creative strategies by artists, fashion designers and other media users to become virtually faceless for aesthetic, fetishist or resistance purposes
The psychological and physical state of military personnel changes drastically after returning from overseas missions, such as those in the Gulf, the Balkans, Iraq and Afghanistan. The symptoms that they “host” are recognizable to medical experts as various forms of cancer. In the media, the “horrors” they experience are known by names such as Balkan Syndrome or Gulf War Syndrome, and their health problems are linked to the use of weapons containing depleted uranium (DU), as well as to the presence of invisible nanoparticles in the atmosphere, which penetrate the victims’ bodies. Nonetheless, sudden increases in incidences and mutations are causing doubts as to the nature of these illnesses and their causes. Sufferers sink into a state of limbo similar to that experienced by those living in the war zones the soldiers just left. In this state they wander alone in silence, waiting for a cure or perhaps just death.
For this monumental and touching installation by the Serbian documentary artist Bogomir Doringer, a unique collection of biopsy samples is “hosted” by a ferrofluid sculpture that transforms its shape before our eyes. Examining the relationship between fiction and reality, the project questions the intention of “hospitality” and the responsibility of those who offer it. We are uninformed “hosts,” exposing our bodies and minds to an aggressive transformation.