Hello, @duckingwriting. Thanks for the @writeblrsummerfest's ask game. I hope you're doing well. 💙
Despite being a Sovereign forged from celestial law and corrupted magic, Lucien Moore is not immune to wonder or dread when it comes to the mortal world. As a being of structured divinity, Lucien approaches Earth with the analytical curiosity of a god and the silent yearning of a soul that has never truly lived.
In the rare moments when his duties as Supreme Arbiter permit a glimpse beyond the veil, certain places whisper to him. Not all are gentle. Some call with unbearable beauty. Others with a chaos so profane it makes his wings recoil. These are the places that would either resonate with his soul’s aching need for balance or break him.
Dream Destination: Iceland
Lucien would be drawn to Iceland as if summoned by its sacred geometry. The land is a living contradiction: frost and fire in harmony, silence and power coexisting beneath the surface. From the volcanic black sand beaches to glacial caves carved by ancient forces, every inch of Iceland exudes a natural order that feels designed rather than evolved. He would walk through Þingvellir National Park and see tectonic plates part like divine scrolls. This would be his evidence of a world still moving with intention. Lucien would not vacation here. He would commune.
The auroras would hold his gaze more than any stained-glass cathedral. He’d study their fluid movement with reverence, perceiving the aurora borealis not as a phenomenon, but as a silent psalm. Or as a chaotic dance filtered through sacred physics. The land's lack of excess and the near-total absence of manmade clutter would soothe the overstimulated pathways of his mind. This is a place that does not beg for control yet maintains it. That paradox would comfort him deeply.
In Reykjavík, he'd frequent libraries and observatories rather than crowds. Lucien loves to be by himself. He would quietly catalogue constellations and historical codices from before his mother and father remade Creation. The geothermal spas wouldn't appeal for pleasure, but for equilibrium, as these are places where heat meets mineral. Lucien would see Iceland not as a getaway but as a proof of concept: that mortals, when aligned with nature’s divine architecture, can build lives of serene, imperfect grace. It would be the closest thing to rest he would allow himself.
Nightmare Destination: Las Vegas, Nevada
Lucien would loathe Las Vegas with every atom of his meticulously structured being. A city built on chaos masquerading as pleasure, it would feel to him like a wound in reality: a place where false lights mimic stars, and excess is a creed. From the moment he arrived, he'd sense the overwhelming density of manmade illusion: mirages layered over decay, noise layered over longing, and indulgence layered over emptiness. The entire city would feel like an astral migraine: too loud for his senses and too hollow for his soul.
To Lucien, Vegas wouldn’t be morally repugnant. It would be metaphysically offensive. The city thrives on imbalance: an ecosystem of addiction, vanity, and emotional manipulation. Casinos are temples to chance rather than order, and pleasure pursued without meaning. Every blinking light and ringing bell would scream mockery at the concept of divine symmetry.
He wouldn’t judge the people, as he doesn’t care about vice, but the system itself would appear like a self-replicating disease. This is not chaos born of passion (which he could understand through Aurora), but chaos for profit. That distinction would enrage him.
Sensory overload would trigger his defensive magic. Gravity would spike, time would bend, and mirrors would shatter involuntarily. Lucien doesn’t melt down in fury. He breaks in silence. Surrounded by constant stimulation, emotional projection, and performative joy, he would become ghostlike: silent, drifting, and desperate to escape. Vegas isn’t just his nightmare. It’s a reminder of what happens when mortals mistake abundance for meaning and freedom for collapse.
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Bianca boarding pass for the writeblrsummerfest ask game, please!
Hi, Aurora. Hope you are having a wonderful day, afternoon, or morning. Thanks so much for the @writeblrsummerfest ask game question. I decided to answer this for Bianca's later arcs (FF 7, Kilonova, and the godling)
As a fallen Celestial touched by both Jenova’s corruption and the divine agony of memory and during the later parts of Fantasy Worlds Collide's arcs, Bianca’s sense of place is not tied to comfort, but resonance. Locations — whether on Earth or Gaia — echo with psychic fingerprints that either amplify her obsession with rebirth or force her to confront the very weaknesses she’s tried to transcend.
For Bianca, travel is never neutral. Every destination reflects either a stage in her metamorphosis or a threat to her illusion of control. Her ideal places are dense with mystery, decay, and the spiritual residue of ancient power. Her worst ones force human intimacy, suppress chaos, or reflect sanitized versions of order she cannot infiltrate or destroy.
Possible Trigger Warnings: abuse, captivity, child trauma, coercion, cosmic horror, cults, death, dehumanization, emotional manipulation, existential dread, forced divinity, grief, identity erasure, mind control, parental trauma, psychological control, reality distortion, religious imagery, ritual violence, spiritual exploitation, weaponization of trauma
Earth — Dream Destination: Cappadocia, Turkey
Beneath the quiet dust of Cappadocia’s honeycomb rock formations, Bianca senses the residue of forgotten gods. The ancient cave dwellings and underground cities are a perfect reflection of her internal world: labyrinthine, buried in secrets, and shaped by survival.
The whispering caverns beneath Derinkuyu resemble her own descent into the dreamscape with Sephiroth. It represents where the deeper one walks, the closer one gets to rebirth or ruin. Cappadocia’s alien topography feels like the husk of a world already half-devoured, which suits Bianca’s instinct to exist in the margins between decay and becoming.
The Göreme Open-Air Museum’s preserved ruins offer not only beauty but a paradox she relishes: ancient sanctity, now desecrated by time. She wanders through the scorched frescoes of saints and angels, laughing softly to herself as she compares them to her own broken wings and corrupted grace. At this point in her arc, the contrast isn’t painful. It’s delicious. She imagines placing one of her children within the sanctified arches, claiming divine space not with purity but with the twisted offspring of her own guilt and fallen love.
At night, with the stars above and soft wind carving into rock, Bianca feels closest to the cosmos. She can stare out across the barren stone valleys and imagine herself as a god-thing overlooking her own Promised Land. The region is quiet enough to let her commune those who were called this place home. Earth’s dead are mute, but their absence makes room for her own voice. Here, she is alone with her power, her silence, and her chosen fate.
Earth — Nightmare Destination: Tokyo Disneyland, Japan
Bright lights. Manufactured joy. Crowds. Tokyo Disneyland is a carefully choreographed mockery of chaos: one that Bianca finds viscerally repulsive. The forced cheerfulness and commercialized fantasy echo the Shinra dreamscape that once broke her mind.
She sees smiling children holding plastic swords and princess dresses, and her stomach turns at the hollow mimicry of heroism and royalty. It is the illusion of innocence without the shadow of consequence, a place where no one has ever bled for their kingdom, as she and her children have.
The park’s orchestration — rides on a schedule, fireworks at 9:00, and mascots waving at meet and greets — feels like spiritual captivity. Bianca, who bends time and space, loathes being funneled into lines and ushered through an experience like cattle. The rules, the smiling staff, and the perky background music that loops endlessly? Each detail is an assault on her instincts. The control is insidious. Not the tyranny of Diana, Hojo, or Shinra, but something worse. It's the tyranny of happiness without understanding pain.
Her corruption and cosmic energy also sit poorly in the places like Disneyland. The park is too clean, too perfect, and too closed. Her powers itch beneath her skin, while her wings twitch against her trench coat.
If she were to unleash herself here, it would be a massacre: not because she wants to but because the very structure of this place denies the existence of beings like her. Tokyo Disneyland doesn’t just reject Bianca. It erases her and forces villains like her into what she feels are caricatures of their real selves. That, she cannot abide.
The Planet (Gaia) — Dream Destination: Forgotten Capital (City of the Ancients)
Bianca finds an eerie sense of home in the Forgotten Capital. The entire city feels like a planetary scar: sacred, quiet, and thrumming with the songs of the dead. Here, the voices of the Cetra still sing within the stone, and she walks their pathways as an invader. The spiral architecture, echoing out from the central altar, is reminiscent of the portal loops and dream-geometry in her own spatial magic.
The iridescent shells and coral-like structures feel like remnants of a drowned cosmos. She watches the Lifestream pulse faintly beneath the crystal water, and for once, she doesn’t hear the souls inside scream.
She imagines birthing one of her children here — perhaps Lucien in another life — and roosting upon the sacred altar where Aerith once died. Not in mockery, but reclamation. She is not desecrating the Cetra’s memory. She is giving it purpose through her corrupted divinity.
Sephiroth, too, lingers here: not in body (no that's North) but in scent and dream. This is the place where his legend turned and the Planetary Defenders finally realize exactly what they are dealing with even if they had a clue before. This is where the murder of Aerith became myth. Bianca finds that delicious.
It is not grief that saturates the stone, but potential. The kind of silence that comes before a god speaks. The kind of place where time folds in on itself and prophecy births monsters. On the Planet? The Forgotten Capital is her cathedral.
The Planet (Gaia) — Nightmare Destination: Kalm
There is something revolting to Bianca about Kalm. It isn’t the people, or the architecture, or even the Shinra-infused gossip that hangs in the air. It’s the smallness. The reduction of life to farming, trade and hearth.
Kalm is the antithesis of her being: slow, sturdy, and unchanging. A place where trauma is wrapped in folklore and grief is worn like an old sweater. These people bury their dead and keep moving. There’s no sacred wound here. No rupture for her to crawl into and twist for her goals.
Bianca cannot abide towns that reject the inevitable. In Kalm, no one would understand what it means to become a goddess or to die screaming at the edge of a dream. Her wings itch with irrelevance. During the Meteorfall Crisis, even Sephiroth is reduced to nothing more than a bedtime horror story here: a name said to scare children away from the mines. She passes unnoticed, unneeded, and unseen. And that kind of invisibility? It wounds her deeper than any blade.
Most damning of all, Kalm is stable. Its rhythm dulls her senses. Her powers falter in its calm, its clean streets and cloying hearthfires. There is no infection here. No fissures in reality. No cosmic desperation. Just people who are content to live and die in obscurity.
Kalm forces her to consider a life without legend, without trauma, and without rebirth. And that, for Bianca Moore, is the ultimate nightmare.
Boarding Pass For Asmodeus and Bianca (from the Summerfest Games) :)
Hi. Thanks for the @writeblrsummerfest's ask game. I hope you're doing well and have lots of creative energy. 💙
In a world where gods walk among mortals and the veil between realms is perilously thin, even beings of immense power like Bianca and Asmodeus are shaped by place. The human world is not just a battleground of ideologies and bloodlines for them. It is a symbolic crucible that tests the limits of their identities.
In FWC, dream and nightmare destinations are more than geographical. They're manifestations of longing, vulnerability, and trauma, filtered through divine perception. What would these entities see in our world? Where would they thrive, or unravel?
Below are their dream and nightmare destinations in our reality, grounded in who they are during the Pandemonix arc for Bianca, and the height of his madness for Asmodeus, formally the Watcher Angel Azrakiel.
Asmodeus: Hellish Prince of Lust
Possible Trigger Warnings: abuse, annihilation, blood, grief, loss, manipulation, murder, powerlessness, religious trauma, ritual violence, war, worship, worship abuse
Dream Destination – Vatican City, Rome (Because of course it would be.)
There is a certain cruel poetry in the idea of Asmodeus feeling most at home in the heart of the Catholic Church. Vatican City, with its gold-gilded cathedrals, rigid hierarchical structures, and ceremonial reverence, would not repel him. It would entice him. To him, this is not holy ground. It’s the ultimate arena of dominance and denial. The layered rituals, the concealed corruption, and the reverence for divine authority? All of it reflects his own values, distorted through an infernal lens. He would walk the Vatican Museums like a collector surveying his trophies and would be amused by how mortals glorify suffering and subjugation under the guise of salvation.
Asmodeus would see the College of Cardinals as laughably outmatched. Old men in crimson robes pretend to wield divine authority while he once sat beside the Creator. He'd find their strict doctrines on purity, lust, and sin not offensive but deeply validating. They affirm everything he believes about the hypocrisy of light.
Asmodeus thrives on irony, and the idea that the world's most "sacred" institution has committed atrocities under divine sanction would be intoxicating to him. Here, he could operate not just unseen but sanctified. And that’s the real dream for a fallen watcher angel who craves control: to be mistaken for God.
His ultimate fantasy? To corrupt a conclave from within. Imagine. Whispers in confessionals, temptation in the form of miracle cures, and a black mass staged beneath the Sistine Chapel. For Asmodeus, Vatican City isn't just a throne. It’s a canvas. He would turn sacred architecture into infernal sigils, twist choirs into incantations. Every angel painted on every ceiling would weep blood as he rewrites scripture in shadows.
This isn’t about destruction. It’s about desecration masked as divine authority. The most satisfying heresy is the one that no one recognizes as heresy until it’s far too late.
Nightmare Destination – Hiroshima Peace Memorial Park, Japan
For all his cruelty and blood-soaked and creation ambition, Asmodeus cannot stomach meaningless annihilation. Hiroshima's Peace Memorial Park would be a psychic chokehold for him. It's a mirror that reflects the one thing he cannot control: the consequences of unearned power. The site of humanity’s most horrific single act of war is not triumphant to him. It is terrifying. He would be forced to see a world that doesn't need demons to fall apart. Mortals did this on their own. And more importantly, they regretted it.
The quiet of the park, the echoing absence of life, and the charred skeletal dome that still stands? All of it screams in a language Asmodeus cannot answer with manipulation. The eternal flame, burning not for conquest but for peace, mocks him.
Here, lust means nothing. Power means nothing. You cannot seduce a soul that has already mourned its body. You cannot rule over a silence that has chosen to speak in memorial instead of vengeance. The sheer humility of the place disgusts him, because it reveals his greatest fear: that power without control ends in dust.
And worst of all, as a divine being and one of the original angels born during the Beginning Times, he can feel the prayers here. Millions of them. But they are not begging for power or vengeance or wealth. They are begging for mercy, for understanding, and for peace.
These are concepts Asmodeus has long dismissed as weakness, yet here, they have built something enduring from ashes. Hiroshima is sacred, but not in the way Vatican City pretends to be. It is holy because it remembers, and, most importantly, not because it reigns. And that makes it unbearable for a being who demands forgetfulness and worship. It is proof that there are things even devils cannot undo: and that some evils, once committed, are not power but penance.
Bianca Moore: Pandemonix Arc
Possible Trigger Warnings: abuse, coercion, cults, emotional manipulation, forced divinity, parental trauma, spiritual exploitation, weaponization of trauma
Dream Destination – Kyoto, Japan
Kyoto is the living tapestry of ancient magic and understated grace: an urban temple garden where time seems to fold back on itself. For Bianca, whose life has been a whirlwind of divine prophecy and demonic violence, Kyoto would feel like a whispered promise of normalcy carried on cherry-blossom petals.
Here, every torii gate and vermilion shrine is a threshold between worlds, echoing her own existence at the crossroads of celestial and infernal blood. Walking the winding lanes of Gion at dawn, she’d taste the city's hush before the city fully wakes. It would be a silence unburdened by cultists or demonic commanders: a perfect for letting her own heart speak.
During sakura season, the falling blossoms would mirror both her fragility and her capacity for renewal. Bianca would sit beneath the trees in Maruyama Park, journal in hand, watching petals drift like luminous fingerprints on the wind. This simple act, scribbling words as the world softly weeps in pink, would remind her that beauty can be both transitory and eternal. She could let tears mix with ink, knowing that here in this sacred place, grief is held in gentle reverence and not weaponized by a father’s cruelty or a god’s decree. Kyoto’s poetry of impermanence would teach her that it’s safe to heal even if everything eventually changes.
As twilight drapes over Kiyomizu-dera, Bianca would climb the wooden terraces for a view of lantern-dotted rooftops and distant mountains. The mingle of incense, temple bells, and nighttime breeze would feel like a benediction: an unspoken permission to be whole.
She’d savor yuzu-scented tea in a quiet machiya, letting the warm citrus notes ground her in the moment, far from the Gargoyle-haunted cathedrals and Alaskian landscapes of her past.
In Kyoto, the ordinary ritual of tea becomes an art of presence, and for Bianca, presence is both a revolution and a refuge.
On the surface, Sedona appears like a healing sanctuary. It's renowned for spiritual retreats, crystal shops, vortexes of energy, and holistic centers promising enlightenment. But to Bianca, it's a festering wound wrapped in lavender-scented gauze. This place pretends to understand the sacred, but it sells the sacred for profit. And that makes it infinitely worse than her son's nightmare location: Las Vegas. At least Vegas is honest about its hunger. Sedona lies.
Every smiling spiritual guru here would feel like a mask over a leech. They’d try to cleanse her aura, prescribe her moonwater, and interpret her trauma as a lesson she chose before birth.
To Bianca, who was born a weapon and hid in a human vessel, whose pain was engineered, not karmic, this language is violence. It’s erasure under the guise of peace. The crystal shops would make her skin crawl. The wellness cults and new-age mysticism that profit off stolen spiritual traditions would echo the exact kind of manipulation Asmodeus used on mortals: aesthetic kindness masking as coercive control.
Worst of all, Sedona would almost fool her. The beauty of the red rocks, the warm winds, and the illusion of quiet safety? It’s tempting. But under the surface, it smells like false healing. Like people who want your story, not your freedom. Who want your power, but not your truth.
For teenage Bianca, who is trying so hard to reclaim her autonomy in the Pandemonix arc, Sedona is the cruelest place she could be: a paradise that wants her to shut up and smile while it sells pieces of her soul and maybe her 'angelic' tears.
