#bleach aizen

❤️🌹{ AIZEN and SHINJI}🌹❤️

No AI 🚫

How are you doing ? Good I hope.

My apologies for the ask, but I just stumbled across one of your post where you talk about one of your AU, "Take A Ride On The Devil's Back" and I was wondering if you could tell me a little bit more about it ?

I know the post in which you mentioned it is from the 20 december of 2022, but I just stumbled across it and it seem so interesting !

And don't feel obliged to talk about it if you don't feel like it (nnt phase) sorry if I bothered you,

Have a nice day byebye !

Ohhhh that one! Yeah that was a Bleach fic idea I had back when that was my big brainrot. You're referring to this post specifically. The Aizen and Ichigo brain worms were quite strong back then and they're rising again. That is an idea I wanna return to some time and likely will considering that I'm planning on doing a reread of Bleach to get inspo for my Seven Deadly Sins rewrite, particularly how souls work.

But if I did revisit it... honestly I don't remember a lot of it other than the premise. But hey! That just gives me s new sandbox to play with. And as for Ichigo and Aizen's dynamic in it, I wanna build it off their canon dynamic of understanding each other in a way no one else can.

In canon, it's through the Hollow in Ichigo being a creation of Aizen's and Ichigo getting his grubby fingers all up on Kyoka Suigetsu. But with this, it's because of their contract. Hell, I may even pull inspo from Simon in Iron Lung for inspo with this particular Aizen. And while it had been made back when I was in the AiIchi sauce, their dynamic would be something like a queerplatonic if I were to write write it now since I don't ship them nowadays and instead enjoy them as a BROTP.

I believe there are several key points that connect Jin'e Udo's character with Sosuke Aizen's, but these points are, of course, handled differently in each story. Both Rurouni Kenshin and Bleach are shonen works, published back-to-back in the same magazine, Weekly Shonen Jump, so it's only natural that they share similar themes and narratives (Rurouni Kenshin was published from 1994 to 1999, and Bleach from 2001 to 2016). This isn't a matter of plagiarism, but of shared themes and sources of inspiration.

Suppressing an opponent's will through their eyes. Jin'e's "Shin no Ippo" allows one to suppress the will of an opponent by first looking at his drawn sword and then into his eyes. Jin'e transmits a volitional intent to his opponent to kill, paralyzing the victim with terror. To activate Kyōka Suigetsu, the opponent must also see Aizen's drawn sword, after which they become subject to his will.

"The Mind Trap." Both heroes adhere to ideological principles understood only by themselves, distorted by traumatic experiences and therefore contrary to social norms. For Jin'e, this experience was "instantaneous," connected to the "experience of death" in battle and the specific nature of a condition known as "battle frenzy." As a result of this breakdown, which Jin'e experienced during the Bakumatsu, he gradually transformed from a Shinsengumi commander and master of the Nikaido Heiho school into a bloodthirsty killer whose thirst consumed even his former ideals and attachments, yet retained his sharp mind. He had only two interests left: 1) bloodlust and 2) the quest for a battle with a swordsman (hitokiri) as skilled as himself.

Aizen's breakdown lasted much longer. His genius and talent from an early age protected and elevated him above others; he initially saw no one as his equal. The vices of aristocratic houses, the general imperfections of society, and the dubiousness of his chosen model of hierarchy gave rise to deep doubts and rebellion against the very nature of people and the relationships between them. This breakdown was compounded by a mystical experience of "seeing" the root of existence—the Soul King, who is indifferent to violence and injustice. This experience engendered in Aizen a contempt for all authority.

Traitors. The bloodlust-intoxicated Jin'e was destined to be executed by his own comrades in the Shinsengumi, so he defected to the imperialists and became a hitokiri. Although he doesn't care about "ideals," Jin'e despises the new Meiji government, seeing the duplicity and hypocrisy of the old methods of the new masters. Perhaps this discrepancy between reality and appearance is one of the reasons why Jin'e was unable to abandon the work of the hitokiri and became a hired killer.

Aizen betrays not only Soul Society as a system, but the established world order itself. However, his betrayal is largely ideological; he is interested not in violence and power, but in recognition in all aspects, followed by conscious loyalty to it. This is precisely the loyalty (trust) Aizen desired from Hirako.

Manipulators. Both Jin'e and Aizen masterfully manipulate the emotions and attachments of their opponents, putting those dear to them in danger. Aizen, as a strategist, weighs every word to create the desired emotional state in his opponent. Jin'e pressures Battōsai through Kaoru, wanting to bring him to the point where he'll break his oath and kill her. He uses the powerful Shin no Ippo on her, which causes paralysis of the lungs, practically guaranteeing her death—all so that Himura can become the Battōsai he once was.

Relying solely on oneself and the power they instill in each other. Both characters possess power and skill in swordsmanship. In combat, they rely on their own will. In the battle with Battōsai, Jin'e uses his own suggestive hypnosis technique on himself, using his sword as a mirror. This technique allows one to temporarily unlock their full potential and hidden strength. For Aizen, the Hōgyoku was a similar "mirror," allowing him to achieve a state Aizen could have achieved. The key in both cases is confidence in victory.

Loss of self, leading to suicide. Having suffered defeat, both characters lose their self-esteem, which for them is tantamount to a loss of "themselves." Jin'e, with his broken right arm, will never wield a sword again, and he views Kaoru's successful attempt to overcome his Shin no Ippo as a "loss of his grip," becoming disillusioned with himself. Beyond his skill and role as a hired killer, Jin'e has nothing left; he is a lonely hitokiri who could not abandon the path of an assassin. Therefore, he takes his own life.

The theme of suicide is also evident in Aizen's final transformation, in which he tears off his own face. He rejects the possibility of living as he was born. This is a much deeper rejection of himself and life under his previous circumstances than Jin'e's, yet both are "strong individuals" who have always relied only on themselves.

The impact on the protagonist. Jin'e clearly showed Himura how fragile his "neutrality" was and how easily the Battōsai of the Bakumatsu era could be revived. "A murderer remains a murderer until death"—Himura will have to struggle with this statement his whole life. Morally, Jin'e "won," and his words will stay with Himura until death.

Aizen played a significant role in Kurosaki's fate; his entire life literally unfolded before Aizen's eyes. However, he failed to achieve a moral victory, but he did change himself, becoming the most skilled and powerful being in the universe.

🤍🌹{ AIZEN and GIN }🌹🤍

❤️🌹{ LADY AIZEN}🌹❤️

his hat.

kisuke is always wearing his hat. like, during everything, including sex, and sosuke finds this extremely annoying because he wants to see his face, those distant grey eyes, and try to figure them out. kisuke also looks much sexier without his hat, with his hair free. So he steals kisuke's hat sometimes, and he doesn't hide it, but he puts it on himself as a tease. kisuke was working on something and sosuke stole the hat from the top of his head and put it on himself, and it tilted forward jauntily, causing kisuke to just grin and kiss him.

2. his leather jacket.

he liked the smell of it a lot; it was a bit of quality leather, cigarette smoke, and some sort of perfume concoction kisuke had made up and sosuke had not figured out and would not know how to figure out. the words " Princess Ruby " were written on the back, and it was a bit wide on his shoulders compared to kisuke's. kisuke let sosuke steal this one, particularly because he loved the look of elegant, sophisticated sosuke in his own dirty, grunge jacket. it almost always led to making out and more, though.

3. his haori.

sosuke's reasoning for stealing his black and white haori was fundementally different than the leather jacket. the haori was huge, comfortable and warm, engulfing him from the worries of the world to focus only on kisuke. it didn't lead to sexy foreplay like the leather jacket did, but rather to kisuke noticing his sosuke wanted some comfort, which automatically made him take on the role of the big spoon, cuddling him and whispering sweet nothings. sosuke would also use kisuke's haori for his random but rare naps.