The Impact of African Heritage in European Culture: A Garveyite Perspective
The influence of African heritage on European culture is undeniable, yet often ignored, erased, or downplayed by Eurocentric narratives. From music, language, and art to philosophy, science, and architecture, Africa’s imprint on Europe runs deep. However, from a Garveyite perspective, this relationship is not a story of cultural exchange but rather one of exploitation, theft, and systemic denial of African contributions.
Marcus Garvey believed that African people must reclaim their historical and cultural legacy, rejecting the whitewashing of their achievements and resisting the continued economic and political exploitation of African identity by Europe. This analysis will explore the historical and contemporary impact of African heritage on European culture while also highlighting why Garvey’s teachings demand that Africans stop enriching Europe and instead invest in Africa’s own cultural and economic revival.
1. Ancient African Influence on European Civilization
European history often presents itself as separate from or superior to Africa, yet Europe’s very foundations were shaped by African civilizations.
A. Kemet (Ancient Egypt) and Its Influence on Greek and Roman Thought
The philosophers of ancient Greece, including Plato, Pythagoras, and Aristotle, studied in Kemet (Ancient Egypt), which was an African civilization.
The concept of Ma’at (balance, justice, and truth) influenced Western philosophy, but Greek and Roman scholars never credited Africa for these ideas.
Mathematics, medicine, architecture, and spiritual systems that were developed in Africa were later appropriated by European civilizations.
Example: The Great Library of Alexandria, often credited to the Greeks, was built in Kemet (Egypt) and housed African knowledge stolen by Europeans.
B. Moors and the African Golden Age in Europe (711–1492)
The Moors, who were Africans from North and West Africa, ruled Spain for over 700 years, bringing advanced knowledge in science, medicine, astronomy, mathematics, and agriculture.
They introduced street lighting, running water, universities, and libraries, pulling Europe out of the Dark Ages.
European elites later erased this history, downplaying the role of Africans in shaping European progress.
Example: Alhambra Palace in Spain, built by the Moors, is one of the most advanced architectural structures in European history, yet Western narratives rarely acknowledge that it was designed by Africans.
Key Takeaway: African knowledge and innovation built the foundations of European civilization, but history books erase these contributions to maintain the illusion of European superiority.
2. The European Appropriation of African Culture
After the enslavement of African people and the colonization of the continent, Europe began to steal, commercialize, and profit from African cultural, artistic, and intellectual property.
A. The Pillaging of African Art and Artifacts
Thousands of African artifacts were stolen during colonialism and are still held in European museums, including the British Museum, the Louvre (France), and the Berlin Ethnological Museum (Germany).
African art forms, including sculpture, textiles, and architecture, inspired European Modernist movements, such as Cubism, Futurism, and Abstract Art, without credit.
Even today, African nations are demanding the return of their stolen heritage, but European governments refuse, proving their continued colonial mindset.
Example: The Benin Bronzes, some of the most sophisticated metal artworks in history, were looted by the British in 1897 and are still displayed in British and German museums.
B. African Contributions to European Music and Fashion
Jazz, Blues, Rock, and even Classical Music owe much of their foundation to African rhythms and traditions.
African fabrics like Kente, Ankara, and mud cloth have been appropriated by European designers, who profit from African culture while African nations remain economically underdeveloped.
Afrobeat and Caribbean music have shaped European pop culture, yet Black artists still face systemic racism in the European music industry.
Example: European designers use African textiles in high fashion, yet African weavers and artisans see little to no financial benefit.
Key Takeaway: Europe continues to steal from African creativity and culture while ensuring that Africans do not profit from their own heritage.
3. The Economic and Political Exploitation of African Identity
Even in modern times, Europe continues to extract wealth from Africa while pretending to “honour” African culture.
A. The “Ethnic” Market: Selling African Culture for European Profit
European corporations profit from African art, music, fashion, and even spiritual practices, turning them into commercial products.
White-owned businesses market African spirituality, African aesthetics, and “Afro-futurism”, but Black people see little economic return.
Many African artifacts in European museums generate billions in tourism revenue, while the descendants of those civilizations remain impoverished.
Example: European wellness brands profit from African herbal medicine and rituals, yet Africa’s natural resources remain controlled by European corporations.
B. African Talent Drained into Europe Instead of Africa
European nations attract African intellectuals, athletes, and artists, keeping African talent working for European economies rather than developing Africa.
Many African scientists, doctors, and engineers are recruited by European institutions, leaving Africa dependent on foreign aid.
Example: African football players generate millions for European teams, while African sports infrastructure remains underfunded.
Key Takeaway: Europe benefits from Africa’s people, resources, and culture, but Africa remains underdeveloped because European control never truly ended.
4. The Garveyite Solution: Stop Enriching Europe, Build Africa Instead
From a Garveyite perspective, African people must stop fueling European economies and culture and instead invest in Africa’s own development.
A. Reclaiming African Heritage and Economic Independence
Africans must demand reparations and the return of stolen artifacts from European nations.
Black people in Europe must redirect their wealth into Black-owned businesses, not European corporations.
African nations must control their own resources instead of letting Europe dictate trade and production.
B. Strengthening Pan-African Identity Over European Influence
Afro-Europeans must embrace African identity and reject white validation.
Black artists and intellectuals must build Black-owned platforms and stop seeking acceptance in white institutions.
Repatriation to Africa, whether physically or economically, is necessary for true liberation.
Example: Garvey’s UNIA (Universal Negro Improvement Association) aimed to create a fully independent Black economy—Europe cannot be the Black world’s future.
Final Takeaway: African people must stop enriching Europe and start enriching Africa—economically, culturally, and intellectually.
