Cover of the July 1926 issue of Opportunity, a "Journal of Negro Life" published by the National Urban League. This magazine, published from 1923 to 1949, was a product of the Harlem Renaissance. It featured articles, poems, stories, book reviews, and other material by black writers, artists, and political activists.

Cover art by Gwendolyn Bennett, who also had a poem in the issue. Other contents included a story by Dorothy West and a poem by Countee Cullen.

The entire issue is available for download at the Internet Archive.

#blackedu Black American Flappers, Harlem NYC, 1920s "The things we truly love stay with us always, locked in our hearts as long as life remains." --Josephine Baker In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper. The term "flapper" first appeared in Great Britain after World War I. It was there used to describe young girls, still somewhat awkward in movement who had not yet entered womanhood. Many have tried to define flappers. In William and Mary Morris' Dictionary of Word and Phrase Origins, they state, "In America, a flapper has always been a giddy, attractive and slightly unconventional young thing who, in 'was a somewhat foolish girl, full of wild surmises and inclined to revolt against the precepts and admonitions of her elders. Flappers had both an image and an attitude. :: FLAPPER IMAGE :: The Flappers' image consisted of drastic - to some, shocking - changes in women's clothing and hair. Nearly every article of clothing was trimmed down and lightened in order to make movement easier. It is said that girls "parked" their corsets when they were to go dancing. The new, energetic dances of the Jazz Age, required women to be able to move freely, something the "ironsides" didn't allow.  The hem of the skirts also started to rise in the 1920s. At first the hem only rose a few inches, but from 1925 to 1927 a flapper's skirt fell just below the knee. :: FLAPPER ATTITUDE :: The flapper attitude was characterized by stark truthfulness, fast living, and sexual behavior. Flappers seemed to cling to youth as if it were to leave them at any moment. They took risks and were reckless. They wanted to be different, to announce their departure from the Gibson Girl's morals. So they smoked. Something only men had done previously. Their parents were shocked. Smoking wasn't the most outrageous of the flapper's rebellious actions. Flappers drank alcohol. At a time when the United States had outlawed alcohol (Prohibition), young women were starting the habit early. Some even carried hip-flasks full so as to have it on hand.  More than a few adults didn't like to see tipsy young women. Flappers had a scandalous image as the "giddy flapper, rouged and clipped, careening in a drunken stupor to the lewd strains of a jazz quartet." The 1920s was the Jazz Age and one of the most popular past-times for flappers was dancing. Dances such as the Charleston, Black Bottom, and the Shimmy were considered "wild" by older generations.  As described in the May 1920 edition of the Atlantic Monthly, flappers "trot like foxes, limp like lame ducks, one-step like cripples, and all to the barbaric yawp of strange instruments which transform the whole scene into a moving-picture of a fancy ball in bedlam." For the Younger Generation, the dances fit their fast-paced life-style. For the first time since the train and the bicycle, a new form of faster transportation was becoming popular. Henry Ford's innovations were making the automobile an accessible commodity to the people. Cars were fast and risky - perfect for the flapper attitude. Flappers not only insisted on riding in them; they drove them. Unfortunately for their parents, flappers didn't just use cars to ride in. The back seat became a popular location for the new popular sexual activity, petting. Others hosted petting parties. Though their attire was modeled after little boys' outfits, flappers flaunted their sexuality. It was a radical change from their parents and grandparents' generations. :: THE END OF FLAPPERHOOD :: Though many were shocked by the flapper's skimpy attire and licentious behavior, a less extreme version of the flapper became respectable among the old and the young. Some women cut off their hair and stopped wearing their corsets, but didn't go to the extreme of flapperhood. At the end of the 1920s, the stock market crashed and the world was plunged into the Great Depression. Frivolity and recklessness was forced to come to an end. However, much of the flapper's changes remained. In the 1920s, flappers broke away from the Victorian image of womanhood. They dropped the corset, chopped their hair, dropped layers of clothing to increase ease of movement, wore make-up, created the concept of dating, and became a sexual person. They created what many consider the "new" or "modern" woman.

Stay informed about our work. Subscribe to I Love Ancestry eNews: http://eepurl.com/CLJan - Our strength lies in collective action. Join Us NOW!

Follow us @ https://www.facebook.com/iloveancestry https://www.youtube.com/iloveancestry https://twitter.com/LovingAncestry http://iloveancestry.tumblr.com http://pinterest.com/iloveancestry