#bhushankumar

Dropping the first look of #DanceMeriRani to leave you speechless with this spectacular avatar of #NoraFatehi Smiling face with heart-shaped eyes.

Ayushmann Khurana and Vaani Kapoor in the Film Chandigarh Kare Aashiqui Plot: This movie chronicles the journey of Manu, a bodybuilder, as he develops feelings for Maanvi, a girl. One day, during a vibrant Holi party, their relationship takes an intimate turn. However, just as Maanvi attempts to share something deeply personal with him, Manu avoids listening and instead focuses on their physical connection. When she finally reveals her truth, Manu struggles to process it and feels shaken to his core. What exactly does Maanvi tell him that leaves him so unsettled? Will Manu walk away permanently, or will he find the strength to stay and marry her? Similarly, will Maanvi decide to leave him for good? To uncover the answers, you need to watch the film. Tone and theme: The tone of the film is that of a romantic drama, while its central theme revolves around love and regret. It aims to entertain its audience by addressing both heartfelt emotions and complex societal issues. Acting and Characters: Ayushmann Khurrana’s portrayal of Manu is tolerable but lacks the depth to leave a lasting impression. Although his performance is commendable, it does not stand out as something extraordinary. Similarly, Vaani Kapoor’s role as Maanvi is satisfactory. However, acting goes beyond wearing glamorous outfits or showcasing one’s physical appeal. The Movie balanced by the good performances of the supporting cast. The film directed by Abhishek Kapoor, who has previously helmed notable movies like Aryan (2006), Rock On (2008), Kai Po Che (2013), Fitoor (2016), Rock On 2 (2016), and Kedarnath (2018). While most of his films have been successful, Aryan, Fitoor, and Rock On 2 fell short of expectations. In this film, his direction is good and shows his command over the narrative. However, the weak and unappealing storyline holds the film back from being extraordinary. The story written by Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe, attempts to tackle a unique and sensitive subject. Yet, one question remains: is society ready to accept such narratives? The dialogues by Supratik Sen and Tushar Paranjpe stand out, blending wit with Punjabi humor. These well-crafted lines enhance the overall screenplay. Cinematography: Manoj Lobo’s cinematography beautifully captures the essence of Chandigarh, making the city an integral part of the storytelling. Choreography: Bosco Caesar’s choreography for a few songs adds vibrancy to the film and complements its youthful vibe. Editing: Chandan Arora’s editing ensures a steady pace that keeps the audience engaged. Thankfully, the film avoids unnecessary lulls or boredom. Music and background score: The music composed by Sachin-Jigar is memorable, with tracks like Chandigarh Kare Aashiqui, Kalle, Mafi, and Attraction standing out. The lyrics by Vayu, IP Singh, and Priya Saraiya effectively incorporate Punjabi influences, adding authenticity to the songs. Action: The action sequences, choreographed by Allan Amin and Vishal Bhargava, are adequate and fit the film's context. Shruti Kapoor and Akshay Tyagi both have good costume designs. Production Design: Bindiya Chhabria's production design is exceptional. Sound Design: Alvin Rego and Sanjay Maurya's sound design is excellent, as is the synchronization. 67th Filmfare Awards: This film nominated for Best Music Director, Best Female Playback Singer, Best Story, and Best Sound Design. The film gets award for Best Story(Abhishek Kapoor, Supratik Sen, and Tushar Paranjp). Climax: Whatever the audience thinks while watching the film, it happens; there was nothing remarkable. Opinion: Time Pass! Young people can see the movie once. Flaws: Two songs were placed back to back, the scene in which the girl's secret is revealed was not particularly good, a whole song contains scenes of physical relations, so you cannot watch the film with your family and children; and a farting scene is shown at the beginning of the film, which makes you laugh. Message: Should a film be made about such a sensitive issue (queer) as a trans girl? Are we permitted to change our sex by defying nature and God in this world in which God has created us? Will showing all of this not promote such things? I do not intend to hurt or offend anyone in the transgender community. CBFC-U/A Movietime-1h.57m Genre-Romantic Drama Backdrop-Chandigarh Release-2021 Filmcast: Ayushmann Khurana, Vaani Kapoor, Anjan Srivastava Producers: Bhushan Kumar, Pragya Kapoor, and Krishna Kumar Abhishek Nayyar, Director: Abhishek Kapoor Sound Design: Alvin Rego and Sanjay Maurya, Shruti Kapoor and Akshay Tyagi designed the costumes Sachin-Jigar composed the music, and Vayu, IP Singh, and Priya Saraiya wrote the lyrics. Sachin-Jigar composed the background score Bindiya Chhabria did the production design, Chandan Arora edited the film, and Manoj Lobo shot it. Choreography: Bosco Caesar; Casting: Mukesh Chhabra; Action: Allan Amin, Vishal Bhargava. Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe wrote the screenplay and dialogues. CBFC Facts: About 8 seconds of love making shot is less, and some dialogues have changed. Some of the cuts in the film include Chakka Kahin Ka instead of Saali Chakki, Heck instead of Fcuk, Band Baja Ke instead of Bhund, and Zamana instead of India, which has a naughty and funny dialogue. The Film Producers made five cuts per the CBFC's instructions. First, a disclaimer was added, stating that no one associated with this film intends to offend or hurt the transgender community's sentiments or feelings; rather, its sole purpose is to educate and raise awareness about the issues confronting the transgender community. Read the full article

Ayushmann Khurana and Vaani Kapoor in the Film Chandigarh Kare Aashiqui Plot: This movie chronicles the journey of Manu, a bodybuilder, as he develops feelings for Maanvi, a girl. One day, during a vibrant Holi party, their relationship takes an intimate turn. However, just as Maanvi attempts to share something deeply personal with him, Manu avoids listening and instead focuses on their physical connection. When she finally reveals her truth, Manu struggles to process it and feels shaken to his core. What exactly does Maanvi tell him that leaves him so unsettled? Will Manu walk away permanently, or will he find the strength to stay and marry her? Similarly, will Maanvi decide to leave him for good? To uncover the answers, you need to watch the film. Tone and theme: The tone of the film is that of a romantic drama, while its central theme revolves around love and regret. It aims to entertain its audience by addressing both heartfelt emotions and complex societal issues. Acting and Characters: Ayushmann Khurrana’s portrayal of Manu is tolerable but lacks the depth to leave a lasting impression. Although his performance is commendable, it does not stand out as something extraordinary. Similarly, Vaani Kapoor’s role as Maanvi is satisfactory. However, acting goes beyond wearing glamorous outfits or showcasing one’s physical appeal. The Movie balanced by the good performances of the supporting cast. The film directed by Abhishek Kapoor, who has previously helmed notable movies like Aryan (2006), Rock On (2008), Kai Po Che (2013), Fitoor (2016), Rock On 2 (2016), and Kedarnath (2018). While most of his films have been successful, Aryan, Fitoor, and Rock On 2 fell short of expectations. In this film, his direction is good and shows his command over the narrative. However, the weak and unappealing storyline holds the film back from being extraordinary. The story written by Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe, attempts to tackle a unique and sensitive subject. Yet, one question remains: is society ready to accept such narratives? The dialogues by Supratik Sen and Tushar Paranjpe stand out, blending wit with Punjabi humor. These well-crafted lines enhance the overall screenplay. Cinematography: Manoj Lobo’s cinematography beautifully captures the essence of Chandigarh, making the city an integral part of the storytelling. Choreography: Bosco Caesar’s choreography for a few songs adds vibrancy to the film and complements its youthful vibe. Editing: Chandan Arora’s editing ensures a steady pace that keeps the audience engaged. Thankfully, the film avoids unnecessary lulls or boredom. Music and background score: The music composed by Sachin-Jigar is memorable, with tracks like Chandigarh Kare Aashiqui, Kalle, Mafi, and Attraction standing out. The lyrics by Vayu, IP Singh, and Priya Saraiya effectively incorporate Punjabi influences, adding authenticity to the songs. Action: The action sequences, choreographed by Allan Amin and Vishal Bhargava, are adequate and fit the film's context. Shruti Kapoor and Akshay Tyagi both have good costume designs. Production Design: Bindiya Chhabria's production design is exceptional. Sound Design: Alvin Rego and Sanjay Maurya's sound design is excellent, as is the synchronization. 67th Filmfare Awards: This film nominated for Best Music Director, Best Female Playback Singer, Best Story, and Best Sound Design. The film gets award for Best Story(Abhishek Kapoor, Supratik Sen, and Tushar Paranjp). Climax: Whatever the audience thinks while watching the film, it happens; there was nothing remarkable. Opinion: Time Pass! Young people can see the movie once. Flaws: Two songs were placed back to back, the scene in which the girl's secret is revealed was not particularly good, a whole song contains scenes of physical relations, so you cannot watch the film with your family and children; and a farting scene is shown at the beginning of the film, which makes you laugh. Message: Should a film be made about such a sensitive issue (queer) as a trans girl? Are we permitted to change our sex by defying nature and God in this world in which God has created us? Will showing all of this not promote such things? I do not intend to hurt or offend anyone in the transgender community. CBFC-U/A Movietime-1h.57m Genre-Romantic Drama Backdrop-Chandigarh Release-2021 Filmcast: Ayushmann Khurana, Vaani Kapoor, Anjan Srivastava Producers: Bhushan Kumar, Pragya Kapoor, and Krishna Kumar Abhishek Nayyar, Director: Abhishek Kapoor Sound Design: Alvin Rego and Sanjay Maurya, Shruti Kapoor and Akshay Tyagi designed the costumes Sachin-Jigar composed the music, and Vayu, IP Singh, and Priya Saraiya wrote the lyrics. Sachin-Jigar composed the background score Bindiya Chhabria did the production design, Chandan Arora edited the film, and Manoj Lobo shot it. Choreography: Bosco Caesar; Casting: Mukesh Chhabra; Action: Allan Amin, Vishal Bhargava. Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe wrote the screenplay and dialogues. CBFC Facts: About 8 seconds of love making shot is less, and some dialogues have changed. Some of the cuts in the film include Chakka Kahin Ka instead of Saali Chakki, Heck instead of Fcuk, Band Baja Ke instead of Bhund, and Zamana instead of India, which has a naughty and funny dialogue. The Film Producers made five cuts per the CBFC's instructions. First, a disclaimer was added, stating that no one associated with this film intends to offend or hurt the transgender community's sentiments or feelings; rather, its sole purpose is to educate and raise awareness about the issues confronting the transgender community. Read the full article

Ayushmann Khurana and Vaani Kapoor in the Film Chandigarh Kare Aashiqui Plot: This movie chronicles the journey of Manu, a bodybuilder, as he develops feelings for Maanvi, a girl. One day, during a vibrant Holi party, their relationship takes an intimate turn. However, just as Maanvi attempts to share something deeply personal with him, Manu avoids listening and instead focuses on their physical connection. When she finally reveals her truth, Manu struggles to process it and feels shaken to his core. What exactly does Maanvi tell him that leaves him so unsettled? Will Manu walk away permanently, or will he find the strength to stay and marry her? Similarly, will Maanvi decide to leave him for good? To uncover the answers, you need to watch the film. Tone and theme: The tone of the film is that of a romantic drama, while its central theme revolves around love and regret. It aims to entertain its audience by addressing both heartfelt emotions and complex societal issues. Acting and Characters: Ayushmann Khurrana’s portrayal of Manu is tolerable but lacks the depth to leave a lasting impression. Although his performance is commendable, it does not stand out as something extraordinary. Similarly, Vaani Kapoor’s role as Maanvi is satisfactory. However, acting goes beyond wearing glamorous outfits or showcasing one’s physical appeal. The Movie balanced by the good performances of the supporting cast. The film directed by Abhishek Kapoor, who has previously helmed notable movies like Aryan (2006), Rock On (2008), Kai Po Che (2013), Fitoor (2016), Rock On 2 (2016), and Kedarnath (2018). While most of his films have been successful, Aryan, Fitoor, and Rock On 2 fell short of expectations. In this film, his direction is good and shows his command over the narrative. However, the weak and unappealing storyline holds the film back from being extraordinary. The story written by Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe, attempts to tackle a unique and sensitive subject. Yet, one question remains: is society ready to accept such narratives? The dialogues by Supratik Sen and Tushar Paranjpe stand out, blending wit with Punjabi humor. These well-crafted lines enhance the overall screenplay. Cinematography: Manoj Lobo’s cinematography beautifully captures the essence of Chandigarh, making the city an integral part of the storytelling. Choreography: Bosco Caesar’s choreography for a few songs adds vibrancy to the film and complements its youthful vibe. Editing: Chandan Arora’s editing ensures a steady pace that keeps the audience engaged. Thankfully, the film avoids unnecessary lulls or boredom. Music and background score: The music composed by Sachin-Jigar is memorable, with tracks like Chandigarh Kare Aashiqui, Kalle, Mafi, and Attraction standing out. The lyrics by Vayu, IP Singh, and Priya Saraiya effectively incorporate Punjabi influences, adding authenticity to the songs. Action: The action sequences, choreographed by Allan Amin and Vishal Bhargava, are adequate and fit the film's context. Shruti Kapoor and Akshay Tyagi both have good costume designs. Production Design: Bindiya Chhabria's production design is exceptional. Sound Design: Alvin Rego and Sanjay Maurya's sound design is excellent, as is the synchronization. 67th Filmfare Awards: This film nominated for Best Music Director, Best Female Playback Singer, Best Story, and Best Sound Design. The film gets award for Best Story(Abhishek Kapoor, Supratik Sen, and Tushar Paranjp). Climax: Whatever the audience thinks while watching the film, it happens; there was nothing remarkable. Opinion: Time Pass! Young people can see the movie once. Flaws: Two songs were placed back to back, the scene in which the girl's secret is revealed was not particularly good, a whole song contains scenes of physical relations, so you cannot watch the film with your family and children; and a farting scene is shown at the beginning of the film, which makes you laugh. Message: Should a film be made about such a sensitive issue (queer) as a trans girl? Are we permitted to change our sex by defying nature and God in this world in which God has created us? Will showing all of this not promote such things? I do not intend to hurt or offend anyone in the transgender community. CBFC-U/A Movietime-1h.57m Genre-Romantic Drama Backdrop-Chandigarh Release-2021 Filmcast: Ayushmann Khurana, Vaani Kapoor, Anjan Srivastava Producers: Bhushan Kumar, Pragya Kapoor, and Krishna Kumar Abhishek Nayyar, Director: Abhishek Kapoor Sound Design: Alvin Rego and Sanjay Maurya, Shruti Kapoor and Akshay Tyagi designed the costumes Sachin-Jigar composed the music, and Vayu, IP Singh, and Priya Saraiya wrote the lyrics. Sachin-Jigar composed the background score Bindiya Chhabria did the production design, Chandan Arora edited the film, and Manoj Lobo shot it. Choreography: Bosco Caesar; Casting: Mukesh Chhabra; Action: Allan Amin, Vishal Bhargava. Abhishek Kapoor, Supratik Sen, and Tushar Paranjpe wrote the screenplay and dialogues. CBFC Facts: About 8 seconds of love making shot is less, and some dialogues have changed. Some of the cuts in the film include Chakka Kahin Ka instead of Saali Chakki, Heck instead of Fcuk, Band Baja Ke instead of Bhund, and Zamana instead of India, which has a naughty and funny dialogue. The Film Producers made five cuts per the CBFC's instructions. First, a disclaimer was added, stating that no one associated with this film intends to offend or hurt the transgender community's sentiments or feelings; rather, its sole purpose is to educate and raise awareness about the issues confronting the transgender community. Read the full article

In a social media post, the production house, T-Series shared the news regarding the casting of Dimri on their official Instagram account.

The sequel, which is started production, is backed by Bhushan Kumar, Krishan Kumar, and Kumar Mangat Pathak and Abhishek Pathak under their banners T-Series and Panorama Studios, respectively. The film will be released in theatres on November 15, 2024, T-Series announced on its social media handles.

Sonu Nigam Celebrates His 50th Birthday With Media :-