#bestalbumsof2020

What can I say about 2020 that hasn't already been said a hundred times before?  Yes, I have learned many things throughout the last 365 days, but one thing that I have always known, but have now emphatically proven this year is that - "Music (really) IS Life".  

When the world outside is as dark as it has ever been, I know that I can always put on my headphones to escape from the sheer madness of it all for a little while, and feel completely comfortable and peaceful within the walls of my own mind.  

Though your experience has been undeniably different, these are my life defining albums from the year that was 2020.  I hope that you are inclined enough to share YOUR favorites and your reasons for being so. 

Happy New Year, my MUSIC friends.  

31 - Lil Wayne  - Funeral

This was the first album that I had added to the "Best of" list back in very early January. Back before the everlovin' shit hit the fan in the world!   I loved the first half of the album so much that it was constantly on repeat, though it certainly isn't Wayne's best album.   The insanely fun and erratic tracks "Mahogany" and "Mama Mia" may very well be some of my all time favorite beats of the last decade.  Especially in a time where the greater majority of modern rap production sounds exactly the same, with little focus on the beats.  As the year continued on and I listened to hundreds of albums, Funeral didn't hold up quite as much as I would have thought.   With 24 tracks and a runtime of an hour and sixteen minutes, the album is one that goes on well after the juice has run out.  The first half is compiled so well though, that I still consider it one of the best, and I’d already written the review before I counted my “Best Of”. Hence the extra album review this year!  ;) 

30 - Lapsley - Through Water

This album was recommended to me from my boss when we were all first working from home in the height of the pandemic.  Immediately I knew it would have a home on one of my most favorite playlists that I have been building for the last decade.  The playlist is called my "H20 Mixologist" mix and if you've ever been with me at the beach, you already know that the only rules for this playlist are that it must be played by water.  Preferably a beautiful ocean, though a bathtub and a healthy dose of imagination will work just fine!  This album came out right around the time when we weren't afraid to stay inside quite as much and we were no longer opposed to going to our neighborhood pool as a break from our own four walls.  This album will forever remind me of the truest and most pure joys of sunshine, fresh air, and the freedom one feels when outside surrounded by nature.  

29 - Tame Impala - The Slow Rush

I have always loved me some Tame Impala, and this is certainly not Kevin Parker's best album to date... but even the most average material, is still some of the strongest of the year overall.   Still bringing the same consistent level of dreamlike alternative pop melodies that Tame Impala has been known for in the last decade, it is an album to easily get lost in... and that was beyond helpful this year. 

28 - Car Seat Headrest - Making A Door Less Open

I have been an excited fan of Car Seat Headrest since I first head "Teens of Style" back in 2015 after I had just moved to Florida.  As the years have gone on and more albums have been released, I love the band even more.  I've been saying for years that Will Toledo is the ‘Beck’ that I have always wanted the real Beck to be, but has never fully become. The single "Can't Cool Me Down" is singlehandedly one of the best tracks of the year, by far!  Led by the most basic bass riff that fully drives the song forward, its those little odd and eccentric instruments used for accent that really hit when you are listening through a really good pair of headphones!  In a year where the outros on songs have been more prevalent in any years that I've ever noticed before, this was the first mind bending outro to fully grab my attention. An absolute must listen and a significant album to add to the bands catalog!

27 - Fontaines DC - A Hero’s Death

This is the first of the albums on my list that had been suggested to me through one of my Twitter music friends, and there have been quite a few of these suggestions this year, which makes me incredibly happy - as that was the whole idea of the account!  There was a genuine buzz around the sophomore album from this Dublin band that I had started to notice online, and I was excited to see what all the fuss was all about.  Immediately I was drawn into the sullen voice of Grian Chatten after watching the video for “Televised Mind”.  “A Hero’s Death stands out significantly for me after listening to their first album, but I love the significant growth that happened in the year in between. This is a band that I am very curious to see how they continue to grow in future years. 

26 - Mac Miller - Circles

I was one of those people who discovered Mac Miller too late. Young Frankie got me into him, as he always had Mac playing throughout our house. One day, I simply decided to start at the very beginning of his discography.  I fell in love with his energy, his humor, & his blunt honesty about his battles with depression and addiction.  Listening to "Blue Slide Park" for the first time made me feel like I was in college again. It would have been my favorite album had it come out at that time in my life.  For some, it did & I envy you all for that.  With all my love for him, listening to Mac can be painful when you sit and listen in chronological order   You can hear actually him deteriorate over the years, much like Jim Morrison with The Doors albums in chronological order.  As honest and sincere as this final record is,  it is incredibly sad to listen to Mac on "Circles" when you know there will never be a follow up.  Sadly the album does serve as a beautiful bookend to a tragically short story. 

25 - The Strokes - The New Abnormal

I've been a huge fan of Julien Casablancas and everything he has done for years, especially his most recent work with The Voidz.  However, the thought of a new Stokes album brought about some nostalgia for younger years when they were at their peak.  From the first listen, everything about this  album sounds as catchy and familiar, just what we have always come to expect from The Stokes, but at the same time, new. You hear one lick from Hammond Jr's guitar and you know exactly who you are listening to.  Even with seven years off, they are still capable of producing some serious quality work and it makes for some of their best. 

24 - Phil Campbell & The Bastard Sons - We're the Bastards

This album was one of my accidental finds on Apple Music one day early in December when I thought all odds of discovering any new music before the end of the year was impossible.  Considering Campbell is the lead guitarist of Motorhead, I was expecting something a little different, perhaps a little harder? What I found was a solid family band rock album!  I love the idea that Phil has created a band with his three sons, on all instrumental duties.  The lead front man of Attack! Attack, Neil Starr, lends his vocals, and sounds a lot like a cross breed of Corey Taylor and Jacoby Shaddix that I actually find quite endearing, considering I am a fan of both of their bands respectively.  At a time where rock music seems to be something that you have to dig deep for, this was a fresh album to get very excited about.  

23 - Run The Jewels - RTJ4

Run The Jewels has been one of my favorite hip hip groups in recent years, as they have always created what I call "smart rap".  Smart rap has something to say ...it makes you listen,  but more so - it makes you THINK.  RTJ4 came out at EXACTLY when the world needed the album and words as an anthem.   Much more than just music, the lyrics in "Walking in the Snow" seemed prophetic at the time in the death of George Lloyd.  Looking back on it, the lyrics weren't prophetic at all.  Tragedies like George Floyd just happen FAR TO FUCKING OFTEN.  If you haven't listened to this album in its entirety, you need to... and you need to make sure you listen to every single syllable of every single word. 

22 - PVRIS - Use Me

Later on this list, you will hear me talk about the rash of female fronted bands that came out in the last few years that were never able to fully separate themselves from each other in my eyes.  PVRIS is one of the female fronted bands that I have always had an affinity for.  With that being said, this album was a complete change up of sounds than albums prior.  Much more dance-y and poppy than anything from their past, though it does work  well.   You will later see another band on this list who were able to steal the higher place, just for being more authentic and true to themselves.  Stay tuned! 

21 - Johan Johannsson - Last and First Men

I definitely experienced many moods during  quarantine and this album set off a rabbit hole in which I thoroughly enjoyed traveling through, as well as looking forward to continuing down.  I highly suggest everyone starts looking into Icelandic composers, especially Johann Johannsson.  His tragic story is just that, but his beautifully haunting music is still very much alive. Not only is "Last and First Men" an audiophiles dream from start to finish, learning that Johannsson scored one of my favorite movies of all times "Arrival", made complete and perfect sense.  Total mood music, and sometimes that mood just happens to be fucking apocalyptic.  Especially this year.  

20 - Pearl Jam - Gigaton

I'll just put this out there, Pearl Jam lost me as a fan for a great many years.  If I am being candid, and I always am - they lost me after Vs.  When the single "Dance of the Clairvoyant's" was released, I was blown away that somehow they were still putting out great music and I had to go back through the entire catalog to see what I had really been missing since Vitology, when I had officially  decided that I didn't like the softer route the band was taking.  Man, have I been wrong for far too long and am happy to admit it.  What an actual EPIC band! No real bullshit in their history, just a bunch of really good dudes making solid music for 30 years.  If you are like me at all, this is the album that you need to check out immediately.  Pearl Jam are back, even though they never really left!

19 - Yves Tumor  - Heaven To A Tortured Mind

This has to be one of the coolest, most trippy and adventurous albums of the year in my opinion.  This is yet another one, that came out at height of COVID and I loved it instantly the dark & twisted imagery that it can conjure up, while still being soulful and new.   "Gospel For A New Century" was the song and video that really gave this album some definitive visuals to work with, as Tumor wears some seriously creepy horns, reminding me of the devil in the Tom Cruise movie "Legend" from back in the 80's.  An absolutely intriguing album and one to revisit many times over, as there is nothing else like it being made today. 1

18 - Agoria - Lucky: Original Motion Picture Soundtrack

I can't even remember how I found this little treat, but I did! I've tried to find the movie that its attached to many times, and have been quite unsuccessful so far.  With that being said, this is an insanely fun little electronic soundtrack. "Visit", "Satan", "All Over You", and "Police" are standout tracks from an album that brings electronic tribal percussion to your ears that is capable of making you dance in your seat.  After listening to this album repeatedly throughout the year, it makes me want to hire Agoria to score all of the most adventurous scenes of my life!

17 - Eminem - Music To Be Murdered By

Two surprise albums by Eminem in 2020, and that isn't always a good thing.  It doesn't matter who is reviewing anymore, everyone seems to hate Eminem now a days.  Not sure why, as he IS the lyrical genius he has always been... even if you still aren't in on the joke. Sure, he is just as offensive as always, but everyone has that friend that gets booed and yelled at for being the one to make a joke "too soon".  After listening to Eminem for the last 22 years  and being from metro Detroit, he has always been that friend to me,  even though he will never know it! The two surprise albums this year were significantly better than anything since MMLP2, and the lack of beats and production from Kamikaze and Revival are all but forgotten here .  We finally had some new slick beats, the kind that work very well with Em's style.  Deny it all you want, Marshall Mathers is still relevant today.  

16 - Kid Cudi - Man On The Moon 3

I knew that new music was coming from Cudi, but thought it was expected to be in the new year. However, I woke up on release day  in late December with a text message from Apple Music saying that it was here.  What?! I have always loved some Cudi, but this has been the year where he has played more of a soundtrack than ever before & had already made it into my all time favorites.  At first listen to MOTM3, I realized that it was going to need a few listens to really soak it all up, so I kept at it all day.  I read many critic and personal reviews and everyone seemed to be loving it,  but why wasn't I?  I kept at it, for days and days... and it worked.  I will say there is certainly more modern trap music than I like from my Cudi, but if he has to integrate it in his music, he does it well enough.  "Tequila Shots" is the stand out that has had the most airplay in our house, as it is the most quintessential Cudi sounding on the whole album.   The autobiographical "Elsie's Baby Boy" is another track that we've had on constant rotation.  All it takes is a Cudi hum, and I am sold. 

15 - HAIM - Women In Music Pt. III

As I slightly eluded to back in my PVRIS review, I have never been a huge fan of all female bands,  mainly as most came out at a time where there was a rash flooding of all female bands.  Obviously, I have nothing against this, as long as they all don't sound the same! HAIM hadn't caught me until this album, but wow.  The harmonies on "Darling" , Up From A Dream",  "Don't Wanna", and "Leaning On You" are so flawless that this band finally got the recognition from me that they deserve.  This album sets the band apart from the rest of the pack, as well as themselves!  Leaps above PVRIS, CVRCHES, Soccer Mommy, and the rest - this is the best female band fronted album for me in years. 

14 - Bassnectar  - The Lockdown Mixtapes Pt: 1 - Inside For The People

The better part of 2020 quarantine was spent in extreme close proximity with family while trying to hold down different non-negotiable responsibilities.   On my part, this usually included Air Pods in my ears any time I had to "be on" and work from home. Early on, it was impossible not to feel a little trapped and frankly pretty fucking sad. This album came out at precisely the right time of quarantine to bring you out of the funk, even if only temporary!  Listening to this for the first time, and hearing Biggie's voice come to life behind the beats was a smack in the face of 90's nostalgia that is was comforting... and something that I didn't even know I needed at the time.  The  use of the "American Beauty" dialogue in the outro was also oh so nice, and perfectly placed at the end. It  was unfortunate that the second Lockdown Mixtape came nowhere close to this first installment.  This is a must though, and it will always be an integral album to pull out whenever I am feeling a little claustrophobic. 

13 - Gorillaz - Song Machine, Season I: Strange Timez

One of my all time favorite bands for the last twenty years, even though they have missed the mark in the past.  This album brings back a lot of the sounds and creativity sparks that have been missing the last few albums. The moment you hear Robert Smith's voice start torture crooning about Strange Timez,  with a Damon Albarn echo, you know you're going to be in for a fun trip.  The Schoolboy Q featured "Pac Man" is without a doubt the most authentic Gorillaz song recorded in years.  This has also been the most cohesive complete album they have produced since Plastic Beach.  Paying attention to the recipe that made them one of the best, is a good way to move forward.  More of the same please, Damon. 

12 - Creeper - Sex , Death, & the Infinite Void

This album was recommended to me by a friend on Twitter & I was a little shocked on how much it reminded me of  some of the pop, punk, emo , alt rock bands that came out of the 2000's.  More specifically, My Chemical Romance, and I mean that in the best way.  I have often found myself loving some sort of incredible theatrics with my music and this album truly has more black eyeliner than I do.  Categorized as English Horror Punk, this sophomore effort by Creeper has rock opera written all over it.  The intro had me a little skeptical on first listen, but once you settle in with "Be My End" you start to have a feel of where you are going and it isn't as scary as a first impulse indicate!  

11 - Smith & Myers - Volume 1 & 2

One of my absolute favorite discoveries of 2020!  I have always been a fan of Shinedown & have some incredible memories of seeing them live at Rock on the Range years ago - so I was incredibly happy to discover this stripped down side project that only features vocalist Brent Smith and lead guitar Zach Myers performing acoustic covers.  Songs like "Unchained Melody" are done so perfectly, the sound like they were initially written for Smith's voice, which is a national treasure in itself! My absolute favorite cover off both volumes is "Valerie", most famously covered by Amy Winehouse, though originally written and performed by The Zutons.  i dare you to sing along to this cover and NOT smile.  The rest?  See for yourself. 1

10 - Marcus King - El Dorado

Early in the year, I saw a few friends had been listening to this album on Apple Music.  I had to check it out and immediately loved how different it was for a new country rock and blues album.  I was not shocked to discover that Dan Auerbach from The Black Keys played an integral part of its creation.  If you haven't discovered King yet, you should head right over to YouTube and check out any of his live performances.  This is the kind of dude you HAVE to see live, when this world ever gets back to being able to see live shows.  "El Dorado" did for me this year, what Sturgill Simpsons' "Sound of Fury" for me last year.  Another act that I cannot wait to see what comes next. 

9 - BAMBARA - Stray

To me, this is Mullholland Drive music. I picture California, up in the LA Hills, very late at night, cruising around, up to no good in some sleek, sharp convertible old school car. The big brass gives the music edge and age and its fucking glorious. This it the band that I would love to see do some sleazy and metaphor fueled track with Lana del Rey at some point in the future. Oh, what a combo that could be.  BAMBARA also brings to mind a Stooges/Iggy Pop meets Jim Morrison head on, kind of vibe and I love it a lot.  Check out their KEXP performance on YouTube, as it is absolute gold. Even though they refer to themselves as post punk, I'd like to refer to it as underground filth glamour... and its never been more beautiful. 

8 - Freddie Gibbs & Alchemist - Alfredo

Freddie Gibbs is one of the most exciting artists in modern hip hop, mainly because everything he puts out has that classic hip hop vibe that I have been missing.  Last year Gibbs made this list with his collaboration with Madlib, "Bandana". Whereas Eminem, Lil Wayne, and Kid Cudi have released some great albums this year, "Alfredo" is another cohesive piece of work that you just don't find often.  When the track placement doesn't matter, as they are a seamless piece, meant to be listened to from beginning to end, every time.  This album does for hip hop what Tyler The Creators, Igor,  did last year.  Its only appropriate there is a Tyler cameo.  Once again, bringing soul to the forefront of hip-hop, and I am totally here for it. 

7 - Chris Stapleton - Starting Over

This is the kind of modern country that I like. Bar rock country music!  Even though Stapleton hails from Kentucky and its true country,  something about his voice and this album makes me nostalgic for my childhood and those great Michigan summers growing up.  In a time of 'pretty boy' country, Stapleton gets to the grit of it.  This album conjures up the want for whiskey shots and dirty dancing.  There aren't many like it, but this is a greatest hits album from start to finish. 

6 - Benny Yurco - You Are My Dreams

Benny has always been the absolute best discovery of Grace Potter & The Nocturnals, as he THRIVES on his own.  As well as I feel I know him as a solo artist, I can't find jack shit on him on his own.  Everything you find is all Grace Potter.  The little things that I DO know are, is that I am well aware that he is musical instrument collector and finds ways to integrate it into all his music. One thing I love about Benny is his absolute classic and beachy sounds. Even though he hails from Vermont, its like he was made to be on the beach at all times playing his music.   All three of his solo albums are so clearly connected, but so different. He always picks up right where the last one ended. It should be noted that anytime Benny comes out with a new album, he ends up on this list.  So if you have read about him here and have still never checked him out, you are missing out. 

5 - Me & That Man - New Man, New Songs, Same Shit, Vol 1

One of the most "mood" albums of the year for me!  In the initial weeks of quarantine, I was in a mood where all I wanted to hear was outlaw western rock.  I couldn't really put a finger on any specific bands that I considered completely outlaw rock, but I had been listening to Volbeat's "Outlaw Gentleman & Shady Ladies" and the score for Red Dead Redemption for far too long, when I found Me & That Man.  Imagine my shock when I discovered the man behind the whole project was Nergal, the man who is also behind the band Behemoth, the black death metal band that I have simply never been able to get into!  What a turn from the norm for Nergal and I couldn't have been more excited about the album.  Another album that will always remind me of the worst of the worst of the year, but always knowing that music would carry it all and would always make things better. 

4 - All Them Witches - Nothing as the Ideal

I have a been a fan of All Them Witches since I first discovered them on Spotify years ago.  This is one of those albums that is so fucking perfect from beginning to end that you don't even realized that you have spent 45 minutes having a consistent eargasm. Exactly what a progressive rock band should sound like in 2020, as they draw from all past music and inspire the next round of craftsmanship.  This is one that I can't speak/type on too much, as it has to be experience on ones own... at full blast. 

3 - Molchat Doma - Monument

One of the best, purest retro albums that has been inspired by 80's in the best fucking way possible. How can you take something that has been done over and over throughout the years and make it sound not at all forced or contrived?   This is how.  I would call them new wave, but I've been since directed to the appropriate terminology, which is cold wave.  Hailing from Belarus, the Slavic language is such a perfect mesh for the sounds that they have created. The rest of the world was ahead of me with Molchat Doma, since one of their older songs hit TikTok and made them quite well known with a younger generation.  This album makes me daydream that I am dancing at one of their lives shows, in some dark eastern European club, where I would probably never feel comfortable, in anything outside of my imagination... but I it that though.  That is the kind of music that I live for.  

2 - Deftones - Ohms

It has been an entire decade since I have fully paid any significant attention to the Deftones, and for me, this has been their best album since White Pony twenty years ago.  The excitement that came with the release of the first two singles was enough to generate a massive buzz within me.  I made sure to listen to the entire catalog before release day, just to fully prepare... and when the new album finally arrive, it did not disappoint.   The last three albums have been the more subtle side of Chino Moreno, which is just fine when working with his side project +++.  He actually has one of my all time favorite sexy voices, when he isn't in the full tilt of a wail.  When he has the whole band behind him, he fully thrives and can still hit the screams that defined his voice decades ago.  This is an album that has made me feel all of the ROCK again and it will be in my rotation for many years to come. As the NYE ball drops this evening, I will be playing Ohms, as that is the best outro of any album to date... and certainly the way to close out the year. 

1 - Other Lives - For Their Love