"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Painting byĀ Basawan 1597ā98

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"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Painting byĀ Basawan 1597ā98

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Basawan and Suraj Gujrati. Illustration from Baburnama or Memoirs of Babur, ca. 183-1530.
Baburnama is an autobiographical account by Zahiruddin Muhammad Babur, a descendant of Timur and the first Mughal king of India. The miniatures are from an illustrated copy of the Baburnama prepared for the author's grandson, the Mughal Emperor Akbar. Akbarās commissions were divided up among teams of artists working at the court, and often two painters collaborated on a single image, in addition to the calligraphers.Ā This particular illustration is attributed to Basawan, responsible for the composition and the drawing, and Suraj Gujarati, who painted it. The miniatures reflect the culture of the Mughal court at Delhi, and are important as evidence of the tradition of exquisite miniature painting which developed at the court of Timur and his successors. Timurid miniatures are among the greatest artistic achievements of the Islamic world in the fifteenth and sixteenth centuries.
Ascetics Making Bhang, Basawan, c. 1585, Harvard Art Museums: Drawings
This small drawing depicts four youths in a wooded setting. Three are handling pots and a basket while a fourth peers down from behind a tree. The figures are nude, covered if at all, only by wavy hair. A dog, with crossed forelegs observes from the ri... Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Size: 16.7 x 8.8 cm (6 9/16 x 3 7/16 in.) Medium: Black and brown ink on off-white paper
https://www.harvardartmuseums.org/collections/object/217552
Nath Yogi and Dog, Basawan, c. 1590, Harvard Art Museums: Drawings
This small drawing depicts a mendicant with companion dog. Leaning on his staff with open mouth, the mendicant gestures skyward. His prominent earring suggests he belongs to the Kanphata order, which takes its name, kan (ear) phata (split) from the lar... Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Size: 26.2 x 26.6 cm (10 5/16 x 10 1/2 in.) Medium: Black ink and watercolor on beige paper
https://www.harvardartmuseums.org/collections/object/216935
Nath Yogi and Dog, Basawan, c. 1590, Harvard Art Museums: Drawings
This small drawing depicts a mendicant with companion dog. Leaning on his staff with open mouth, the mendicant gestures skyward. His prominent earring suggests he belongs to the Kanphata order, which takes its name, kan (ear) phata (split) from the lar... Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Size: 26.2 x 26.6 cm (10 5/16 x 10 1/2 in.) Medium: Black ink and watercolor on beige paper
https://www.harvardartmuseums.org/collections/object/216935

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The Young Emperor Akbar Arrests the Insolent Shah Abuāl-Maali, page from a manuscript of the Akbarnama, Basawan, 1585, Art Institute of Chicago: Asian Art
This is a page from the Akbarnama (Book of Akbar), a lavishly illustrated manuscript commissioned by the Mughal emperor Akbar (r. 1556ā1605) to document the history of his rule. The scene depicts the emperor at age thirteen, three days after his accession. Seated on a gold throne placed on a carpeted platform, Akbar watches as his late fatherās favorite is arrested for his insolent behavior toward the young emperor. The settingāa tented encampment pitched in a gardenāis significant, for Akbar spent much of his reign on the move. Through his active campaigning and strong administrative skills, he greatly expanded the Mughal Empire, consolidating and securing it for his successors. In addition, he was a great patron of the arts, initiating a new style of painting and establishing a vast atelier and library. One of the new themes the emperor encouraged was the painting of historical manuscripts such as the Akbarnama. Commissioned in 1589, it was written by court historian and biographer Abuāl Fazl between 1590 and 1596. Simultaneously, a workshop of about fifty artists illustrated the text. Basawan, the designer of this painting, whose signature appears in the lower margin in red, was one of the studioās leading painters. He was particularly skilled in portraiture and is known to have painted the faces of the young emperor and the two other figures in front of him: the regent Bairam Khan, who is standing, and the disgraced Shah Abuāl-Ma'ali, who crouches in a red robe. He also painted some of the nearby scenery, which attracted his interest; each painting was collaborative work and could take up to a month to complete. Lucy Maud Buckingham Collection Size: Image: 32 Ć 19.3 cm (12 5/8 Ć 7 9/16 in.); Outermost border: 33 Ć 19.6 cm (13 Ć 7 11/16 in.); Page: 34.4 Ć 20 cm (13 1/2 Ć 7 7/8 in.) Medium: Opaque watercolor and gold on paper
https://www.artic.edu/artworks/76816/
Basawan - L'avventura di Akbar con l'elefante Hawa'i | storia dell'arte ...
A leaf from Emperor Akbar's royal copy of the Jami al-Tawarikh of Rashid al-Din Fazlullah HamadaniĀ (d.1318 AD): Burghul Nuyan killed on the battlefield, attributed to Basawan and Bhim Gujarati, India, Mughal, circa 1596
"Gouache heightened with gold on paper, gold and coloured ruled borders, the reverse with 25 lines of nasta'liq script in black and red, mounted on an album page with buff borders, nasta'liq inscriptions along the lower edge with artists' attributions and the number '22' in Arabic numerals, owner's stamp to lower margin of reverse. Painting: 33.2 by 19.3 cm. /Ā Leaf: 36 by 25 cm."