#bames jond

Intro, panning shot, exterior, mid 21st century Human city Silent music, hip-hop tune over opening credits, give sense of nostalgia (Kpop or EDM?) Establishing shots of office building, then of a ICE vehicle of "muscle car" variety (will have to build a prop and CGI that), people walking around the interior (remember to get ONLY Human extras this time) Cut to BAMES JOND lighting a herb stick (prop) and angrily folding up a retro iPad.

BAMES JOND: "Curse management! These regulations won't keep the streets safe from the troublemakers. I have to take matters of importance into my own two hands,

Again..."

Cut to dramatic montage of Bames Jond's previous incidents. (hold each new shot for at least 2 seconds and lower the exposure, last premiere was a health and safety disaster with the Ker'hrah audiences) Title card: BAMES JOND 2: SELECTIVE JUSTICE SCENE 1 BAMES JOND is talking over a phone, the slim black rectangle variety, while walking around a corner of a lower income population street, and encounters TWO HUMANS in non descriptive purple attire (robes?) using compressed air bottles that shoot paint at a wall (CGI department is gonna be busy with this one, huh)

BAMES JOND: "I'll call you back later, I have an urgent situation on my hands!"

BAMES JOND approaches the TWO HUMANS and folds his hands over his chest, speaks sternly but cautiously

BAMES JOND: "Are you two artists? Did you procure a permit from the municipal government for this visual depiction you are undertaking?"

PERSON 1: "What permit? This is a free society where we can express our grievances in the public domain."

PERSON 2: "Yeah! Who are you to issue such implied suggestion that we are not complying with certain rules that do not even pertain to this situation, huh?!"

The TWO HUMANS exchange smiling glances and do a "high five" (Does anyone remember what that is? Our Human consultant is on parental leave for two more months, but we need these scenes shot quickly. -Do several improvisational takes utilizing their limbs, one has to feel right)

BAMES JOND: "I'm sorry to say that that is not how this works. This structure is legally under the jurisdiction of the local government, and I am an employee of said government. Now show me a permit or your public artist license, or things are going to have to turn unpleasant."

BAMES JOND narrows his sight at the TWO HUMANS, who are now becoming nervous and gain a stutter in their speech.

PERSON 1: "W-we would, but, uh, the thing is um..."

PERSON 2: "I-it got eaten by my pet moose, y-yeah. I am from Florida, so such things happen."

PERSON 1: "M-my license is still valid, b-but I just forgot to get a new one, what with the economy and all."

Cut to close up of BAMES JOND contemplating, insert flashbacks to news articles about Florida Man and various Prime Presidents talking about The Economy.

BAMES JOND: "Well alright, you two appear to be amicable young adults. Let me print you a map to the government building that issues new licenses and handles permits for public artistic endeavors. Remember to bring an identifying document with you, okay?"

PERSON 1: "Y-yes, thank you very much, liege."

PERSON 2: "We will pause our activity for today and g-go and get the legal matters sorted, Sama-san. Good bye!"

context for lack of a better word

SCENE - EXT - ROOF - NIGHT

BAMES JOND enters to contemplate previous scene of memory recollection regarding an emotionally dense conversation with FORMER EMPLOYEE that escalated to utilize sonic weaponry in close proximity (Hank the human intern: 'It's just shouting and arguing')

BAMES JOND approaches the railing that DOES NOT COMPLY with safety regulations (foreshadowing for future scene with the railing almost failing and letting a person almost fall). His face contorts into various unpleasant grimaces and muscular combinations to indicate he is UNHAPPY

Shot of local muscle car musical parade occurring at the street level to CONTRAST JAMES BOND's sadness

Close up shot of BAMES JOND's HAND going into his apron's pocket to retrieve DELIBERATELY OBSCURED ITEM FOR INTRIGUE

Multiple cuts of shots of BAMES JOND's individual facial features to signify importance of MYSTERY ITEM

SUDDENLY a shadow silhouette of UNKNOWN PERSON appears in the background of the last shot of BAMES JOND's chin

The DRAMATIC music goes SILENT, only the rhythm of the muscle car musical parade is heard in the background

Tracking shot of the shadow walking and LOUD boot stepping sounds with echo and reverb effects and slow motion added for DRAMATIC TENSION

UNKNOWN PERSON approaches BAMES JOND and extends their arm towards BAMES JOND with an item in it

BAMES JOND turns around, gripping the MYSTERY ITEM tightly, and stares at the UNKNOWN PERSON without saying anything because he is still SAD

UNKNOWN PERSON says: "Mr Jond, I presume?" they say in a neutral voice on the higher tonal and pitch range, indicating they are of the feminine variety

Rolling shot going from the shadow to reveal not boots but SNEAKER SHOES then green puffer pants then a yellow dress shirt, panning over a nametag on the left side of the chest that says CAROL and finally to reveal CAROL's face with triple glasses (Hank the human intern: 'what?' ; Klodri the alien director: 'You know, the glasses where there are several glasses you can pull up and down to change the zoom level and have different color lenses for analysis' ; Hank the human intern: 'uhh... sure, whatever, fine.')

BAMES JOND says carefully: "Yes, that is I. Who are you, Carol?" he says with a hint of smugness to indicate he noticed her nametag

CAROL responds chipperly: "Oh good, you dropped this at the entrance." and she approaches BAMES JOND to give him the item she was holding.

Shot of BAMES JOND surprised, he exclaims: "My ticket receipt! Now I can participate in the muscle car musical parade! Thank you very kindly!"

BAMES JOND opens his hand to reveal he was clenching his ticket to the muscle car musical parade but lacked the receipt of purchase which rules state one must have to participate legally