Gowns by Mainbocher for the Gibson Girl Ball.
Vogue, December 1948
Photographer: Horst P. Horst
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Gowns by Mainbocher for the Gibson Girl Ball.
Vogue, December 1948
Photographer: Horst P. Horst

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BABE PALEY WEARING A BLUE AND BLACK DRESS FROM TRAINA-NORELL, 1946
Babe Paley photographed by Irving Penn on the cover of American Vogue, April 1, 1951.
Carmen dell'Orifice as Cinderella
And Dorothy Parker as one of the wicked step sisters!
Irving Penn
"Fables retold: Cinderella or the Little Glass Slipper"
Vogue, Dec. 15, 1946
Babe Paley wearing a blue and black dress from Traina-Norell (1946) photographed by Horst P. Horst for Vogue Magazine

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"Instead of a tiara, a twist of diamonds dripping with rubies."
Miss Barbara Cushing (later known as Babe Paley) was photographed by Man Ray for Vogue in March 1937.
Barbara Cushing, later Babe Paley wearing wedding dress by Mabel Mcilvain Downs, Horst P. Horst, Vogue, October 1940
Truman Capote had the same tender feelings for all his girlfriends but only the beautiful Babe Paley had a personal key to his heart. "When I first saw her," Capote said, " I thought this is perfection. Her posture, her plasticity, the way she holds her head." Their relationship was very close, they trusted and needed each other. "I was madly in love with her! She was just amazing. One of the two or three obsessions of my life, but only in her I liked absolutely everything. I think she's one of the three greatest beauties in the world, the other two are Gloria Guinness and Greta Garbo. And Babe is the most beautiful. The most beautiful woman of the 20th century and the most gorgeous lady I've ever known, " Capote said.
US Vogue November 1, 1950
Barbara “Babe” Paley is pictured here in a dress created for her by Charles James; the dress's purpose is a play on textures. A deep ruby-red velvet and satin polonaise, its hues shifting with the light, and a pleated petticoat of surprisingly rough, starched white cotton.
Barbara « Babe » Paley est ici photographiée dans une robe créée pour elle par Charles James ; le but de cette robe est un jeu de textures. Une polonaise de velours et de satin d'un rouge rubis profond, aux nuances changeantes selon la lumière, et un jupon plissé, d'une texture étonnamment rêche et amidonnée, en coton blanc.
Photo John Rawlings