B. Fleischmann — Pop Loops For Breakfast. 1999 : Morr Music + charhizma.

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B. Fleischmann — Pop Loops For Breakfast. 1999 : Morr Music + charhizma.

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B. Fleischmann’s Aldebaran Waltz, a low-key but content and comfortingly-timed tune that seems to radiate the certainty that everything’s going to be okay. Currently my jam.
...I don’t know why, but it sees like it would be a good piece for the end of Portal 2, as Chell finally leaves the facility and sets out into her new life. This might be its tonal similarities to the soundtrack from No Escape, especially right at the end.
b. fleischmann -- it’s all so
It's so lonely in this place So cold I don't believe And as no-one knows my name It's easy to pretend It's easy to believe There's a shadow on my wall It dances like my soul Dances like my soul It's so cold now I swear it will be warm Here she come now

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B.Fleischmann - Aldebaran Waltz
Rather annoyingly, there still aren’t lyrics online for this song which is odd because B. Fleischmann is pretty prolific an artist (somewhere). This whole song is beautiful.
Our body is not temporal anymore
It’s just flesh and bones
Nothing more
We’ve had our dance
We’ve had our waltz
It doesn’t seem to have
Any kind of meaning
At all
Thanks so much for the ask!
b. fleischmann -- grunt
B. Fleischmann - Stop Making Fans
B. Fleischmann, the longest-tenured solo artist on Morr Music, returns with indie-spirited, electronica-enhanced moments of bliss on his new album “Stop Making Fans”: Recorded with a little help from friends including vocalist Gloria Amesbauer, Markus Schneider (guitars), and Valentin Duit (drums), it’s a two-part reflection on artistic self-reliance vs. fame-seeking conformism, another deeply personal, utterly idiosyncratic album by the Indietronic trailblazer. “Stop it and just DO,” Sol LeWitt once wrote to sculptor Eva Hesse – and listening to B. Fleischmann’s new album, he indeed does both: He slams on the brakes and stops looking at what anyone else is doing, stops pleasing, stops being restrained, and at the same time he floors the accelerator and delivers the kind of high-paced work that bursts at the seams with polyphonic energy and an urgency unique to his music.