Ayla Ruby interviews mega-talented costume designer Chrisi Karvonides-Dushenko about The Mysterious Benedict Society and her career.
“…but it’s really amazing when you see them. It looks like they are photographs. We even had moments where some of the producers were like, well, we have to move this scene up. And you’ve already got those coats ready, right? And we’re like, oh, no, we don’t even have the fabric finished.”
“But it’s amazing. In the fitting room, Tony, you watch him morph into Benedict, where he slouches, and he kind of puts up his face. And he kind of twists his neck a little bit. It’s amazing. And then that comes off, and he’s like Tony Hale. And then five minutes later, he’s in Curtain, and his shoulders are upright, and his head is upright, and trying to get height on his neck. It’s incredible. Just incredible to watch that.”
