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This is a short review/description of my Pentax SV 35mm single lens reflex camera which was one of a range of cameras Pentax introduced in the early 1960s, all of which had a similar style to the very successful Spotmatic range released after it. The pictures of the camera below can also be viewed in full screen by following this link.
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The Pentax SV 35mm camera front view with Auto Takumar lens
Top view of Pentax SV showing control arrangement
Pentax SV 35mm camera self timer control with integrated film type reminder
Pentax SV 35mm camera showing shutter speed, film advance and shutter release
Pentax SV 35mm camera showing flash sync sockets
Pentax SV 35mm camera film chamber and back view
Pentax SV 35mm camera showing mirror and lens mount
Pentax SV 35mm camera with Auto Takumar lens
My Camera
This was a camera which I bough for a very low price because it was sold as faulty with a jammed shutter. Since the spotmatic models have a particular problem which leads to a jammed shutter, and this model is very similar to a spotmatic, I thought it was worth the ÂŁ5 being asked to see if I could fix it. As it happened, it was very simple to find the area which was a problem under the bottom cover and have the camera working in about 5 minutes.
I also applied a little bit of lubrication to the gears under the bottom cover and Iâve regularly tried the camera over the last 3 to 4 weeks and it has been no problem at all so Iâm pretty sure the problem has been fixed.
The physical condition of the camera is very good for a unit which is 60 years old. There are very few marks or scratches and all the functions work as expected.
For the purpose of the pictures above Iâve placed my Auto Takumar lens on the body, but when new the camera would have been supplied with a Super Takumar lens, which would have provided a fully automatic aperture operation.
Pentax SV description
The Pentax SV was introduced at the same time as the S1a and was one of the final two models before the very popular Spotmatic series. All the styling of the spotmatic was in place by the time this model was introduced and it would be very easy to confuse the two with just a quick glance although there are physical differences. For example the front panel has the characteristic look of the S1/S3 with the screwed on front plate rather than the rounder spotmatic look.
The S series also didnât have the TTL light meter which was the really defining difference of the spotmatic series so the SV obviously doesnât have the metering switch on the lens mount.
I think the thing which differentiated the SV from the S1 and S1a was the inclusion of a self timer which is fitted around the film rewind crank. This is the first camera Iâve ever seen with the self timer in this position and I believe it is the only one that Pentax produced â subsequent models fitted it in the almost universal position on the front panel. There is a V engraved on the front of the self-timer and this is arranged to be at the front of the camera as the shutter releases, so itâs a warning to the photographer that the picture is about to be taken.
The shutter is virtually the same design as all the Pentax slr range from the 1960s being a cloth, horizontal travel focal plane shutter which runs from 1 sec to 1/1000th sec with B and T positions. The flash sync is marked between the 1/30th and 1/60th markings and although the camera manual doesnât specify the speed the shutter runs at with flash sync, I think itâs positioning on the shutter speed dial suggests that 1/45th is probably quite close to the speed. There is no flash hot shoe, but flash sync is available from two sockets on the front panel.
Unfortunately the viewfinder doesnât have a split image focusing aid, just the ground glass screen with a central fresnel lens and micro prism fine focus aid. It works, but itâs not as easy to use as a split rangefinder arrangement, although to be fair it was several year until the Pentax range had split image rangefinders so this camera wasnât unusual in the Pentax range.
Pentax SV Specification
Pentas SV 35mm slr camera
Shutter 1 sec to 1/1000 sec + B & T
Self timer built into film type reminder around film crank
Shutter cocked indicator on top panel
Film Type reminder
Auto reset frame counter
FP & X flash sync sockets
Shutter release threaded for cable release
M42 lens mount
Viewfinder has micro prism, fresnel and ground glass viewer
Manual is here
Pentax SV 35mm slr review This is a short review/description of my Pentax SV 35mm single lens reflex camera which was one of a range of cameras Pentax introduced in the early 1960s, all of which had a similar style to the very successful Spotmatic range released after it.

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This is a review of the Pentax S1 35mm slr which was one of the last cameras Pentax made before they launched their iconic Spotmatic series. This camera also has the optional clip on exposure meter made for the S series cameras, and Iâve included that in the review.
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Pentax S1 35mm slr with clip on exposure meter â front view
Light meter coupling
Reading the light meter
Light meter needs some cleaning up
Front view of light meter
Front view
FP and X flash sync sockets
Top view of the S1
Auto Takumar lens
Aperture open lever on the Auto Takumar
Film Chamber
With exposure meter attached
My Camera.
I bought this camera for only a few pounds because the supplied lens, an Auto Takumar 55mm f/2.2 M42 unit, which would be the authentic lens supplied with this camera when new, was not working. In fact the lens was one of the deciding factors in buying the camera because although I have several Takumar lenses, the ones I own are the more modern SMC Takumar or Super-Multi-Coated Takumar, so I wanted to add an Auto Takumar to my collection.
When I received the camera I gave it an inspection and found it to be in generally very good condition with only a slight scuffing on the top of the prism housing. Unusually the body is not covered in dirt or grime, so I suspect that this model has possibly not had too much use. The shutter speeds all seem about right, and the shutter curtains are quite taut and straight, which is another area that old slrâs seem to suffer. The viewfinder is a little dirty and could do with a clean, and the mirror damper foam has deteriorated and will need to be replaced. In fact, the dirt in the viewfinder is almost certainly from the damper, but other than those few things the camera body looks top notch.
The lens as the seller reported, did have a problem. I found that the aperture was stuck at f/2.2 and wouldnât stop down using the aperture adjust ring. It did work if I set it and used the actuation arm at the back of the lens, so I could tell there was nothing wrong with the actual aperture blades however. After a little dismantling I found there was a spring broken in the aperture system so it needed a repair. Fortunately, I was able to do that, so the lens is now back to working order.
Just after I bought this camera I managed to acquire an original Pentax clip on light meter which was an optional extra to add light reading capabilities to the S1, S3 and SV series cameras. Itâs better than a hand held light meter because it attaches to the camera and becomes a semi-coupled light meter. Because the S1 is one of the cameras this meter was made for Iâve included it in my review.
Pentax S1 Description.
The Pentax S1 was made in about 1961 and is very similar in design to the Spotmatic series which followed a couple of years later. The control layout is virtually identical, and the weight and handling also feels much the same. The only real difference is the lack of the Spotmaticâs built in light meter and the missing self timer.
The S1 was actually the cut down version of the more comprehensively specified S3 and that is why the shutter speed was only specâd up to 1/500 and the camera was fitted with the slower f/2.2 Auto Takumar standard lens.
The early versions of the S1 could not accept some of the later versions of the M42 Takumar 50mm f/1.4 lens because the back of those lenses extended into the mirror box far enough that the mirror would actually crash into the back of the lens. The way to detect if there is a problem is by looking at the colour of the letter R on the rewind crank. My version has a green coloured R which indicates an early version so I could have problems if I owned a copy of the 50mm f/1.4 lens. Fortunately (or rather unfortunately since it is apparently a fine lens) I donât have a copy so it isnât a problem for me, but for any owner the secret is in that letter R. To quote George Orwell âred R good, orange R badâ!
Optional Light meter
The light meter was an optional extra which users could purchase to add light reading capabilities to their S1, S3 or SV camera. It slides over a couple of grooves in the eyepiece, locks in place and sits neatly over the prism housing coupling directly with the shutter speed dial so as the control is adjusted it automatically sets the shutter speed. Since there is no coupling between the aperture and the light meter, that reading needs to be transferred to the lens aperture, so Iâve described the light meter as semi-coupled.
The first time I attached the meter to the camera I was surprised that I got the registration between the shutter dial and the meterâs control correctly aligned so they clicked together, but when I looked in more detail I could see that itâs because of the design of the meter and camera. The shutter speed dial has a slot in it and the meter dial has a sprung loaded pin so no matter how they are aligned when you bring them together, a quick turn of the meter control and the two parts will lock together.
The film speed setting on the light meter is incorporated into the bottom of the shutter speed dial and just changes the position of the sprung loaded pin. This is a neat way of changing the shutter speed in relation to the film speed, and therefore corrects for faster/slower film.
In common with lots of meters made at the time, there are two scales available which represent two levels of sensitivity, L for low light use and H for high light use. Â These are selectable on the main on/off switch and move a different scale into view at the top of the meter.
To take a reading with the meter is very easy. It is turned on by selecting one of the scales, normally H in daylight and L in early morning or evening and the camera pointed at the subject. Then the shutter speed dial is rotated to choose a shutter speed and the appropriate aperture is read from the above the band the meter needle is pointing at. This can be seen in one of the pictures above where a shutter speed of 1/15sec and f/8 has been selected. The last part of setting the correct exposure is to transfer the f/8 setting to the aperture.
The meterâs condition is good, and the needle responds to light, but it does need a good clean up because the foam which is used to bed it against the prism housing is old and deteriorating. Hopefully, that wonât be too much of a job. I might also look at converting the meter to use a modern battery in place of the currently fitted mercury cell which is no longer available.
Auto Takumar 55mm f/2.2 lens
The Auto Takumar lens supplied with the camera is a bit different from the Super-Multi-Coated or SMC Takumar lenses found on the spotmatic and later series. There isnât a fully automatic aperture but there is a mechanism for allowing the focusing to be carried out at full aperture. At the back on the lens is a lever which is used to fully open the aperture so focusing can take place, and then a pin on the back of the lens stops it down to the correct aperture when the picture is taken.
The lens has a nice round aperture because it is made up of 10 blades (I know, I had to fit them all back in) so it should give well rounded out of focus areas typical of lenses of this vintage. As can be seen in the pictures above, the front element has quite a pronounced yellow hue to it, so I wonder if it has the same radioactive element that the f/1.4 version had. It could be of course that itâs just the lens coating.
The aperture range of the lens is from the fastest f/2.2 up to f/22, and now it has been cleaned and re-lubricated it works nicely with a smooth action.
Shutter
Although the S1 was a cut down version of the more highly specâd S3 and had a shutter which only had settings up to 1/500th sec, in fact the actual shutter was not crippled in any way and still worked up to the full 1/1000 range that the S3 had. The only part missing is the inscription on the shutter speed dial and there is actually an unmarked click stop between the 1/500th setting and the T mark on the dial, which is where the 1/1000 setting is on the S3.
The general consensus is that this was done because it was just too expensive to fit a modified shutter in the cut down version, but I have my own theory which I thought of because I fitted the optional exposure meter to my example. If the camera didnât have the additional stop, it would make the operation of the meter much more complex and could possibly require changes to provide a separate version to run with the S1. So I suspect the S1 kept the additional setting because of the combination of the costs which would be necessary to modify the shutter and the optional exposure meter. Whatever the reason, it means the camera has that additional extra shutter speed setting â mind you, itâs likely that the setting has never been calibrated and so could be quite inaccurate.
Other features
This is a fairly basic and simple camera to use and it doesnât have many additional features. The viewfinder is a plain fresnel screen with a central micro prism to aid focusing. There is a frame counter built into the film advance, but unlike the later models which self zeroed as the back door was opened, this version needs to be reset when a film is loaded.
My initial thoughts when I saw the camera were that it was very similar to the spotmatic series, but although that is undeniably true it is actually a bit smaller. This is presumably because it doesnât have the additional electronics associated with the spotmaticâs exposure meter or the self timer. In operation however there are a load of similarities; the film advance control is the same, the speed setting knob is in the same place, the shutter release button is in the same position etc. etc. the list goes on and on.
I suppose these days itâs easy to look at the early Pentax models and say, âthey look just like every other slr of the timeâ, but I think the design of those early Pentax cameras actually influenced a lot of camera makers and that is probably why so many cameras looked the way they do and have the control layout they do.
Pentax S1 specifications
Pentax S1 35mm slr camera
M42 lens mount
Auto Takumar 55mm f/2.2 lens
Aperture range f/2.2 to f/22
Shutter speed 1sec to 1/500 + B, T and hidden 1/1000
User resettable frame counter
X & FP flash sync socket
Film type reminder round rewind crank
Tripod mount in base
Body Ser No: 450480
Lens Ser No: 558093
Clip On meter Specifications
Optional clip on meter for S1, S2, S3 & SV series cameras
High and Low meter scales
Single 625 mercury cell
Film Speed setting 6 ASA to 1600 ASA
Sprung loaded registration pin for shutter speed dial
Eye piece attachment grip
Battery check button
Full shutter speed range of camera
Made by Copal
Ser No: 22048
 Pentax S1 35mm slr review This is a review of the Pentax S1 35mm slr which was one of the last cameras Pentax made before they launched their iconicâŚ