Austeros - Austeros (EP Review)
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Austeros - Austeros (EP Review)
Austeros - Austeros (EP Review) *****
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Interview Austeros
[FR]
Bienvenue sur FLWNA Austeros ! PremiÚrement, on aime bien savoir qui est qui dans le groupe, ce que vous faites à cÎté ?
Jeremy : Je suis Jeremy, je fais de la guitare et je chante. Je fais des travaux manuel la moitiĂ© du temps et jâĂ©tudie pour ĂȘtre massothĂ©rapeute, puis je conduis des groupes en tournĂ©e de temps en temps.
Nathan : Je suis Nathan, je joue de la batterie et je fais les chĆurs, et je joue aussi dans un groupe qui sâappelle Nietzsche Trigger Finger. Je travaille dans un studio associatif oĂč je fais beaucoup de workshops avec des jeunes qui ont Ă©tĂ© renvoyĂ© du systĂšme scolaire. LâĆuvre de charitĂ© pour laquelle je travaille fait aussi beaucoup de théùtre, et je travaille Ă©galement pour une entreprise de backline, en conduisant des groupes.
Steven : Salut, mon nom est Steven, je joue de la basse dans Austeros et je ne chante pas parce que jâai une voix horrible. Je travaille pour une coopĂ©rative vĂ©gĂ©/vegan qui sâappelle Essential basĂ©e Ă Bristol. Ils distribuent de la nourriture mais la produise Ă©galement. Jâai pas de side project mais jâaime bien faire de la sĂ©rigraphie et crĂ©er du merch.
Est ce que vous pouvez nous compter lâhistoire de la formation dâAusteros ?
J : Il y a environ quatre ans, Steve et moi avons dĂ©cidĂ© de faire un groupe ensembles sur la base de notre amour mutuel pour des groupes comme Good Luck, donc au dĂ©but câĂ©tait juste Steve et moi qui faisions des jams. Ensuite on a eu un batteur qui a jouĂ© avec nous pendant deux ans avant que Nath ne nous rejoigne. On lui a dâabord demandĂ© de nous accompagner sur quatre dates lors dâune tournĂ©e, puis de nous rejoindre de maniĂšre permanente.
Vous Ă©tiez en tournĂ©e avec Bad Sleep pour deux semaines, au moment oĂč nous parlons il reste deux dates, alors comment ça sâest passĂ© jusquâici ?
J : Ăa a Ă©tĂ© trĂšs trĂšs sympa, câĂ©tait leur premiĂšre fois en Europe. Je pense que de toutes les tournĂ©es europĂ©ennes quâon a pu faire jusquâici, celle ci a Ă©tĂ© la meilleure en terme de nombre de personnes qui viennent au concert et qui chante pendant les chansons. On connais Jack de Bad Sleep depuis trĂšs longtemps, câest un vieil ami Ă nous, mais on ne connaissait pas Lily et Colter et il ça a Ă©tĂ© super simple et sympa de tourner avec eux.
N : On a eu une petite surprise avec le van. Quand on est allĂ© les chercher Ă lâaĂ©roport le premier jour, on est rentrĂ© dans le parking, et le plafond a commencĂ© Ă aller de plus en plus bas et le toit du van sâest coincĂ©. Mais Ă part ça tout sâest bien passĂ©.
Avant de partir en tournĂ©e vous avez sorti « No Rush », alors est ce quâon peut espĂ©rer un nouvel album ?
J : On est en train de lâĂ©crire, on veut enregistrer un nouvel LP, mais ça ne se fera pas avant lâannĂ©e prochaine.
N : On est venu en Europe en avril pour promouvoir le dernier disque, et on sâest dis que comme on revenais ce serait sympa dâavoir quelque chose de nouveau Ă dĂ©fendre, et cette chanson Ă©tait prĂȘte. MĂȘme si cette chanson sâappelle « No Rush » (Pas de panique), tout ce qui attrait Ă la production et le tournage du clip devait ĂȘtre fait dans un laps de temps trĂšs court, pour ĂȘtre sĂ»r quâon avait quelque chose Ă emmener avec nous. Mais comme a dis Jeremy, on a Ă©crit des choses mais ça peut prendre un peu de temps avec que quelque chose ne sorte.
On a souvent entendu que tourner en Angleterre câĂ©tait lâenfer, pas de catering ou dâendroit oĂč dormir de sĂ»r. Est ce que câest vrai, est ce que vous avez vu une diffĂ©rence en traversant la France, lâAllemagne, la Suisse ou dâautres endroits ?
J : Je pense que câest vrai dans une certaine mesure. Tu as parlĂ© de lâAllemagne, câest un pays beaucoup plus grand que lâAngleterre. Si tu y penses dans ce sens lĂ , il y a beaucoup plus de groupes au Royaume-Uni, dans la scĂšne DIY, donc câest assez compliquĂ© pour des groupes dâavoir des bonnes tournĂ©es. Quand on a commencĂ©, booker des shows câĂ©tait trĂšs compliquĂ©, et quâon y a arrivait, on a vĂ©cu quelques cauchemars. Je pense que câest la mĂȘme chose partout.
N : Les promoteurs sont habituĂ©s Ă faire jouer des groupes Ă©trangers, ou alors ils ont eu des groupes qui tournaient en Europe, donc ils savent quel est le standard Ă suivre, de sâassurer que le groupe a un endroit oĂč dormir. Mais ça ne devrait pas ĂȘtre quelque chose de sĂ»r si tu es un groupe Ă©tranger Ă lâAngleterre, sauf si ça a Ă©tĂ© mis en forme dans un rider ou que ça a Ă©tĂ© discutĂ© avec lâorga avant. Mais aussi au Royaume-Uni, comparĂ© au reste de lâEurope, il nây a pas de fonds dâaide pour les salles, pas de financement pour personne en fait, donc des fois câest une histoire de devoir trancher entre tout donner au groupe ou bien le rĂ©partir dans la nourriture.
S : Câest ça qui est assez fou, surtout en Allemagne, oĂč les salles de concert sont tout autant impliquĂ©es dans les concerts que les orgas, alors quâen Angleterre câest surtout juste un pub qui tâautorise Ă jouer dans une piĂšce, rien de plus, ils ne vont pas fournir autre chose que cette piĂšce.
N : Mais les bonnes orgas vont apporter de la nourriture, on a des amis qui gĂšre des salles et on sait quâils vont toujours faire en sorte que les groupes aient ce dont ils ont besoin, jâimagine que ça dĂ©pend dâavec qui tu organise la date.
Restons sur lâAngleterre, câest comment Ă Bristol, la ville dont vous ĂȘtes originaire ?
J : Câest une super ville pour la crĂ©ation. Il y a beaucoup de groupes, des supers salles, de bons locaux de rĂ©pĂ©titions. Câest une scĂšne hyper stimulante, en terme dâentraide entre groupes qui sâinvitent les uns les autres Ă jouer. Je pense quâon a beaucoup de chance Ă Bristol.
N : Câest assez plein Ă craquer, mĂȘme sâil y a beaucoup de lieux de rĂ©pĂ©tition ça peut ĂȘtre compliquĂ© de trouver un espace. Il y a juste des groupes partout, nous on a un local trĂšs proche de lĂ oĂč jâhabite, qui est ouvert 24/7, il y a juste besoin dâun code et câest parti. Il y a beaucoup de scĂšnes diffĂ©rentes : DIY, punk, EDM , Ă peu prĂšs tout ce que tu veux. Ăa ne se croise pas forcĂ©ment, mais il y a tellement de gens qui font de la musique, tellement dâendroits et de salles oĂč aller, alors que la ville est plutĂŽt petite.
S : Le label qui a sorti nos deux derniers disques viennent juste dâouvrir une boutique au dessus dâune de mes salles prĂ©fĂ©rĂ©es de Bristol, The Exchange, oĂč il y a aussi un cafĂ©.
A propos, est ce que la venue de Specialist Subject est une amélioration pour la ville ?
N : La ville oĂč ils Ă©taient avant, Exeter, est un super endroit mais il nây avais pas la mĂȘme approche DIY que tu peux trouver Ă Bristol. Beaucoup de groupes ont maintenant dĂ©mĂ©nagĂ© Ă Bristol ou Ă Londres, donc ça fait sens dâavoir le label proche, et en tant que magasin câest gĂ©nial. Il nây a pas que du Specialist Subject, ils ont une grosse distribution aussi.
En tant que citoyens anglais, et encore plus en tant que musiciens, quel est votre opinion sur le Brexit ? Est ce que vous pensez que ça va ĂȘtre lâabsolue catastrophe comme on le craint dans le reste de lâEurope ?
J : On pense tous que câest une dĂ©cision catastrophique, on crois en la libertĂ© de mouvement, pas seulement en Europe mais dans le reste du monde, et cette libertĂ© va ĂȘtre restreinte et on se coupe encore un peu plus du reste du monde. Ăa câest pour parler de maniĂšre gĂ©nĂ©rale. Mais pour nous, en tant que musiciens, ça va rendre les tournĂ©es en Europe plus compliquĂ©, mais câest une maniĂšre trĂšs Ă©goĂŻste de voir les choses, câest la merde pour tout le monde. Mais pour te rĂ©pondre sur le point de vue musical, ça va rendre les choses plus compliquĂ©es, plus chers, et dans certains cas impossibles, Ă cause des visas et de toutes ces conneries lĂ . On ne sait pas bien encore comment va marcher tout ça mais ça ne sâannonce pas au mieux.
N : Y a un peu ce sentiment quand on se rend sur le continent que les gens pensent que tout le monde en Grande Bretagne ne veut plus faire partie de lâEurope. Dans les mĂ©dias, câest dĂ©crit comme quelque chose de dĂ©mocratique, que tout les britanniques ont voulus, mais câest pas du tout ce quâils veulent, pas une seule seconde. CâĂ©tait juste une courte majoritĂ© qui a votĂ© pour le dĂ©part et en se basant principalement sur des informations fausses. Les deux cĂŽtĂ©s ont mentis, ce nâĂ©tait pas une discussion juste et honnĂȘte de ce que ces gens allaient faire, et câĂ©tait une mauvaise maniĂšre de gĂ©rer ce qui va au bout du compte changer de maniĂšre radicale les choses ici.
S : Il nây a rien qui est mis en place, pas de plan, on vis juste un moment trĂšs trĂšs anxieux, oĂč on ne sait pas ce quâil va nous arriver mais tu sais que ça va arriver. Et ça dure depuis des plombes.
J : Ăa montre juste notre pays comme un pays sans compassion et qui ferme la porte Ă ceux quâil considĂšre diffĂ©rent, et uniquement Ă cause de cette diffĂ©rence. Jâai Ă©tĂ© un immigrant partout toute ma vie, et jâai toujours Ă©tĂ© trĂšs reconnaissant de lâaccueil que jâai pu trouver dans ces pays. Ăa montre juste la Grand Bretagne comme fanatique et peureuse des Ă©trangers. Câest juste de la merde.
On ne reçois pas beaucoup de groupes Ă©trangers ici, et on a le sentiment quâil nous reste beaucoup de choses Ă dĂ©couvrir, alors câest le moment de lĂącher des noms !
S : Il y a ce groupe que jâĂ©coute depuis un moment qui sâappelle The Spills, un groupe dâindie-pop avec des riffs de guitare trĂšs intĂ©ressants.
N : Je viens juste de finir dâenregistrer lâalbum dâun groupe qui sâappelle Little Baby Sharks, aussi de Bristol, câest un peu grunge et pop, avec des textes intĂ©ressants.
J : Tu as parlĂ© de Specialist Subject, donc tu dois ĂȘtre dĂ©jĂ au courant de ce quâils publient, mais il y a des nouveaux disques en ce moment, et de Fresh, ou de Jesus and His Judgemental Father, câest des super groupes. Pour ce qui est de groupes français, jâen aime beaucoup, mais mes deux prĂ©fĂ©rĂ©es sont des groupes qui ont splittĂ©s rĂ©cemment, How Low et Gohst on Tape. Et jâai adorĂ© le dernier album de Intenable, il est vraiment super.
On a lâhabitude de conclure par cet Ă©ternelle question. Pourquoi vous ĂȘtes dans un groupe ? Pourquoi dĂ©penser autant en matĂ©riel, en essence et en temps, quâest ce qui rend la chose si spĂ©ciale ?
J : Pour moi câest tout un tas de raisons. Câest une question assez difficile parce que dâun cĂŽtĂ©, ça aide vraiment ma santĂ© mentale de pouvoir mâexprimer et mâexposer, du cĂŽtĂ© des paroles ou autre. Mais aussi, les tournĂ©es ne me font pas que du bien, mais jâimagine que les bonnes choses prennent le pas sur les mauvaises. Jâaime aussi beaucoup voyager dans de nouveaux endroits, on ne se met pas minables tout les soirs en tournĂ©e, on prĂ©fĂšre aller visiter des choses, faire des trucs de touristes, rencontrer des gens. Je sais que câest le truc classique Ă dire mais câest vrai. Jâimagine que pour moi, pouvoir exprimer les choses Ă©tranges qui se passent dans mon cerveau Ă des personnes rĂ©ceptives à ça, et qui des fois vont venir en disant « Hey, je ressens la mĂȘme chose. Je me reconnais dans ces paroles ou dans cette chanson ». Pour moi ça veut tout dire, câest la raison principale pour laquelle je fais ça.
N : Jâai passĂ© du temps Ă essayer de me construire une carriĂšre dans la musique, et quand jâai commencĂ© câĂ©tait surtout essayer de faire parti dâun gros groupe, faire des grosses tournĂ©es et ĂȘtre payĂ© pour ça. Puis je me suis plus intĂ©ressĂ© aux scĂšnes plus intimes, aux projets financĂ©s, donc pour les douze derniĂšres annĂ©es, jâai travaillĂ© pour plusieurs projets de charitĂ©, que ce soit avec des seniors ou des jeunes qui ne sont plus dans le systĂšme scolaire. Jâai pu du coup me crĂ©er un travail dans le milieu musical, mon travail principal câest dâĂȘtre un ingĂ© son et un professeur. Et grĂące à ça jâai pu jouer dans des groupes qui nâont pas besoin de faire de lâargent. Je sens que je peux jouer dans nâimporte quel projet qui mâintĂ©resse, dans des styles qui nâont rien Ă voir avec des choses commerciales. Et comme lâas dis Jeremy, les tournĂ©es, rencontrer de nouvelles personnes, voir de nouveaux lieux, Ă©couter des groupes, se faire de nouveaux amis âŠ
J : Câest le truc dont tu te souviendras Ă soixante ans en pensant « Quâest ce que jâai fais de ma vie ? Ah oui câest vrai, je lâai putain de vĂ©cue ! »
N : Exactement ! Pour moi, littĂ©ralement tout ce que je fais est en rapport avec la musique, je ne fais pas grand chose dâautre.
S : Je suppose que pour moi câest surtout lâoccasion dâĂȘtre crĂ©atif. Je me considĂšre comme quelquâun de trĂšs timide et discret, et câest assez sympa de me voir me pousser tout les soirs, parce que monter sur une scĂšne et jouer devant des gens câest quelque chose que je dĂ©teste en y rĂ©flĂ©chissant trop. Jâaime pas parler en parler en public, rĂ©pondre Ă des questions donc câest cool de... je crois que je mâen tire pas mal jusquâici ! Mais oui câest une bonne maniĂšre de me dĂ©passer, dâĂȘtre crĂ©atif avec deux super personnes. Et en partant en tournĂ©e je peux voir des endroits magnifiques, jâai pas le permis donc je peux juste mâasseoir Ă lâarriĂšre et regarder le paysage !
N : Je crois que câest aussi important de dire que pour ce qui est de jouer dans un groupe, je lâai toujours fais avec des amis. Je nâai jamais eu Ă rejoindre un groupe pour une session studio ou autre, et donc ça a toujours Ă©tĂ© que du plaisir. Ăa rends la chose spĂ©ciale et te donne lâoccasion dâĂȘtre avec des gens auxquelles tu tiens tout les jours, câest aux antipodes dâun travail.
[EN]
Welcome guys on FLWNA, first of all we always like to know whoâs who in the band and what youâre doing on the side ?
Jeremy : Iâm Jeremy, I play guitar and sing. I work a manual labor job part time and also studying to be a massage therapist, and sometimes I drive bands on tours and thatâs about it.
Nathan : Iâm Nathan I play drums and do backing vocals, and I also play in a band called Nietzsche Trigger Finger. I work in a community based recording studio where I do a lot of workshops with young people that have been kicked out of school, the charity that I work for also does a lot of theatre, and I also work for a backline company, doing tour driving.
Steven : Hi, my name is Steven, I play bass in Austeros and I donât sing because Iâve got an awful voice. I work for a vegetarian/vegan food cooperative called Essential thatâs based in Bristol. They distribute food but also produce their own. I donât have a side project but I like to screenprint and to make merch.
Can you tell us how Austeros became a band ?
J : About four years ago, Steve and I decided to start a band together based on our mutual love for bands like Good Luck, so initially we started off just Steve and me jamming out to some songs. Then we had a drummer who played for us for about two years before Nath joined. We first asked him to join for a four days tour, and then we asked him to stay permanently.
You were on tour with Bad Sleep for two weeks, as we speak thereâs two dates remaining, so how has it been so far ?
J : Itâs been really really nice, it was their first time in Europe. I think out of all the European tour weâve done so far this has been the best in terms of people going to shows and people singing along. Weâve known Jack from Bad Sleep for a very long time, heâs an old friend of us but we didnât know Lily and Colter and theyâve just been really easy and fun to tour with.
N : Weâve had a van related surprise. We picked them up the first day at the airport, we went into the car park and then the ceiling just get lower and lower and our van got stuck, but other than that, itâs been cool.
Before going on tour, you released âNo Rushâ, so can we expect a new album ?
J : Weâre writing, we want to record another full length album, but thatâs not going to be until next year.
N : We came out to Europe in April, as part of the tour to promote the last record, and as we were coming back we thought itâd be nice to have something new to promote, and we had that song ready to go. Although the song is called âNo Rushâ, everything that has to do with production and filming was pretty tight to deadline, to make sure that we had something to bring with us on this tour. But like Jeremy said, weâve been writing but it might be a while until something big comes out.
Weâve often heard that touring in England was a nightmare, no catering or place to sleep. Is it true ? Have you felt a difference going through France, Germany, Switzerland and other places ?
J : I think itâs true to an extend. You mentioned Gemany, itâs a much bigger country than England. If you think about it that way thereâs so many bands in the UK, in the DIY punk scene, so itâs kind of difficult for bands to have good tours. When we started out, booking shows was very difficult, and when we did, we had some nightmares. I guess itâs the same everywhere.
N : The promoters are used to putting on bands from outside the UK, or have been in bands that toured in Europe, they kind of know that itâs a good standard to be doing, to make sure that bands have a place to sleep. But it shouldnât be expected if you are a touring band from outside of Europe, unless itâs been put on like a rider, or youâve talked to the promoter before. But also in UK, compared to the rest of Europe, thereâs not funding for venues, no funding for anything actually, so sometimes itâs a case of you either give the band everything that youâve made or split that for the food and drinks.
S : Thatâs whatâs amazing, especially in Germany, that the venues are as involved in the shows as the promoters are, and then in UK itâs mainly just a pub where they allow you to play in the room, they have no commitment to that, they wont provide with anything else than the room.
N : But good promoters will put food out, weâve friends who run venues and we know that they will always make sure that bands have what they need, I guess it depends on who youâre being booked by.
Speaking of England, how is it back in Bristol, the town youâre from ?
J : Bristol is a great city for being creative. Thereâs a lot of bands, some great venues, great rehearsals spaces, and a nurturing scene as well, in terms of bands helping each other out, inviting each other to play shows. I think weâre really lucky in Bristol.
N : Itâs very busy, even with several rehearsal spaces it can sometime be a problem to find some space. Thereâs just bands everywhere, we have a rehearsal space very close to where I live thatâs open 24/7, you just need a code and then you go in and play. Thereâs also a lot of different scenes : DIY, punk, EDM, like everything you want. They donât cross that often, but thereâs just so many people making music, lots of places and venues to go to, but the city is actually quite small.
S : The label that put out our last two releases have just opened a shop above one of my favourite venue in Bristol, the Exchange, they also have a coffee shop within the venue.
About that, is it an improvement for Bristol, are you excited about Specialist Subject opening a shop ?
N : The city they were in, Exeter, is a cool place but it doesnât have the same kind of DIY approach that Bristol have. And a lot of bands have now moved in Bristol or London, so it makes sense to have the label close by, and as a store itâs amazing. Itâs not just Specialist Subject, they have a proper distribution as well.
As English citizens and more importantly musicians, what are your thoughts on Brexit ? Do you think itâs going to be the absolute disaster that we fear in the rest of Europe ?
J : We all think itâs a catastrophic decision, we believe in freedom of movement not just in Europe but across the world and that freedom is being restricted and weâre alienating ourselves even more from the rest of the world. Thatâs for generally speaking, but for us as musicians itâs going to make touring in Europe a lot more difficult but thatâs a really selfish way of looking at it, this sucks for everyone. But to answer your question for us musicians, itâs going to make it more difficult, more expensive and in some cases potentially impossible, because of visas and shit like that, we donât know yet how itâs going to work out but itâs not looking good.
N : Itâs just a feeling that when we come to the mainland, people are thinking that everybody in the UK doesnât want to be part of Europe. In the media theyâre portraying it as a democratic thing that all British people wanted, but itâs not what they want, absolutely not. It was just a small majority and it was based firmly on false informations. Both sides lied, it was not a fair and honest discussion what people were going, and it was a bad way of conducting something that will ultimately change the future of how thing are run here.
S : Thereâs nothing put in place, thereâs no plans, and itâs just a very very anxious time to be in where you know itâs going to happen but you have no idea whatâs going to happen, itâs been going on for ages now.
J : Itâs just showing that our country is showing no compassion and closing the door on people who we consider to be different, and solely because of that difference. Iâve been an immigrant everywhere my whole life, Iâve always feel really grateful to be welcome. This is just showing the UK as being bigoted and fearful of people of other countries. It just sucks.
We donât really get that much foreign bands on here, and we feel like that we have a lot of things to listen to, so itâs namedrop time !
S : Thereâs this band I havenât listened to for a while called The Spills, an indie-pop with really interesting guitar riffs.
N : Iâve just finished recording an album with a band called Little Baby Sharks, also from Bristol, kind of grunge-pop stuff which is really cool, interesting lyrics.
J : You mentioned Specialist Subject, so you must be pretty aware of the stuff theyâre putting out, but thereâs some new records theyâre putting out, from Fresh, or Jesus and His Judgemental Father, theyâre cool bands to check out. As for the French bands, I like a lot of them, but my two favourite have split up recently, one of them is called How Low and Ghost on Tape as well. I really like this record that Intenable did, it is really really good.
Weâre now used to end our interviews this way and you guys are not avoiding it. Why are you in a band ? Why all this money spent in gear, gas, and time, what makes it so special ?
J : For me thereâs a lot of reasons. This is a very difficult question because, on one hand, it really helps my mental health to be able to express myself and to expose myself in terms of my lyrics and stuff like that. But also touring does bad things to my mental health as well, but I guess obviously that the good things outtake the bad things. I also really love travelling to new places, we donât get super drunk or stuff like that on tour, we go and visit sights and do really touristy stuff, meeting new people. I know itâs the classic thing to say but itâs true. I guess for me, being able to express some of the fucked up things that happens in my brain to people who are receptive to it and occasionally come up and say âHey I feel the same way, I connected with this lyrics or this songâ, to me is everything, the whole reason why I do it.
N : I spent a long time trying to build a career within the music industry, and when I first started it was mostly trying to be in a big band, do the big tours and get paid for that. Then I got more and more interested in community music and funded projects, so for the last twelve years Iâve been working with various music charities, from working with the elderly to working with kids to working with young people that donât do well in school. What it meant for me is that Iâve been able to create a job within music, my main job is studio engineer and teacher and because of that I get to play in bands that donât have to make money. I feel that I can play in any project that I want to and play musical styles that are nowhere near commercial stuff. As Jeremy said, touring and meeting new people, being in new places, listening to new bands, making more friendsâŠ
J : This is gonna be the shit you remember when youâre like sixty years old, thinking âWhat have I done with my life ? Oh I remember, I fuckin lived it !â.
N : Exactly ! For me itâs like literally everything I do is music based, I donât really do much outside of it.
S : I suppose with me itâs just creative outlet. I consider myself quite shy and confident person, and itâs kind of nice to see me pushing myself each night, cause getting up and playing is something that in my head I hate to do. I hate public speaking, doing things like that so itâs kind of really good to ⊠Iâm doing ok so far ! But itâs a good way to push myself, be more creative with two great people as well. And going on tour you get to see some amazing places, I donât drive so I can just seat in the back and just look at the side.
N : I think itâs also worth saying that, in terms of actually playing in bands it has always been with friends, Iâve never had to join a band that was a session thing or whatever and itâs always been really fun. It makes it really special and you get to be with people you care about a lot every day, it doesnât feel like a job.
Merci beaucoup Ă Austeros, pour les suivre câest par ici et pour les Ă©couter câest par lĂ !
                                         Interview par Eva et Mathieu
AUSTEROS SHARE VIDEO FOR âNO RUSHâÂ
Set in a seemingly average, cosy home, AUSTEROS have released a snug video for their track No Rush.
AUSTEROS STREAM DELICATELY BALANCED EPÂ âIâVE GOT THISâ AHEAD OF FRIDAY RELEASEÂ
Iâve Got This is a tender self-love song sandwiched between two shots of pure pop-punk energy.
EP Review: I've Got This by Austeros
EP Review: I've Got This by Austeros @AusterosTheBand @specialistsub
Austeros release their new EP Iâve Got This on 14th April via Specialist Subject Records. Building upon last yearâs full length Painted Blue, the EP charts the past 6 months for singer / guitarist, Jeremy Pitcher. Relocating to Bristol from Cheltenham (a move that was vital for his mental heath) and navigating the current political climate.
Produced by their friend Tim Rowing-Parker (of the bandâŠ
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AUSTEROS RELEASE LIVE VIDEO FOR âFIGURE OF SPEECHâÂ
Bristol three-piece AUSTEROS tease their upcoming EP, Iâve Got This with a live studio session of single Figure of Speech.Â
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The woman clicked her tongue, shaking her head as she examined the flask in front of her. The composition was far from perfect. Far from being correct, as well. She pushed herself up from her chair and moved away from the desk in order to examine her shelves for what she was looking for. The sound of her door opening caught her attention, and blue eyes shifted to look at the visitor.
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