5/6/2026 - checking the audio panel, audio jacks and troubleshooting PTT function
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5/6/2026 - checking the audio panel, audio jacks and troubleshooting PTT function

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One of the things about Eurorack in comparison to some older modular synthesizer formats is that all the jacks used for connecting modules together are the same — 3.5mm mono jacks (the same size as the headphone jack that used to be on smartphones, but with only two conductors, tip and sleeve). This is great because you only need the one kind of plug on your patch cables. In comparison, the original Moog systems used ¼" jacks for CV and audio signals, but an odd two-bladed "Cinch-Jones" jack for gates/triggers; Buchla systems used banana jacks for most signals, but .141" "Tini-Jax" for audio.
But one bit that makes me envious of going the Buchla route is that the banana jacks they use were color coded as to the kinds of signals they were. A gate or clock output would be red, where a gate input would be orange; CV inputs would be black and inputs would be blue. There were other colors to extend this schema somewhat, but the point was that you'd always know which jacks were inputs, which were outputs, and which direction the signal was flowing. Most Eurorack modules try to at least be clear about which jacks are inputs and which are outputs by panel markings, but it's not quite the same as bright color markings.
There do exist colored nuts for the 3.5mm jacks that Eurorack modules use; the Sigma function generator modules I built don't incorporate non-textual indicators of signal direction, so I followed the designer's practice of using black jack nuts on the input jacks and red ones on the outputs. But these nuts are more expensive than standard jack nuts, and the desirable colors often sell out at the few dealers that stock them.
Which is why when I found an import vendor of black and gold jack nuts, I ordered a bunch of each, hopeful that they'd make the signal directions clearer on other modules.
Above left is a Sigma with their black and red nuts; above right I've put these new black input and gold output nuts on the DSPFX and Phonic Headphone Amp, while the passive mixer between them still has the silvery nuts. I'm not entirely sure there's a big difference in the photos; the silvery metal of the jacks themselves may overwhelm them. It might be a difference in lighting, or then again, maybe the hex nuts used on the Sigma have a greater area of colored surface to be the contrast. I'm going to have to experiment further.
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