#artlib

In 1981, in Iceland, Dieter Roth played for an hour 74 times on his accordion, recording the improvisation on cassette each time. Harmonica Curse compiles the resulting 74 cassettes with photographs of Roth's environment and diary entries for the first time in this amazing archival publication. 

N7153.R67 A4 2014b obis.oberlin.edu/record=b5314502~S4

John Blockley was one of Britain's most outstanding watercolour and pastel painters of the late 20th century, and has exhibited at the Royal Academy. Self-taught, he produced work that has always been experimental and progressive. His highly textured style was well ahead of his time and still hugely influential now.0The quality of his work is even more staggering given that he never trained at any art college, and spent most of his working life as an engineer. He only started painting full time at the age of 52. His obsession for drawing and painting, even while a successful engineer, was driven by his search for the essence of his subjects. The power of his paintings reveal that passion. This beautiful retrospective of his work, including drawings, watercolours, pastels and also acrylics, brings together the best of his work. The illuminating commentary on his work is from his daughter, Ann Blockley, who is also an acclaimed painter in her own right. She understands completely where John Blockley was coming from in his artistic vision and also explains the techniques he used. Breaking with so many traditions in watercolour painting in the 1960s, John was and is an influential figure in the art world.0John said, Ìn order to paint the terrain as I see it - blotched, mottled, grainy - I must experiment'. These experimentations are still of huge value to painters today. This book is perfect for any painter who enjoys John's work but also for all the many, many fans of his work. 

ND497.B616 A4 2018   obis.oberlin.edu/record=b7006404~S4

obis.oberlin.edu/record=b7604581~S4

A fresh and new overview of this treasured West Coast artist, with hundreds of his paintings, drawings, and prints covering five decades of his illustrious career. The book surveys the extraordinary achievements of Diebenkorn, who successfully explored both abstract and figurative painting. Produced in a slipcase box, this is the ultimate source for art enthusiasts, from his early work of the mid-1940s to his Berkeley and Ocean Park series. The book includes not only his iconic paintings of the California landscape and interior figures but also many of his less-well-known and rarely published works. Art historian Sasha Nicholas discusses Diebenkorn ' place in postwar American painting and his independence from the art-world trends. Steven Nash conducts an interview with close friend Wayne Thiebaud, giving an artist s point of view. The two artists shared the inspiration of California and experimented with perspective to capture their surroundings. 

Industrial landscape paintings by John Moore executed over the last three decades focus on sites from Conneaut, Ohio, to Waterville, Maine, including Coatesville, Pennsylvania, a locale that has inspired such American Modernists as Charles Demuth and Ralston Crawford. Moore has revisited places in Coatesville and throughout the rustbelt that he painted twenty years ago, and his most recent paintings depict changes that have occurred there since. One of his subjects, Paradise, Pennsylvania, 13 miles west of Coatesville, is Amish farmland, a place that is the rural antithesis of industrial life in America.

Moore is often described as one of the one of the leading realist painters of his generation, and many of his paintings resemble places where he grew up. While the images appear immediately recognizable, the paintings are, in fact, partial composites, based on specific sites but also incorporating formal concerns and oral history as told by individuals with ties to the regions.

The Thirteen Miles from Paradise catalogue is drawn from the exhibition of the same name at the Arthur Ross Gallery of the University of Pennsylvania, where Moore has been Gutman Professor of Fine Arts and chair of the Department of Fine Arts since 1999. The catalogue includes contributions by Alexi Worth, a senior critic in the Department of Fine Arts at the University of Pennsylvania; and by Debra Bricker Balken, an independent curator and writer.