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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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VERNICE arte fiera di Forlì #arte #artefiera #fiera #artistic #artist #mercanteinfiera #artemercato #collezione #collector #artdesign #painting #artefigurativa #figure #figurativeart #meta #drawing #artgallery #artsy #exhibition (presso Fiera di Forlì - Il Quartiere delle Idee) https://www.instagram.com/p/Cp7bpI5MZy1/?igshid=NGJjMDIxMWI=
Guerriere di vento/Mary, t.m/ garza su tela di legno, cm 90x80, 2020 di Carla Bedini
Giulia Dall’Olio / La forma del nero
exhibition text by Gabriele Salvaterra
Bologna, Essse Caffé
January 24th – March 9th 2020
(Giulia Dall'Olio, La forma del nero_exhibition view_Courtesy l'artista e Galleria Studio G7, Bologna_foto Alessandro Fiamingo)
"Segno dopo segno, gesto dopo gesto, Giulia Dall’Olio realizza i suoi mondi vegetali per accumulazioni reiterate e ossessive di singole forme; virgole di materia o di sua cancellazione che, quando concluse – posato lo strumento della tecnica volta a volta prescelta –, lasciano sul supporto un senso di quiete e immobilità atemporale, visualizzando presenze indifferenti e archetipiche della realtà umana. Come nelle calligrafie della pittura segnico-gestuale – pensiamo a un Mark Tobey o a un Antonio Sanfilippo – o nelle forme-simbolo che, come firme, identificano nell’espressionismo astratto o nell’informale la pratica e la personalità dell’esecutore, così anche Dall’Olio sceglie un suo alfabeto base che, nell’unire approccio intellettuale e manuale, possa identificare il proprio essere. Tale minima cellula, sempre passibile di improvvisazioni, divergenze ed eccezioni, trova corrispondenza con il tassello elementare di un altro universo, quello naturale delle piante e della flora, in un’affinità che lega indissolubilmente tra sé gesto umano soggettivo e mondo vegetale sovrapersonale. Così l’atomo base di questo sviluppo informale, breve tratto che aggiunge, sposta o leva materia, si colloca in parallelo ai mattoncini con cui gli alberi e le foreste assicurano la propria crescita e definiscono il proprio aspetto, ovvero alle foglie e alle fronde. Ogni gesto manuale, spinto da un’esigenza espressiva libera da necessità di riproduzione o verosimiglianza, si fa contemporaneamente elemento vegetale dal convincente illusionismo, vivendo così nell’ambiguità tra libertà dell’artefice e fedeltà a un ipotetico modello mentale."(Giulia Dall’Olio. Farsi selva, Gabriele Salvaterra, gennaio 2020) "Mark after mark, gesture after gesture, Giulia Dall’Olio realizes her green worlds through repeated and obsessive accumulations of single forms; commas of matter or of its erasure which, when completed - once the tool of the chosen technique has been laid down - leave a sense of calm and timeless stillness on the support, displaying indifferent and archetypal presences of human reality. As in the calligraphy of sign-gestural painting - we refer to Mark Tobey or Antonio Sanfilippo - or in the symbol-forms which, as signatures, identify in abstract or informal expressionism the practice and personality of the performer, in the same way Dall'Olio chooses her essential alphabet which, in combining intellectual and manual approach, can identify her own being. This minimal cell, always subject to improvisations, divergences and exceptions, matches the elementary piece from another universe, that of nature and plants and flora, in an affinity which indissolubly binds the subjective human gesture and the super-personal plant world. Thus, the basic atom of this informal development, a short stretch that adds, moves or leverages matter, is placed in parallel with the bricks with which trees and forests grow and define their appearance, that is, leaves and fronds. Each hand gesture, driven by an expressive need free from the desire of reproduction or verisimilitude, simultaneously becomes a vegetable element characterised by convincing illusionism, thus living in the ambiguity between the freedom of the author and the loyalty to a hypothetical mental model. And just as the forest with its paths and ways favours a fearful loss, a loss of control and the ability to improvise, so too this gesture-frond in its accumulations constitutes an impetuous and abstract all-over, open to stumbling blocks, variations and freedom." (Giulia Dall’Olio. Farsi selva, Gabriele Salvaterra, January 2020)

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Bologna Artefiera // 🌹 my photography🌹
This is being exhibited in #ArteFiera in #Bologna #ITALY AT THE @grgallery_ny booth #Repost @saririzzardi ・・・ Mi piaci ❤ #FelipePantone #Artefiera (en ArteFiera)
Centro gravitazionale.