Architectural Climate Consciousness: Hollein's Copenhagen Intervention Reimagined
Hans Hollein's architectural intervention in Copenhagen in 1969, as depicted in the catalogue for 'Hans Hollein: Everything is Architecture' at the Städtisches Museum, Mönchengladbach (27 May – 5 July 1970), prompts a reflection on the recurring theme of climate within architecture. Despite this, the significance of climate considerations often falls on deaf ears.
In contemplating this, one cannot overlook the honor attributed to Schinkel's Altes Museum, which exemplifies an architect's foresight regarding climate. Schinkel's decision to elevate the museum upon a pedestal, respecting the potential flooding of the Spree River, demonstrates an acute awareness of environmental factors. Although the Spree's banks have not breached, Schinkel's proactive approach remains noteworthy.
In contrast, Massimo Scolari's work, notably his construction of Noah's ark, embodies a similar forthrightness. Scolari's architectural expression extends beyond physical structures to metaphorical realms, suggesting that architecture can transcend its physical confines. By constructing Noah's ark, Scolari imbues architecture with the capacity to soar, offering a poignant metaphor that elevates architectural inquiry.
Within the rubric of architecture, climate awareness is often emphasized, yet its integration into design remains a challenge. Architects such as Hollein and Scolari suggest that their struggle parallels the city's predicament and the unconscious influence of societal norms. Their works serve as reminders that architecture's responsibility extends beyond aesthetics, encompassing environmental stewardship and societal consciousness.
