#aprilgreiman

Back in Stock! 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter / Available at www.draw-down.com / The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss #typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990, an era of transition. In the second half of the 20th century factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language. This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as #EmilRuder #Wolfgang Weingart #HansRudolfLutz #AprilGreiman and #JostHochuli / 30 Years of Swiss #Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century #typography and #graphicdesign (at Switzerland) https://www.instagram.com/p/BsBNAjBgxzZ/?utm_source=ig_tumblr_share&igshid=x0q2cab4e4ui

Back in Stock! 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter / Available at www.draw-down.com / The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss #typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990, an era of transition. In the second half of the 20th century factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language. This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as #EmilRuder #Wolfgang Weingart #HansRudolfLutz #AprilGreiman and #JostHochuli / 30 Years of Swiss #Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century #typography and #graphicdesign

Last Copies! 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter / Available at www.draw-down.com / The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss #typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990, an era of transition. In the second half of the 20th century factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language. This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as #EmilRuder #Wolfgang Weingart #HansRudolfLutz #AprilGreiman and #JostHochuli / 30 Years of Swiss #Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century #typography and #graphicdesign

30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter / Available at www.draw-down.com / The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss #typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990, an era of transition. In the second half of the 20th century factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language. This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as #EmilRuder #Wolfgang Weingart #HansRudolfLutz #AprilGreiman and #JostHochuli / 30 Years of Swiss #Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century #typography and #graphicdesign

Postage Stamps by AIGA Medalists / Available at draw-down.myshopify.com / Since 1920 the American Institute of Graphic Arts has been awarding its AIGA Medals “to individuals who have set standards of excellence over a lifetime of work or have made individual contributions to innovation within the practice of design.” To date, 155 designers have been awarded Medals; only a handful have designed government-issued postage stamps. This is their story. Postage Stamps by AIGA Medalists contains seventy-six full-color illustrations, reproducing every known stamp designed by an AIGA Medalist (with the exception of Bradbury Thompson for whom only a handful of his 100+ stamps are shown). Also shown are related items by Bruce Rogers, Jan Tschichold, and Saul Steinberg. A brief essay by Michael Russem explains why these stamps are relevant to graphic designers and how they fit into the history of (mostly) American postage stamp design in the twentieth century. The stampe designers include #JosefAlbers Leonard Baski, #SaulBass Herbert Bayer, Lester Beall, Lucian Bernhard, Ivan Chermayeff, #SeymourChwast Thomas M. Cleland, Charles Coiner, Paul Davis, W.A. Dwiggins, Alvin Eisenman, Thomas Geismar, #MiltonGlaser #AprilGreiman Rudolph de Harak, Armin Hofmann, #HerbLubalin Georg Olden, Chris Pullman, Rudolph Ruzicka, Bradbury Thompson, George Tscherny. Design and typography by Michael Russem #graphicdesign #typography #stamps #AIGA #Medalists

WRITER: Introducing April Greiman’s latest publication “WhiteSpace.” Available @ aprilgreiman.com ... look who was invited to participate? (me!)

#AprilGreiman #madeinspace #newwave #1980s #graphicdesign #postmodernism https://www.instagram.com/p/ByJGZA_AmsJ/?igshid=kj19cwwelmix