Moon Beyond The Grass
Nikon Z8, Nikkor Z 28-400 f/4-8 VR Las Cruces, NM This is a late night image of a full moon behind the frond of a Pampas Grass bush.
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Moon Beyond The Grass
Nikon Z8, Nikkor Z 28-400 f/4-8 VR Las Cruces, NM This is a late night image of a full moon behind the frond of a Pampas Grass bush.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Storm Bear Artist Statement My work emerges from a life lived on the edges — of time, of place, of identity. As an older queer man, I see the world through a lens honed by resilience, tenderness, and deep observation. Each image I make — whether a quiet still life, a textured landscape, a fleeting moment in the street, or an experimental composition — stems from a desire to preserve what is vanishing, overlooked, or dismissed.
I photograph not to decorate but to witness. I am not interested in prints that match couches or mimic trends. My images are not mass-produced decor — they are fragments of love, thoughtfulness, and history. They are visual testaments to forgotten textures, fractured light, worn pathways, accidental beauty, and the oddities of our shared spaces.
Whether it’s a blue plastic chair casting a long shadow in an alley, a craggy desert formation under an apocalyptic sky, a hungry squirrel stealing processed food on sacred land, or a weathered man playing guitar beneath a pink sky — each image is a moment of quiet resistance against disposability.
I believe in images that breathe. That ache. That asks something of the viewer.
My photography is a catalog of what we are losing: ecological subtlety, eccentric street characters, humble materials, and unscripted moments. And in that loss, I hope to create presence — each photo a small, luxurious act of remembering.
Storm Bear
You can buy my prints HERE.
Me Take Pictures Gooder.
I am a queer fine-art photographer that takes too many photos. Most of the photos I take are just for me. Sometimes candid, sometimes documentary, I just snap a ton of pictures. My studio work is shifting to carefully constructed sequential still life triptychs. Here is the first...
This is from my series, DeclaraciĂłn: Objects Of An Unfinished Country Series. It explores the Declaration Of Independence and and its relationship to the people of the Mesilla Valley in New Mexico.
Triptychs such as these are going to be my focus for the future. But I will certainly be taking photos - like all the time.
Photos are the journal of my life and they will continue to be so.
Now I just need the right cameras.
“It was a chauvinistic characteristic of our nation to attach political names… to the glorious features of our land.” - Ansel Adams
Image: “Denali and Wonder Lake, Denali National Park and Preserve, Alaska,” By Ansel Adams, 1948
Lilith
Nikon Z8 Nikkor Z 28-400mm f/4-8 VR California
This is a photo of my favorite Bristlecone Pine tree, somewhere in the White Mountains of California. I must have over 100 photos of this tree - multiple cameras, multiple sensors and multiple film emulsions. This photo is one of my favorites.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Scenes From The Saguaro Forest
Hasselblad 503cx, 80mm f/2.8 Carl Zeiss, Ilford HP5 Plus
Alien Twilight
Nikon N8008s Nikkor 50mm, f/1.8 LomoChrome Turquoise 100-400 Las Cruces, NM
I was curious about Lomo Turquoise film stock. I popped a roll of 35mm in my Nikon N8008s and let it rip. I am always surprised at the outcome. I can never, ever figured out how the Turquoise will represent the color. Very confusing but also very entertaining.
13 Moons Petroglyph Body: Hasselblad 503CX Lens: 80mm f/2.8 Film: Kodak 400TX #photography #blackandwhite #analog #hasselblad #kodak #california #bishop #fineart #queerhard #bnw #mediumformat