The 60's are not that clear-cut at all. I mean, Love – the band, not the real thing – are probably the group that dealt with the complexities of the period thanks to them being not as successful as they should've ben and also thanks to them having a different perspective. Forever Changes, their masterpiece, serves as a warning, since Arthur Lee, their frontman, felt something was off with the flower power movement. Thus, the platter resembles a chronicle of someone who noticed how all hopes slipped away, yet that person still cherishes the memory of the emotions, which were promised by these hopes. I could be cheeky here and call Forever Changes one of the early examples of the famous Mark Fisher term, though that would have been too much.

















