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Honestly Rock Lady’s best like stealth critique is that parents suck and the current paternalistic model of family also sucks because it literally affects everyone in the band, and it gets worse every parent’s appearance in the manga. Like when we finally see Otoha’s parents it’s gonna be nuclear…
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Hello and welcome to my (Amanda’s) art blog!
We’re a system of 4 currently (members drawn below by me!)
All time favs to draw:
When They Cry/ 07th Expansion games characters
Currently into drawing:
Umamusume Pretty Derby
Project Sekai
AveMyGO
Rock is A Lady’s Modesty
Yellowjackets
Hundred Line Last Defense Academy
Misty Yellowjackets is in my character pantheon but not the facade portion because Misty isn’t really wearing a facade in so far as her “true” nature is concerned. She is essentially the Erika Furudo of Yellowjackets: her methods are extreme but her intentions are very clear to the viewer. She was never mystified by the wilderness ( evidenced when she saved Nat during the hunt) and is a detective by nature even in the past. Like my facade girls (Akechi Goro, Catra, Satoko Hojo, and Hatsune/Uika Misumi ) have to have a facade that they actively grapple with in the narrative but Misty doesn’t necessarily grapple with a facade, what she grapples with has more do to with her values as person compared to the other Yellowjackets.
Well in less painful news they’ve committed to narrative HaruMichu successors in Precure… WHO ELSE CHEERED?
Thinking about how if Satoko is red-green color blind then the only character’s hair color she sees in its actual shade is Rika’s 🥺🥺
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I love the Derry Girls like that’s my emotional support white friend group
The new Meguri chapter making me unhinged in the positive way like I’m not the best at articulating my thoughts on WTC ever but like there’s something raw about this acknowledgment that Satoko is constantly putting on a facade that is meant to give her control over her life. Like Satoshi’s disappearance created this belief in her mind that she was too weak to fend for herself and defend herself from abuse, and that this “burden” drove him away. (When we know that isn’t true) So she resolves to be independent and strong not only so Satoshi won’t worry about her but so that no one else will. Even if it’s a lie that she’s doing fine it’s better to suffer when no one’s watching than for them to see her as weak and pitiful. This aspect of her character is a large reason why she acts how she does in GouSotsuMeguri because this mentality “backfires” in St. Lucia and seemingly confirms a fear Satoko has had about her relationship with Rika: She wouldn’t care about her if she wasn’t pitiful. If she wasn’t abused, her and Rika would’ve never become close, and without that tragedy she wouldn’t have Rika (and this goes for Rika too btw e.i Saikoroshi) so why not just accept the perpetual suffering? And the looping only solidified this belief it didn’t create it.
The scars of abuse run deep and I think that as of now the start of Meguri’s Tatariakashi highlights this well. Starting out with showing how her arc in Minagoroshi, an arc often thought as triumphant and inspiring, can just serve as more evidence to her that in order to matter to those around her now she needs to suffer. This obviously contradicts what she “learned” from Satoshi’s disappearance but that’s why she gives him up. Giving up on Satoshi is giving up on this dream that she can ever be strong enough to overcome her abuse. If she’s going to be weak then, she’s going to be weak by choice. And that choice is going to ensure that she spends eternity with the people she loves most no matter how much it kills her.
Bestie has ruined my life with the fact that Satoko and Rika really DO parallel Maddie and London from The Suite Life of Zack and Cody 🚶
