The Deep History, The Long Past III, 2019Â
Ochre, charcoal and soil on cotton paperÂ
70.5 X 50.5 CM
seen from China
seen from Yemen

seen from Germany
seen from China

seen from Netherlands
seen from United States
seen from United States
seen from United States
seen from Singapore
seen from Singapore
seen from United States

seen from Singapore

seen from United Kingdom
seen from United States

seen from Malaysia
seen from Brazil

seen from United Kingdom

seen from Malaysia

seen from United States

seen from Netherlands
The Deep History, The Long Past III, 2019Â
Ochre, charcoal and soil on cotton paperÂ
70.5 X 50.5 CM

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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AMAQABA: Vol. 1
The title of the show derives from an old term that has found a 'new' meaning in recent times. The term 'i-qaba' (pl: ama-qaba) originates from the 18th Century when British missionaries were affecting the way of living for amaXhosa. Amongst this transformation of native people into European education through evangelical religion, a transformation which included how people dress, there was resistance from some amaXhosa who decided against this assimilation of westernisation and chose to uphold traditions kwaXhosa. The people who continued to use the red ochre, for which amaXhosa were known as 'The Red Blanket People', which is applied to skin by rubbing or 'uku-qaba' in isiXhosa, were considered 'uncivilised'. Hence the term 'i-qaba', which exists in modern times as an insult towards someone who is considered ignorant. Â
The idea of the show becomes an investigtion of oneself within their own culture; for us, being amaXhosa. The space becomes a space of learning and manipulation of knowledge, tradition, and customs. The way we intend to manipulate these themes is to reimagine and re-examine certain knowledge we have and don't have about ourselves and our culture. It’s a free space where we can be amaqaba without it having any negative connotations associated with it. It’s a claiming of the term where it's okay to not be fully intact with your roots and embrace fluid black identities. It's a chance for us to mock ourselves in a critical sense, but more importantly, a chance to learn about ourselves.
Ntyilo Ntyilo [After Makeba], 2018
120 x 62.5 x 93.5 CM
found school desk, mild steel, rustÂ
Inga Somdyala & Xhanti Zwelendaba Â
Untitled (Umzimvubu River), 2018Â
72 x 44 CM
Engraving on ikhukho
Inga Somdyala & Xhanti Zwelendaba Â
Untitled (Transporting A Plough), 2018Â
72 x 44 CM
Engraving on ikhukho

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Inga Somdyala & Xhanti ZwelendabaÂ
Untitled (Carrying Grain), 2018Â
72 x 44 CM
Engraving on ikhukho