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At Somewhere, by Alpha Auer, the animals are having fun. I tried to join the barbecue, but smoke got in my eyes. In the welcome note, there are free pose balls to help you sit with the mesh statues. The gently rocking ships in the harbor are fun to sit on.
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I visited with teddy bears today at Ragville. The description says "The island has been built entirely with generative text to 3D," and I would say that it's built with love and humor, too. It's by Alpha Auer, and you can buy plushies and trinkets for tiny prices in a tiny flea market, pictured in the last picture above. The Teddy Bears are so busy, sailing and shopping and having tea parties, that they didn't notice me taking pictures at all.
Imago anatopism/50% evil - The story of Volund, stage 7 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 7 #SL #BTB14
Last post here.
Working with the story about Volund shows me that the choiche and the actions you do in a particular situation is judged as good or evil. A character is caught in a story and when the story first has captured an action it is hard to remove that action and the story that will you.
In stage 7 the hero in Joseph Campbell’s book is supposed to start his journey back home, with new…
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Imago anatopism/50% evil - The story of Volund, stage 6 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 6 #SL #BTB14
Last post here. http://historieforteller.wordpress.com/2014/05/26/imago-anatopism50-evil-the-story-of-volund-stage-5-sl-btb14/This stage is the road of trials and the meeting with the goddess
Now the buisness starts to get serious for the protagonist. Volund gets an armring of the valkyrie, a token, a symbol of the union, and also a piece that he measure his own forging up against. In norse…
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Imago anatopism/50% evil - The story of Volund, stage 5 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 5 #SL #BTB14
Last post here.
This stage is the road of trials and the meeting with the goddess Here the protagonist discover his own strength and power. Volund discovers his ability to forge, he can forge statues that looks lifelike and the best weapons. ”She is the mother, sister, mistress, bride” – Campbells write. But she is also the death of of everything that dies. Campbell continues: ”Woman, in the…
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Imago anatopism/50% evil - The story of Volund, stage 4 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 4 #SL #BTB14
Last post here.
The idea of the entering another world – the first threshold – is often in a sort of container floating in the water. Joseph Campbell calls it ”the belly of the whale”. This is a common motif in many folktales, at least in Norwegian folklore. The storyteller Marit Jerstad looks upon this is a kind of rebirth, the picture is similar to being carried in the mothers womb. You find…
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Imago anatopism/50% evil - The story of Volund, stage 3 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 3 #SL #BTB14
See the previous post here.
Passengers
dwarfs
This is what Campbell calls supernatural aid. Here Volund learns the secret of forging by the dwarfs, they creates magic objects. In Norse mytology the gods get various gifts from the dwarfs, like a ship you can make so small that you can put it in your pocket, or hair of gold that you can attach to your head and it will always grow.
dwarfs
dwarf…
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Imago anatopism/50% evil - The story of Volund, stage 2 #SL #BTB14
Imago anatopism/50% evil – The story of Volund, stage 2 #SL #BTB14
The next virtual situation in the story of Volund is a picture of his father falling down from the platform; the passengers do not engage, but are looking down. The dwarfs rejoice, while Volund close his eyes to it all.
Overview
The passenger
This symbolizes what Joseph Campbell calls: ”the refusal of call”. The refusal of call – is a state when you do not hear, or misinterpret the call or even…
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