#albertstadler

In the catalogue for his first solo exhibition held at Bennington College in 1962, he stated that he saw his canvases as invitations “for the viewer to participate in events, in the activity of color and the relativity of space.” For Stadler, “space . . . and the freedom of the eye to roam” were essential. He enhanced this experience in his art through “deliberate variations.” [Albert Stadler “Untitled” 1965 acrylic on canvas 62 1/2 x 63 1/4 inches] #albertstadler #stadler #colorpainting #colorfield #bennington #paulfeeley #1960s #nycartist #universityofflorida #gainesville #postpainterlyabstraction #abstraction #abstractart #acrylicpainting #colorandfield #modernart #estaterepresentation #berrycampbell (at Berry Campbell) https://www.instagram.com/p/ByWl7pxlR6l/?igshid=uo1gu5itrz35

Reviewing Albert Stadler’s 1965 Poindexter exhibition, an Art News reviewer commended Stadler for using a method of brushing on his colors instead of employing popular hard-edge plastics, with the result that his muted tones were like “a whisper in a silent roomful of people.” [Albert Stadler “Untitled” c. 1965 acrylic on canvas 61 x 85 inches] #albertstadler #stadler #colorfield #colorpainting #abstractart #abstractpainting #abstraction #artcollector #artreview #nycart #chelseagalleries #womensrtdealers #poindextergallery #berrycampbell (at Berry Campbell) https://www.instagram.com/p/BvX1mQBllIZ/?utm_source=ig_tumblr_share&igshid=16w3wwu7sgo4n

“Personally, I find Albert Stadler’s work from the 1970s and 80s to be the pinnacle of his quest in the Color Field era. He employed spray guns and swabs, coupled with a varied paint surface ranging from thin translucent to opaque and heavily impastoed pigments. With these techniques he removes the hand of the artist from the painting without losing any of the expressive passion that originated the movement. And his comfort with a vibrant, wide ranging palette is unparalleled.” -Harold Porcher, VP/Director Post-war Modern and Contemporary Art, Doyle Auction House. #haroldporcher #albertstadler #berrycampbell (at Berry Campbell)

Perhaps you were Albert Stadler’s student at Hunter College...see what his paintings look like in person. “Albert Stadler: Studies in Color” opens this Thursday, November 16, 2017 from 6 to 8pm. [Albert Stadler “Reflection” c. 1980 acrylic on canvas 53 x 56 inches] #albertstadler #colorfield #artparty #nycart #berrycampbell (at Berry Campbell)

In the catalogue for his first solo exhibition held at Bennington College in 1962, Albert Stadler stated that he saw his canvases as invitations “for the viewer to participate in events, in the activity of color and the relativity of space." See more of his work this November at Berry Campbell (Save the date: Thursday 11/16/17) #albertstadler #stadler #color #colorfield #painting #bennington #huntercollege #berrycampbell #gallery #nyc #chelsea #modern #contemporary #art #savethedate #gallerynight (at Berry Campbell)

Albert Stadler "Untitled" 1965 acrylic on canvas 85 1/2 x 67 inches. In 1967, Kermit Champa, then assistant professor of art history at Yale University, published a long article on Stadler in Artforum. To Champa, Stadler’s ability to maintain individual components of color while creating a final effect that was one of absolute visual unity, constituted a breakthrough. #albertstadler #stadler #colorfield #painting #structure #surface #artforum #berrycampbell #gallery #newyork #nyc #arts #artsdistrict #highline #whitney #w24 #groundfloor #modern #contemporary #art (at Berry Campbell)

https://www.brooklynmuseum.org/opencollection/objects/106621

https://www.brooklynmuseum.org/opencollection/objects/103215