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Fela Kuti, Casino de Paris, Paris, France, 1984
Cultured Mornings
#83 - 1976/18: Fela & Afrika 70 - Zombie
The sleeve: nothing if not representative. Fela vs the military, the spot of bright colour in a sea of army green
Had I heard this before: I don't think I'd even heard of it before
Released around the 76/77 new year, this would perhaps have fit better on the 1977 list - it's when most people would have heard it (even in Nigeria itself) and wouldn't it have made an exciting companion piece/counterpoint to all those punk records? A party album criticising an actual military regime!?
One of the more shocking backstories of all records discussed here, I should think, with its release coming after two successive military coups in Kuti's home country, and resulting in the destruction on his home, his studio, and the death of his mother, all at the hands of vengeful soldiers.
The music? Afrobeat - Yoruba jazz-funk - designed to keep you moving, a joyous party of 25 minutes spread over two long tracks (or two short sides, if you wish). And all the while it taunts soldiers, the zombies/mr follow-follows of the the track titles. Not the kind of music I tend to listen to but it sounds good on this sunny autumn day inside, and I could imagine it sounding a lot better on a summer's day out.
The CD re-release from 2001 adds two bonus tracks, but these are inessential - in fact, if included I'd mark the album down a letter. But in its original version, it's a handsome
[B]
Next up: ah, it's that time of year is it?
Themba ft. Fela Kuti & Afrika 70 ā Zombie Herd Mix (Song) http://dlvr.it/SXpZ7q

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#FelaKuti & #Afrika70 ās #YellowFever ā sometimes you hear #music that immediately just connects and this was one of those love at first sight listens for me, I was absolutely floored about everything about this 2 song #album. The incredibly fluid yet tight rhythm, the throbbing and uncompromising bass line , the guitars, keys, and horns marrying themselves together from simple melodies into something huge and liturgical and ceremonial like in size. On the first song, the title track, Felaās lyrics criticize against the practices of skin bleaching in #Africa, relating it to a sickness itself, a āfeverā in the sense of a popular, fast spreading, human made Sickness of the mind due to inferiority complexes brought on by anti-black colorist beauty standards, and how it contrasts and compares to āOriginalā sicknesses like the ACTUAL Yellow Fever (instead of figuratively, complexion wise, āyellowā fever) as well as malaria, jaundice, etc.. itās a instrumentally traveling track with a deep sociopolitical statement that even resonates to this day. on the flip side is the 1975 version of the song āNa Poiā which is a song essentially about.. ehh.. āintimate practicesā lol and the flow of the track itself really sounds like it, along with Fela basically detailing the process, the title translates to āthings collideā, so Iāll leave the rest to yāall on that note lol. So All in all, it should also be noted the title track is the first song of theirs Iād ever heard and to this day is without a doubt still my favorite by them which sent me down the rabbit hole of their vast discography soon after. #vinyl #records #vinylcollection #recordplayer #70s #afrobeat #jazz #funk #soul https://www.instagram.com/p/CAjdnvwh9MM/?igshid=x467znvhcgyg
#fela #felakuti #afrika70 #sorrowtearsandblood #myrecords
Here is Fela Kutiās songĀ āZombieā. Zombie the album was aĀ criticism of the Nigerian government and the military. Ā The military burnt down Kuti's commune, Kalakuta Republic, and murdered his mother Funmilayo Ransome-Kuti. The horrific events provoked Fela to write this. He describes them asĀ āzombieāsā, brainwashed and taking orders with no views of their own. He would march around like a zombie on stage mocking them.